Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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34 reflecting the v.-ay in \vhich he ri.bj.diod to improve the state of theatrical art. Thin involvement uith the theatre can be contrasted to the attitude of Swinburne, who r.iade no concessions to the demc-nds of public performance. r.othwell was acknowledged by its "uthor to be unfitted for production, and between July and August of 1874, as the veteran Times critic John Oxanford struggled with the adaptation of the drama, Swinburne was obliged to accept a revision dependent not only upon exisions but on dividing the ,'lay into a series of tableaux, with the " - - c attenuation of such narrative continuity ;>s he had Oavised. In 1C78 Prank Marshall, one of Irving'a business managers and editor of The Plenry Irving <strong>Shakespeare</strong>, wrote that "by the help of stern self-discipline" the poet inighe; have found "the higher-t position among modem dramatists, but that he chose to produce a work which even Oxenford, who "combined the elegant culture of a great scholar v;ith the strong common sense of a practical c. dramatist", could do nothing to fit the modern stage. To temperamental disinclination \vas added, by the lute eighteeneighties, physical disability. In 1904 Wattc-Duaton .-.rote to vVilliam Archer, declining on the poet's behalf an offer of theatre tickets, that deafness had "for years ms/:.c it quite impossible for him to go to the theatre at r.ll": ioine #t;.urs ago when our friend Beerbohm-ircc first produced The Merry v/ives of Windsor Due. in 1889J> f old in order to" gratify" Tree persuade the poet to accept a box with r.:e. I rorjretted it, for the straining to listen brought on a painful singing in the ears which lasted for some days, ar;d yet iio did not lic-rr a -. ord«« Swinburne's studies of Shakespe'^ro and hio contetfnoraries did not suffer any intrusions from "tlio strong common sense" of theatrical insight. 'loct of tide's v:riting on bhakeeoeare arosa from theatrical occasions. His first published criticism vr'.s r-n .j.rticle on Irving's Il^nlet in Th.e Dramatic Review for i-.iay 9, 1835, and a general article, "Jh.ikespcure on scenery" had appeared in the Q same journr.l on March 14. Tiiis w;;s the germ of «"j]he 'iruth of flasks" (Intentions, 1091), which w.-'E first orinted as "Jh.ikespec.re on Stage Cocturne" in the May 1GC3 ist;ae of The Nineteenth Centur?/-
35 (XVII .LGO-Lll,) . The Irving reviov/ was iollowoci by reports in The Drarjc.tic i'evieu of the Oxford university Lr nu.tic society's Henry IV (23 . . y U-85)i As You Like' It at Coombe house (6 June T'.relith liij..ht (another O.U.D.b. production; ,
Page 1 and 2: p o , PICTORIAL SHAKESPEARE, 1880-1
Page 3 and 4: SYNOPSIS This thesis ie in two volu
Page 5 and 6: VOLU.TE 0:iE Pace. Introduction i A
Page 7 and 8: 11 of habits and jnnmivra, and ic h
Page 9 and 10: IV ACKHOWL.EnGEM PMT S I am gratefu
Page 11 and 12: vi 16 .^ccne from Daly's production
Page 13 and 14: In 1882 J.M.Stoddart, a Philadelphi
Page 15 and 16: artistic achievement is considerabl
Page 17 and 18: is of cource and obviously removed
Page 19 and 20: similar kind sought for the restora
Page 21 and 22: 11 in the earliest dawn of literatu
Page 23 and 24: 13 all conventional circles. It was
Page 25 and 26: and in Gothic times": In tho;:e tii
Page 27 and 28: Illustration 1 (b) Hughes, April Lo
Page 29 and 30: Illust ation 2 (b) Wate timiBe T Th
Page 31 and 32: 17 Moore's independence took him to
Page 33 and 34: 19 fetishism and the worship of lit
Page 35 and 36: 21 felt to be essential in evoking
Page 37 and 38: 23 the now movement was advocated a
Page 39 and 40: 25 the wrong effect in a room, wher
Page 41 and 42: 27 Chapter Two SHAKESPEARE CRITICIS
Page 43 and 44: 29 possesses - and Mr Swinburne, th
Page 45 and 46: 31 T '..e recognise the speech of t
Page 47: ihis tells us nv ch more about £>.
Page 51 and 52: 37 This is a typical Wildean parado
Page 53 and 54: 39 autocrat "not merely should desi
Page 55 and 56: 41 series of "efforts to interpret
Page 57 and 58: 4 O J before you, , ith ell their j
Page 59 and 60: iv. waiter ?at,er«n Pater publishe
Page 61 and 62: 47 This view is re^-examined by the
Page 63: 49 This description might be of the
Page 66 and 67: 52 Henry V exhibits a contrast betw
Page 68 and 69: 54 an air of grave thought, of an i
Page 70 and 71: 56 Our firot question with regard t
Page 72 and 73: 58 It has been suggest ed that one
Page 74 and 75: 60 would earn "not more than £1,50
Page 76 and 77: 62 hero* a faithful wife, and Geoff
Page 78 and 79: 64 two procoedures can bo observed:
Page 80 and 81: 66 speeches and tableaux. This was
Page 82 and 83: great a coincidence that Eva should
Page 84 and 85: 70 aa well r.a to the theatre", but
Page 86 and 87: 72 ing Ruth Holt and speaking with
Page 88 and 89: 74 I note, by the bye, that Sweet L
Page 90 and 91: 76 were produced, twelve of them re
Page 92 and 93: 78 These changes in the way in whic
Page 94 and 95: Clayton in hie speech on the closin
Page 96 and 97: 82 palled on many observers - the c
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84 maintain itself on its intellect
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66 were "becoming so nict and gente
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88 in the course of the century the
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PART 2-.VO The Production of Shakes
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9? On flarch -°4» 1874 reward Fit
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published a collection of Essays in
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96 who did can hardly have been una
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Aquarium" (p»15). Against this may
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-00 pictures: but always \vithout a
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102 of the three major "new" plays,
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Illustration 3 Following p.103 Elle
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105 tiat selects one episode from a
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107 The virtues of Irving*s stagecr
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109 the picturesque grappling in a
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Illust ation Ellen Terry as Lady Ma
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Ill up to i'Tacbeth and his vdfc -
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113 the inadequacy of his voice. Ar
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115 to be calm" when the ncv/s of C
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117 here", and folding his arras at
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119 of events, by the urgency of th
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Illustration 6 Following p.120
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122 to the ba.ok a grcnd effect is
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124 by the Doctor and "ihc Gentlewo
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126 Macbeth woo in continuous perfo
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128 SCliilE PAi;,-,i;rt t DESI&ITER
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130 Between 18?4 and 1875 Godwin ha
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132 The solution of this unadifying
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1..4 Alhainbra Theatre in December
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136 but ac. an architect and interi
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138 in the flcah the customs of t:i
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140 each of the plays in the Shakes
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142 the beauty of proportion, and t
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144 The etc c-Li;'ru'êraent of the
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146 considerable diplomacy in ceali
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148 We hope we are doing Sir iûire
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150 Chapter Three GODWIN, ..ILuOIi
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152 approval of literote and intel
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haa never been genarous to the Bard
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155 adornments, bold embroideries,
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156 good nctor" in modern comedy, w
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en rt- SB rt- O VJ1 •O
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-U9 Sola i i his Illustrated London
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lol an unusual chill in the air, wh
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' Captious Critic found him incongr
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signals to each, other surropticiou
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167 and would appear, from the prom
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109 "paddock" (Theoualrl*s emendati
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I O 1 o 0 Q 3 f* ; n « o o » § 6
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173 After learning of Polonius's mu
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; cl:ed u vt.'co t •.v;r.rc1 c a
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177 spade and lade ?r, evidently fo
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179 was current in the years of the
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11 Laciec and C-c: blcmon, - I woul
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1-3 ions to all and sundry. The pla
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165 Chapter Four. k-JiibHi£LD Arii
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To iill the Vc cant position - assu
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169 oi the early 'eighties often sh
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evidence in Ingomar (a play he admi
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193 Lady of Lyons would be retained
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195 by ? roviv.' 1 oi ty^n; lion,,
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197 (according to the interview) on
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199 period at all" and th
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201 not been token into account in
Page 224 and 225:
203 the fray. Enter three or four c
Page 226 and 227:
. Illust ation 10 Following p. 20k
Page 228 and 229:
206 The first misfortune of the eve
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208 the back a row of three rounded
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210 notes the t "there seens little
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absent in both. Fron the balcony uo
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214 good deal". The Illustrated s_p
Page 238 and 239:
216 £i:c! DIVJ obse ver useci "arc
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... .'lien Ju'ici, ;".s picked u by
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ia t.-is scene. In c; be f L.n ac-r
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2; 2 "picture" i^ruc as to ; ct-c'r
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c cy oi Subr, s ion all the no re s
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26 . to• orô the spocc t:>r..:>
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Uiot belor-/". 'iho i.t i'iy ,.o _o
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230 oi lc%uo lor icorôo tnu the re
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232 arausea . The merry-anarew" - G
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234 comings, the new Romeo and Juli
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236 On January 4, 1884 The Times ha
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c-38 propoial to present Browning's
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240 for 1884" (5 January 1884): Ret
Page 264 and 265:
242 It was A%% to be exoccted that
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None of this was of avail: reviewer
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246 few stage-directions, and some
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248 to "Mr David James's chick-a-le
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250 "Master, co on, and I will foll
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TI-, 4. 4.-«« n Following p.251 .
Page 276 and 277:
253 not enthusiastic, is often kind
Page 278 and 279:
Illustration 12 Mr and Mrs Kendal a
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256 she delivered "0 oninous.J He c
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258 It v/rxc p..T-b of a rtr-tcLy o
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260 ohakoapc.-re seemed to have bee
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262 -c.ky 'h t 2 June 1804). In 100
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264 wary Andersen's p.-oOuction of
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266 at home in her part. "\v. .A."
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268 at first. Peovlc must rrov; e.c
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P70 inforn- ti-»n ;v.-c rot ^r-.a^
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272 he mentioned those used in the
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274 of fifty-six minutes. The brief
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276 F.H. K c din, as Polixenes, \vr
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277 moved towards her. Tier next 1
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its early speeches the actress "see
Page 306 and 307:
261 i-Ievs, he a scared "bright and
Page 308 and 309:
282 laughter and nur.ic v/eie heard
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Ha, ha, what a fool honesty is} I p
Page 312 and 313:
-Illustration 15 — Mary Anderson
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287 at 103 - "You perceive she stir
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artistic predilection* to the theat
Page 318 and 319:
291 Chaoto Seven : Th£ 1888-9 Sti
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293 magnificent thon sensitive; but
Page 322 and 323:
295 written by Shakespeare wrs appr
Page 324 and 325:
297 in a supposedly riliz&bethan ma
Page 326 and 327:
Illust ation 16 Following p.298 Sce
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300 degree of refinement and intell
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302 iii. Beerbohm Tree and The Merr
Page 332 and 333:
304 actor; never yet that Nature ha
Page 334 and 335:
306 rushing water" in the forest wh
Page 336 and 337:
308 ibleS. Lady Tree wrote th,-1 he
Page 338 and 339:
310 original. Daniel BancJmai.n had
Page 340 and 341:
312 i ct Two 1 ay 1471 l.The Roaci
Page 342 and 343:
ecorded Mansfield f L, business in
Page 344 and 345:
316 any specific ccscrijtion oi the
Page 346 and 347:
318 Hichara "r. t er hysteric*. 1",
Page 348 and 349:
320 his ctrêr, and his rationalisa
Page 350 and 351:
322 hen he conies we h pj he ,111 h
Page 352 and 353:
324 in the use of unit sets, styliz
Page 354 and 355:
are vlthin reach of ell, the old sy
Page 356 and 357:
328 to the new stagecraft. Archer a
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330 and the fairies performed an el
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to provide a repertory theatre in L
Page 362 and 363:
334 To a society which had made a c
Page 364 and 365:
Her public readings, and the reviva
Page 366 and 367:
338 aioting of two short scenes in
Page 368 and 369:
340 greeted with a chorus of catcal
Page 370 and 371:
34; Mrs Langtry again engaged Wingf
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344 virtue of his voice more than b
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proper person - one almost expected
Page 376 and 377:
Illust:ation 18 Mrs Langtry as Cleo
Page 378 and 379:
343 of the preparations for the bat
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35 J was left to the audience's pow
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352 unable to deny some power in Mr
Page 384 and 385:
oversight of \vin,cfield's, or did
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356 The actress should take for gra
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"Isn't she Itoyall" "Isn't she " sn
Page 390 and 391:
360 'illir.i Poel's collection of e
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362 lost in retrospect by contrast
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364 Artist (1087), but the emotiona
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SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
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Designer and Director: E. W. Godwin
Page 400 and 401:
Page 402 and 403:
Page 404 and 405:
Page 406 and 407:
Page 408 and 409:
Page 410 and 411:
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