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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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317<br />

him njthint, but blood. Terror-stricken, he slides<br />

from the throne and sits brooding at its foot.<br />

(Boston Herald. 2i. October<br />

There is no mention of the "letp" and the cry of anguish. In<br />

Dramatic Motes - ..hich reprinted a reirie first published in<br />

The Observer - Richard is described as "stealing to the throne<br />

end sUrting at the reflection u x>n his hand., .before beginning<br />

'The Son o.. Clarence have I pent .*? close 1 " (DrMnetic Notes. 1669<br />

(1B90) pp. 29-31). however modified the busines^, although<br />

vivid, had little Justification in Shakes.e re's text (IV. 3)<br />

^here Richard's account of his crimes is folio, ec by the<br />

sardonic "To her I go, a jolly thriving v/ooer" - Kensfielc's , .i<br />

guilty thoughts, v. ether violent or restra.nwd, sort ill v.ith<br />

the business-like t nes of Richard's reception of Stanley's<br />

bad neis. The effect v.js in any case un-literary, achieved<br />

by mime, setting enc music.<br />

In the fifth act, all the scenery for nich was by Telbin,<br />

Mansfield moved quickly to the tent scene arid, ith ti;e deatn<br />

of Richard, the play's clir.i, x. He had included as a second<br />

part oi Act Four the confrontation .ith IMQZZI Elizabeth and t .e<br />

iuch^si of York, during vhich Richard st rted guiltily at<br />

each mention of his crimes - guilt v.hich The 3 &t relay Kevie<br />

found excessively markoc. Ora the tent scene hio le r hed<br />

reached its zenith. Becks recorded an extr neous piocj of<br />

business in tLe lines,<br />

c .. chides tide tarciy ^ cited ni,_,ht<br />

Th:-.t like a f^ul ana ugly .'itch does limp<br />

,jo teaivusly av.ry. I'll to fty c-.juch.oi<br />

Becks observed:<br />

g >es tov;ards t nt - sees hio sru ao - fancies it<br />

as soaeone - ^rcsps: s..orc fi-jm table u, ^lashes!<br />

Oh! Oh I re )!s.ces s ore i.nc retires.<br />

The text v;&s rrron^ec tj "discover" hicharu sittin^, at c. oocii'irv-<br />

before his tent, st ^e~ri c ht - The ^t. ^o io^au the scene<br />

l: m'X.t imposing,". Mansfield's plen, tcunbrntec to uithmai-, oi<br />

asving RicLc^u sjGck i r the- visions, v£.s evidently ab- nconec ,<br />

but a sjiies of gcu.es we s used t> iv- tr.e cppiritionj the<br />

ao,>ropriato ethurerl .urlity, r.iost «.rtist?c lly nfna^od". A<br />

revie^.e in Tli^L-Vl^-t 1 '0 (April 1&&9} found ti.e behcv: jui- of

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