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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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Ha, ha, what a fool honesty is}<br />

I picked and cut most of their festival purees;<br />

And had not the old man come in with a hubbub<br />

againct his daughter and the King's con and<br />

scared my choughs from the chaff, I had not left<br />

a puse alive in the whole army.<br />

(604-9)<br />

During this, blue lime-light had begun to suffuse the stage,<br />

DO that the end of the ccene was a mo nlit picture of Perdita<br />

setting out to voluntary exile. <strong>Shakespeare</strong>'s scene ends with<br />

the comic optimism of the Clown and Shepherd, and their touching<br />

faith in Autolycus as a providential figure ("He was<br />

provided to do us good"): this was the ending retained by<br />

diaries Kean's version, but Miss Ancurson felt much more<br />

strongly the pathos of Perdita's t,ioption.<br />

The second part of the play was civen, thought the<br />

reviewer from The Marning Post• "with much more c irit than<br />

its earlier and stronger passages", and The Dramatic Review.<br />

whose critj.c had disliked the trial scene, allowed that with<br />

Perdita»s appearance "a delightful change came over the scene".<br />

The Stage, on the other hand, found her "OG: entia'.ly modern"<br />

and Archer complained of a "clear misreading of the poet's<br />

intention" in tlie "mystic hesitation" with which she addressed<br />

Camillo and Polixenes in welcoming them to the feast. Fuller<br />

Hellish*s Florizel was "ardent" but "handicapped by an unrociantic<br />

individuality" (The Times).*- Punch found iiim "oainc;<br />

talcing, picturesque and conscientious" - faint and unpromising<br />

t) raise.<br />

The scene had taken twenty-five minutes, and was followed by<br />

twelve minutes' wait whilst its net (v;hicli took up thirty-six<br />

feet of the stage'3 depth) wac struck and replaced. The first<br />

scene of the final act was relatively short* -A woman's voice<br />

was hoard sinking, and the curtain rose to reveal a room in<br />

Leontes*G palace, where Cleomenes, Leontes, aulina and Emilia<br />

were ^roupsa on the .ota^e-richt j the singer stood oV-;c-left.<br />

The dialogue was r.iuch abbreviated, vdth the loss of Dion's<br />

aurr.eotion that Leontes choald marry a^ain and P&ulina'a<br />

insistence that he should not (24-49) and, ; non. ct other minco<br />

details, of Florizel f s pretence that his "wife" is the dau;,:at r

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