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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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151<br />

On 16 October, 1884 the first mojor London production of<br />

Hamlet since Irving 's opened at the Princess's Theatre, under<br />

the management of v/ilson Barrett. The performance combined the<br />

talents of r. rising actor-nann^or and of E.W.Godwin, and it<br />

incorporated a number of interpretative innovations. It moved<br />

quickly, avoiding the "funereal gloom" which, Clement Scott<br />

observed in hie Daily Telegraph notice, too often associated<br />

itself with the play (1? October 1884) 1 . Hamlet and, more<br />

notably, Claudius and Gertrude were younger thrn they had<br />

hitherto appeared; the play was set in tenth-century Denmark,<br />

rather than in a vaguely Renaissance kingdom, and the text had<br />

been newly arranged and edited to give a number of "new readings 1<br />

which startled experienced playgoers and readers.<br />

The theatrical car, er of E.W.Godwin has been described<br />

in the preceding chapter: some account remains to be r^iven<br />

of the standing of the inonogement which -as responsible for<br />

the new production.<br />

i. -ilson Barrett and the Princess's Theatre.<br />

In <strong>1880</strong> Wilson Barrett merited an entry of one inch in Pascoe's<br />

j)r; :aati( f Lijjt, where it WP.S noted thr.t before becoming manager<br />

of the Court Theatre he had acquired "considerable refutation<br />

in the provinces as rm rotor end mn.no ^er", being lessee of the<br />

Gr-nd Theatre, Leeds and the Theatre Royr.l, Hull. After a<br />

season at the Court Theatre, curing which Elena Foojeska made<br />

her first appearance on the London stage (rs Constance in<br />

Mortimer's HeTtcr.roc on 1 ! ;ay, l',oO, he tool: possession of<br />

the Prince c's Theatre in June, 1881. Edwin Booth had in vlr.rch<br />

completed a season which ivd begun in November with Hamlet, and<br />

hr:d displayed :iim in a re-->cr";oire of "over twenty-five different<br />

imerr.-onr-fcions". In the scrsons v/hich followed Br.rrctt establiched<br />

his nrinpr^ricnt r-s no unworthy c.ucccnnor to that of the<br />

vicitor, and by 1°92, when The Dramatic Peorara was published,<br />

p<br />

he merited two pages of biography.<br />

Barrett's rr >ic; rise in -u"blic esteem w;.,s 'uo in ercrt<br />

pert to his esnouopl of "r. orioun" melodrama, olicitinr: the

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