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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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62<br />

hero* a faithful wife, and Geoffrey Ware, a subsidiary villain<br />

killed at the end of the firt/b act. Motivations are simple and<br />

strongly expressed - in .Vare's case an early rivalry for Nelly's<br />

hand is made sufficient reason for a lifetime's hatred of the<br />

hero. Apart from some novelty of plot, especially in the hero's<br />

prolonged and nearly catastrophic loss of memory, Th@ Silver<br />

King has the lines of an old-fashioned melodrama: it w;?s considered<br />

to be a simple inversion of East Lynne.<br />

The appeal of the play lay in its avoidance of Drury Lane<br />

excesses. Vanity Fair exulted:<br />

The authors ...have by no means fought shy of<br />

the startling or the shudder-rsroducing business;<br />

but the tesired effect is produced by excellently<br />

- contrived situations, rapid, concentrated dialogue,<br />

and good acting - not by fire, noise, or smoke.<br />

(25 November 1882)<br />

In The Illustrated London News Clement Scott, who had taken<br />

over c'.ranatic notices from iJala, wrote:<br />

There is a rift in the clouds, a break of blue<br />

in the dramatic heavens, arid it seeius as if we<br />

v;ere sic fairly at the and of the unlovely.<br />

(25 November 1882)<br />

A critic, possibly Scott, in The Theatre congratulated Barrett<br />

on the literary qualities of the ?lry:<br />

The tone of The Silver King is pitched in a<br />

much higher key than the ordinary xacloc'ramL.s<br />

of the uc'-y, and, in truth, it must not be confounded<br />

with the sensational panoramas which<br />

nowadays c-o of ton pass for plays. The dialogue<br />

of the play is throughout clever and witty, and<br />

much of the language is lofty and poetic...<br />

The author concluded - in tcr^o tynical of Clement ocott's<br />

criticism - by pronluncing Tlio oilvcr 'ting "thoroughly honest<br />

in purpose, dramatic, pathetic, full of human nature, and,<br />

v;it:ial, an original drama of English life, and sentiment, and<br />

feeling". (The Theatre.. n. a. VI (1382) 357-360). 7ho dialogue<br />

was praised by I:!p.tthew Arnold in The rail L ..11 gazette.<br />

,,.in general throughout the pie'6^ ^^e fiction<br />

ana sentiments fir© natural, they have sobriety<br />

and propriety, they arc literature.<br />

(6 Ucc ember 1882)^<br />

This w s "an excellent and hopeful sign".<br />

The dialogue does not seem quite as fresh as it nay have

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