Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

More documents

Recommendations

Info

268 at first. Peovlc must rrov; e.ccv.rto.accl to what is out of the common before r.uovrijin^ it. Your icier., if carried out ; L you fool it", ./ill be receiver .generally - and before long. (,'. Fe?v; v v^-iofj. p.2-5) To the attraction of her - cmonrlity and the novelty of the doubling v:oulci be ad-ed the appeal of "clar.i.ical" c.ccuory and rrocoorj. A£ rain, the major ocenic r rtioto of the eay were to be employed - Gillian Telbin, Walter Harm, Pcrkina anc' Hawes Crrven, but on tU.i a occasion there was no "director" or pcvlr.or. The pro'-ranae ackuo-. lee" ; ed Napier LolCiim as "Sta^re .'Irna'-or for Mirjo AnderLon", but v.ithout ,the cu;; c.y'îon tiit t this indivicu; 1 h d any recpoaibilitios beyond those of the coniiiion— or— ^rrdon or" a:--?.if;.cr. cither ir: : '-field, nor ;.-îy otlitsr "expert" \r. ,o credited \vith the proûctioii, recnonGibility for v/hich rested on f.ie actress. j.'Iiis h-.'d been the cace with T, ôu Li!:o It at Stratford, anc1 it apoo. rrj olr..t ; ftor Romeo av.o. J;u.i; ; t the cnnloyrient of a deî .ncr-r'iroctor ;:nr no longer felt to exert ; .ny influence on the niblic. No ^.^rrgrt-vn her. .1..in:; "the production as a fa t of archaeology a;roearpr.) in the nevrr j'jr • ^r on tac pro^rc_j...cr:. ii. The êrfom-nce. The mo.,t inriortant source of infor.:i.r 'tion r-. : r in,;, ary And roon's ;;'o, ci^" o^ The winter*s Talc ir.. a fuliy-annoo' -•'--:•" -t ;'';c-:.v .nn/ ::cr'c c,> -r, endorsed by r t'£r->ier Lot:.drui am. 1 nov. ii: the Polder ^li.:-J:ec-:-cc.re Library ( .int.'. .- 3: ^hattLici;, ^.^ ii-tor'c . • lo 2&). In actuition to bii^x, .^GS and oettii\r;t;;, tiic book i -cluclec call-ii;;os, timiivo and a note of t.ae o.i. ;cii;.i?iiG of tiio Lyceira ctaco: t_io r)j.-oocoiiioia Ojioniag v/ô Jiîrtj-u :^co feet, cix inches v/iae and t?i rty--'Jv;o feet, ten in^hcc hijh, and tiio ct","e v;ac forty-one foot deep, xhio depth could bo extended by uce of a tr/onty-t-iree i'ojt doop area i.:. the i-o ^ sccne-c.jck, and tlio cellc'-ra{.:o all !-0 ;.ved an elovon-^'o^t ,',i-/-:. :J.ao ^rid -.vao -uu-:ii-b3--ci. lit feet above tac i'o,,r-co.- c& bo, r.:.:o f and tu'Ciity-covon above the uoot ge. •jJIio .i-oia-o-coijy irj "âcod ,..oon the Chi::\vick Press edition of liiss And or;;; oil's active to;.t, -.Iiic-.i v/os ic. uo-: i i 1^0?, and differs iron it in sor:ic wrticulrrc. ^lic text was al;;o pablirhed
in R "bouvenir" of tae play, ..ith illmjtrr.ti MID by Ed.;in John ...l.i.is and Joseph Anderson one! selections from Andrew Lcvey'a ..vuuic. The curt; in rose on the interior of Looiitos 1 palace, designed by Telbin, "with the blue Sicilian bay in the background, and the re re beauty of classic art au,"c;/ted in every rrou îii", costume and ccccôry". i'he L owiiotage area was eighteen feet deep, with a flight of three ctoo::, from oioc to sic.e of the upcrb. : o area, leading jo a terrace ./here- marble seats looked out tov/ards the sea • Archidamus and Camillo were discovered amidst a aniall crov/d of courtiera, soldiers anr 1 slaves - at one point in the mimed business oreect
Page 1 and 2:
p o , PICTORIAL SHAKESPEARE, 1880-1
Page 3 and 4:
SYNOPSIS This thesis ie in two volu
Page 5 and 6:
VOLU.TE 0:iE Pace. Introduction i A
Page 7 and 8:
11 of habits and jnnmivra, and ic h
Page 9 and 10:
IV ACKHOWL.EnGEM PMT S I am gratefu
Page 11 and 12:
vi 16 .^ccne from Daly's production
Page 13 and 14:
In 1882 J.M.Stoddart, a Philadelphi
Page 15 and 16:
artistic achievement is considerabl
Page 17 and 18:
is of cource and obviously removed
Page 19 and 20:
similar kind sought for the restora
Page 21 and 22:
11 in the earliest dawn of literatu
Page 23 and 24:
13 all conventional circles. It was
Page 25 and 26:
and in Gothic times": In tho;:e tii
Page 27 and 28:
Illustration 1 (b) Hughes, April Lo
Page 29 and 30:
Illust ation 2 (b) Wate timiBe T Th
Page 31 and 32:
17 Moore's independence took him to
Page 33 and 34:
19 fetishism and the worship of lit
Page 35 and 36:
21 felt to be essential in evoking
Page 37 and 38:
23 the now movement was advocated a
Page 39 and 40:
25 the wrong effect in a room, wher
Page 41 and 42:
27 Chapter Two SHAKESPEARE CRITICIS
Page 43 and 44:
29 possesses - and Mr Swinburne, th
Page 45 and 46:
31 T '..e recognise the speech of t
Page 47 and 48:
ihis tells us nv ch more about £>.
Page 49 and 50:
35 (XVII .LGO-Lll,) . The Irving re
Page 51 and 52:
37 This is a typical Wildean parado
Page 53 and 54:
39 autocrat "not merely should desi
Page 55 and 56:
41 series of "efforts to interpret
Page 57 and 58:
4 O J before you, , ith ell their j
Page 59 and 60:
iv. waiter ?at,er«n Pater publishe
Page 61 and 62:
47 This view is re^-examined by the
Page 63:
49 This description might be of the
Page 66 and 67:
52 Henry V exhibits a contrast betw
Page 68 and 69:
54 an air of grave thought, of an i
Page 70 and 71:
56 Our firot question with regard t
Page 72 and 73:
58 It has been suggest ed that one
Page 74 and 75:
60 would earn "not more than £1,50
Page 76 and 77:
62 hero* a faithful wife, and Geoff
Page 78 and 79:
64 two procoedures can bo observed:
Page 80 and 81:
66 speeches and tableaux. This was
Page 82 and 83:
great a coincidence that Eva should
Page 84 and 85:
70 aa well r.a to the theatre", but
Page 86 and 87:
72 ing Ruth Holt and speaking with
Page 88 and 89:
74 I note, by the bye, that Sweet L
Page 90 and 91:
76 were produced, twelve of them re
Page 92 and 93:
78 These changes in the way in whic
Page 94 and 95:
Clayton in hie speech on the closin
Page 96 and 97:
82 palled on many observers - the c
Page 98 and 99:
84 maintain itself on its intellect
Page 100 and 101:
66 were "becoming so nict and gente
Page 102 and 103:
88 in the course of the century the
Page 104 and 105:
PART 2-.VO The Production of Shakes
Page 106 and 107:
9? On flarch -°4» 1874 reward Fit
Page 108 and 109:
published a collection of Essays in
Page 110 and 111:
96 who did can hardly have been una
Page 112 and 113:
Aquarium" (p»15). Against this may
Page 114 and 115:
-00 pictures: but always \vithout a
Page 116 and 117:
102 of the three major "new" plays,
Page 118 and 119:
Illustration 3 Following p.103 Elle
Page 120 and 121:
105 tiat selects one episode from a
Page 122 and 123:
107 The virtues of Irving*s stagecr
Page 124 and 125:
109 the picturesque grappling in a
Page 126 and 127:
Illust ation Ellen Terry as Lady Ma
Page 128 and 129:
Ill up to i'Tacbeth and his vdfc -
Page 130 and 131:
113 the inadequacy of his voice. Ar
Page 132 and 133:
115 to be calm" when the ncv/s of C
Page 134 and 135:
117 here", and folding his arras at
Page 136 and 137:
119 of events, by the urgency of th
Page 138 and 139:
Illustration 6 Following p.120
Page 140 and 141:
122 to the ba.ok a grcnd effect is
Page 142 and 143:
124 by the Doctor and "ihc Gentlewo
Page 144 and 145:
126 Macbeth woo in continuous perfo
Page 146 and 147:
128 SCliilE PAi;,-,i;rt t DESI&ITER
Page 148 and 149:
130 Between 18?4 and 1875 Godwin ha
Page 150 and 151:
132 The solution of this unadifying
Page 152 and 153:
1..4 Alhainbra Theatre in December
Page 154 and 155:
136 but ac. an architect and interi
Page 156 and 157:
138 in the flcah the customs of t:i
Page 158 and 159:
140 each of the plays in the Shakes
Page 160 and 161:
142 the beauty of proportion, and t
Page 162 and 163:
144 The etc c-Li;'ru'êraent of the
Page 164 and 165:
146 considerable diplomacy in ceali
Page 166 and 167:
148 We hope we are doing Sir iûire
Page 168 and 169:
150 Chapter Three GODWIN, ..ILuOIi
Page 170 and 171:
152 approval of literote and intel
Page 172 and 173:
haa never been genarous to the Bard
Page 174 and 175:
155 adornments, bold embroideries,
Page 176 and 177:
156 good nctor" in modern comedy, w
Page 178 and 179:
en rt- SB rt- O VJ1 •O
Page 180 and 181:
-U9 Sola i i his Illustrated London
Page 182 and 183:
lol an unusual chill in the air, wh
Page 184 and 185:
' Captious Critic found him incongr
Page 186 and 187:
signals to each, other surropticiou
Page 188 and 189:
167 and would appear, from the prom
Page 190 and 191:
109 "paddock" (Theoualrl*s emendati
Page 192 and 193:
I O 1 o 0 Q 3 f* ; n « o o » § 6
Page 194 and 195:
173 After learning of Polonius's mu
Page 196 and 197:
; cl:ed u vt.'co t •.v;r.rc1 c a
Page 198 and 199:
177 spade and lade ?r, evidently fo
Page 200 and 201:
179 was current in the years of the
Page 202 and 203:
11 Laciec and C-c: blcmon, - I woul
Page 204 and 205:
1-3 ions to all and sundry. The pla
Page 206 and 207:
165 Chapter Four. k-JiibHi£LD Arii
Page 208 and 209:
To iill the Vc cant position - assu
Page 210 and 211:
169 oi the early 'eighties often sh
Page 212 and 213:
evidence in Ingomar (a play he admi
Page 214 and 215:
193 Lady of Lyons would be retained
Page 216 and 217:
195 by ? roviv.' 1 oi ty^n; lion,,
Page 218 and 219:
197 (according to the interview) on
Page 220 and 221:
199 period at all" and th
Page 222 and 223:
201 not been token into account in
Page 224 and 225:
203 the fray. Enter three or four c
Page 226 and 227:
. Illust ation 10 Following p. 20k
Page 228 and 229:
206 The first misfortune of the eve
Page 230 and 231:
208 the back a row of three rounded
Page 232 and 233:
210 notes the t "there seens little
Page 234 and 235:
absent in both. Fron the balcony uo
Page 236 and 237:
214 good deal". The Illustrated s_p
Page 238 and 239:
216 £i:c! DIVJ obse ver useci "arc
Page 240 and 241:
... .'lien Ju'ici, ;".s picked u by
Page 242 and 243: ia t.-is scene. In c; be f L.n ac-r
Page 244 and 245: 2; 2 "picture" i^ruc as to ; ct-c'r
Page 246 and 247: c cy oi Subr, s ion all the no re s
Page 248 and 249: 26 . to• orô the spocc t:>r..:>
Page 250 and 251: Uiot belor-/". 'iho i.t i'iy ,.o _o
Page 252 and 253: 230 oi lc%uo lor icorôo tnu the re
Page 254 and 255: 232 arausea . The merry-anarew" - G
Page 256 and 257: 234 comings, the new Romeo and Juli
Page 258 and 259: 236 On January 4, 1884 The Times ha
Page 260 and 261: c-38 propoial to present Browning's
Page 262 and 263: 240 for 1884" (5 January 1884): Ret
Page 264 and 265: 242 It was A%% to be exoccted that
Page 266 and 267: None of this was of avail: reviewer
Page 268 and 269: 246 few stage-directions, and some
Page 270 and 271: 248 to "Mr David James's chick-a-le
Page 272 and 273: 250 "Master, co on, and I will foll
Page 274 and 275: TI-, 4. 4.-«« n Following p.251 .
Page 276 and 277: 253 not enthusiastic, is often kind
Page 278 and 279: Illustration 12 Mr and Mrs Kendal a
Page 280 and 281: 256 she delivered "0 oninous.J He c
Page 282 and 283: 258 It v/rxc p..T-b of a rtr-tcLy o
Page 284 and 285: 260 ohakoapc.-re seemed to have bee
Page 286 and 287: 262 -c.ky 'h t 2 June 1804). In 100
Page 288 and 289: 264 wary Andersen's p.-oOuction of
Page 290 and 291: 266 at home in her part. "\v. .A."
Page 294 and 295: P70 inforn- ti-»n ;v.-c rot ^r-.a^
Page 296 and 297: 272 he mentioned those used in the
Page 298 and 299: 274 of fifty-six minutes. The brief
Page 300 and 301: 276 F.H. K c din, as Polixenes, \vr
Page 302 and 303: 277 moved towards her. Tier next 1
Page 304 and 305: its early speeches the actress "see
Page 306 and 307: 261 i-Ievs, he a scared "bright and
Page 308 and 309: 282 laughter and nur.ic v/eie heard
Page 310 and 311: Ha, ha, what a fool honesty is} I p
Page 312 and 313: -Illustration 15 — Mary Anderson
Page 314 and 315: 287 at 103 - "You perceive she stir
Page 316 and 317: artistic predilection* to the theat
Page 318 and 319: 291 Chaoto Seven : Th£ 1888-9 Sti
Page 320 and 321: 293 magnificent thon sensitive; but
Page 322 and 323: 295 written by Shakespeare wrs appr
Page 324 and 325: 297 in a supposedly riliz&bethan ma
Page 326 and 327: Illust ation 16 Following p.298 Sce
Page 328 and 329: 300 degree of refinement and intell
Page 330 and 331: 302 iii. Beerbohm Tree and The Merr
Page 332 and 333: 304 actor; never yet that Nature ha
Page 334 and 335: 306 rushing water" in the forest wh
Page 336 and 337: 308 ibleS. Lady Tree wrote th,-1 he
Page 338 and 339: 310 original. Daniel BancJmai.n had
Page 340 and 341: 312 i ct Two 1 ay 1471 l.The Roaci
Page 342 and 343:
ecorded Mansfield f L, business in
Page 344 and 345:
316 any specific ccscrijtion oi the
Page 346 and 347:
318 Hichara "r. t er hysteric*. 1",
Page 348 and 349:
320 his ctrêr, and his rationalisa
Page 350 and 351:
322 hen he conies we h pj he ,111 h
Page 352 and 353:
324 in the use of unit sets, styliz
Page 354 and 355:
are vlthin reach of ell, the old sy
Page 356 and 357:
328 to the new stagecraft. Archer a
Page 358 and 359:
330 and the fairies performed an el
Page 360 and 361:
to provide a repertory theatre in L
Page 362 and 363:
334 To a society which had made a c
Page 364 and 365:
Her public readings, and the reviva
Page 366 and 367:
338 aioting of two short scenes in
Page 368 and 369:
340 greeted with a chorus of catcal
Page 370 and 371:
34; Mrs Langtry again engaged Wingf
Page 372 and 373:
344 virtue of his voice more than b
Page 374 and 375:
proper person - one almost expected
Page 376 and 377:
Illust:ation 18 Mrs Langtry as Cleo
Page 378 and 379:
343 of the preparations for the bat
Page 380 and 381:
35 J was left to the audience's pow
Page 382 and 383:
352 unable to deny some power in Mr
Page 384 and 385:
oversight of \vin,cfield's, or did
Page 386 and 387:
356 The actress should take for gra
Page 388 and 389:
"Isn't she Itoyall" "Isn't she " sn
Page 390 and 391:
360 'illir.i Poel's collection of e
Page 392 and 393:
362 lost in retrospect by contrast
Page 394 and 395:
364 Artist (1087), but the emotiona
Page 396 and 397:
SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
Page 398 and 399:
Designer and Director: E. W. Godwin
Page 400 and 401:
Page 402 and 403:
Page 404 and 405:
Page 406 and 407:
Page 408 and 409:
Page 410 and 411:
show all

Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

Create successful ePaper yourself

Delete template?

Save as template?