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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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152<br />

approval of literote and intel i, out playgoers and critics,<br />

without alienating those of more conservative tr.stee. The most<br />

important of these plays was The Silver King> whose success<br />

has been discussed in Part One, Charter Three (pp.6l-3)» a^<br />

which was revived, vithout serious loss of credit, in 1888<br />

(at the Globe) and 1889 (at the Princess's). By the end of<br />

the i ecade Barrett had produced works of a similar ; .-ppeal, if<br />

not I'll of equal success, by o number of writ ere with some<br />

literary standing or pretension. These plays included Chatterton<br />

by Herman and Henry Arthur Jones (22 Mry 1884), 'ooo':i-n<br />

Blind by Jones, and the same author's The Lord Harry (18<br />

Au-ust 1885 and 22 February 1886). Barrett collaborated v/ith<br />

Hall Caine to produce The Ben-my-Chree (17 May 1888) and The<br />

Good Old Times (12 February 1889). Sidney Grundy's Clito (a<br />

"Tragedy", 1 May 1886) and Palgrave Simpson's The Golden Ladder<br />

(22 December 188?) were produced, and Jills *c Claud ion (in<br />

collaboration with Henry Herman, 6 i-cconbcr 1883) hud considerable<br />

success. Barrett ceased to be the loose© of the Princess's<br />

for two seasons in the middle of the decade (lf'86/7 and 1GG7/ -<br />

he returned in May 1888), but he associated tlio theatre's<br />

name ,1th exciting and literate drama, .lion he undertook<br />

Hamlet he v;as already"fortified by n course of superior melodrama"<br />

(The Times, 17 October 1884), and The Daily Mews<br />

cl: inecl that<br />

The recent performanc s of Mr wilson Barrett in<br />

Romantic drama have finally -ol-^cec 1 him in tho<br />

estimation of playgoers in the foroinoct ronk of<br />

living actors.<br />

(17 October 1804)<br />

He was in a position to challenge Irving on his own ground.<br />

Unfortunately Barrett 's iinnounceraent of the rjlay had not<br />

met v:ith univorcal approval. The ^ra, a professional paper,<br />

warned -liic in February th t he should steer cle ^r of <strong>Shakespeare</strong>,<br />

and ;:;uc.' .'isted tliat "strong emotional frama is demanded<br />

nt the Princecs'G, and nothing else ever prospered there to<br />

any extent" (2 February, 1884). Another th atrical prpor,<br />

Tho aitr'ncte, began itc review of the firrt ni.^it ominously,<br />

with remarl:a about "v- ulti:ir cr.bition":<br />

lcin- for ourscl-'-cs, -,.e Imvo no {rcat hones of<br />

the venture, for, ir. f.ic firot il,?ce, the Princess's

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