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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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329<br />

star to super", but that "great dr matic ctp-city" was "not<br />

as clearly evident". The Illustrated aporting and Dramatic<br />

News was unusual in its condemnation of acting treated elsewhere<br />

with patronizing indulgence:<br />

As to the acting, not only of Mr and Krs<br />

Benson, but of most of the principals,<br />

tottering all the time under its o ;n inadequacy,<br />

the ; dditioml weight of the<br />

rnisq-on-scene was too much for it entirely,<br />

($ February 1590)<br />

The setting was praised highly in all viuprters. The first<br />

scene shov.-ed the exterior of Theseus 1 palace, with a coluaned<br />

entrance guarded on either acie by a marble lion. 5es and<br />

hills were visible in the distance, anoVtr e grouping in the<br />

scene was, thought The Era, "creditable". The m rkings in<br />

an 1897 prompt-book, no., at Stratforc, show movements similar<br />

to those o.t the beginning of Mary Anoerson's ..inter's Tale.<br />

with supers performing suitably classical actions < in this<br />

cesc, filling jars at a fountain) . After a second scene<br />

in Quince* f s shop, there v.et. a brief interval - eight minutes<br />

in 1897 - followed by the first sight of the ..ooaland ^lade<br />

by moonlight, a "masterpiece of pooticrl efioct":<br />

The medium bet /eon t>o much "Building up"<br />

and mere flatness and unreality is happily<br />

hit; and particularly tender is the effect<br />

of the heay copse is the background. The<br />

over-branching trees and foliege &re finely<br />

done, and the lighting-is very adroit.<br />

The only improvements which The JSra could suggest v,ere that<br />

the electric "glo - orno" crawling on the lerve, of a t, icket<br />

down right shoulc be v;hite rather than yello end th--1 e t. ick<br />

felt mat should be laid under the stage-cloth to ab orb the<br />

sound of the fairies 1 feet.<br />

Titania's bower, in the fourth act, elicited further<br />

praise, as did the set for the final act, vath its alter ano<br />

attendant priests. The f;iries appeared in "various dances<br />

and groupings", at times carrying coloured lamps, aao their<br />

dresses had "that delicate indefiniteness wi ich bu3t suits the<br />

vague ana supernatural nature of the 'good people* (Ihe ^ra).<br />

At the end of the play, after the departure of the mortals,<br />

slaves cleareci the str te,the \ hite lines gave v;ay to

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