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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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29<br />

possesses - and Mr Swinburne, though he were<br />

to try his worst, cannot write many pages<br />

without giving us something of value - will<br />

be found in scattered pieces of bright, penetrating<br />

and original comment.<br />

(3 January <strong>1880</strong>)<br />

Dowden has to admit that the book's prose sometimes obscures<br />

the brightness of its penetrations:<br />

But when one comes to translate auch passages<br />

the pen drives heavily amid the radiant riot<br />

of flower-soft speech, and the supreme cpilth<br />

Oi starry syllables. One whose understand:, ig<br />

has been darkened by verse tests finds himself,<br />

too, as he copies, half unconsciously at v/ork<br />

On a painful series of prose tests, including<br />

the alliteration-test, the abusive-epithet<br />

test, the triple-redundant adjective test,<br />

and the never-ending hyperbole test.<br />

Swinburne is a man "with whom the infallibility of genius<br />

seems to be a foible", and Dowden reminds readers of Colaridce'3<br />

suppositions regarding the chronology of the nlays, as an<br />

example of the "baseless opinions" to which "mere general<br />

impression, even when the impression of a man of genius, may<br />

lead". The author's rude rejection of verse-tests seems<br />

reprehensible to Dowden, in so far as it exhibits a contempt<br />

for the new-found scientific spirit of English Sftakespoare<br />

studies. The anti-rationalism of Swinburne's criticism was<br />

summed up in T.S.Eliot's essay in The Sacred Wood:<br />

There are to be no conclusions, except that<br />

Elizabethan literature is very great, and<br />

that you cm have pleasure and even ecstasy<br />

from it, because a sensitive poetic talent<br />

has had the experience. One is in risk of<br />

becoming fatigued by a hubbub that does not<br />

march; the drum is beaten, but the processoion<br />

noes not advance..<br />

Swinburne appears to be attacking not merely the New Shakespere<br />

Society but the spirit of rational enquiry.<br />

The lush prose of A Study of <strong>Shakespeare</strong> is embarrassing<br />

not only on account of the ornamentation suggested in Dowden's<br />

"prose-tests" but the devotional piety -which informs its<br />

rhapsodies and occasional reflective moments. Prom the dedication,<br />

in which jv.dnburne writes Hallivvoll-?liillipps's na;.ie<br />

above his own on "the votive scroll" which "attaches" his<br />

"offering" to "the shrine of <strong>Shakespeare</strong>", to the concluding

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