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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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200<br />

that he had visited the Lyceum \vith some friends, after<br />

re;.dinr some very unf vourable reviev/s, and, finding his<br />

impressions no ;'t variance v.lth the opinions of the critics,<br />

had been move to write in the octrees f s defence. Humphrey's<br />

article hi s the subtitle "Voice miO ..notion: ith Reference to<br />

the Juliet of ,: ;iss nry Anderson", and seeks to interpret the<br />

performance in tome 01 a theory of c-ctinc. /otinr: th- t an<br />

actor m.-.y be .aid to have expressed a pacrion when the audience<br />

rihov;s si us of feeling it, he remarks on the existence of two<br />

reactions to HSS Andersen's acting. ?his c ivioion in the<br />

e^ci:a tes of, the perfom. nee oa-.y-eet to hin that too little<br />

attention hns be-, n . -id to "the . o.;er of the voice cs an evoker<br />

of enotion". (Hie description of the voice relates it to<br />

current t ojiiea of raucicpl expression:)* He eventually<br />

arrives at the criteria he would r v>iy to , ctin.-« J re;;nr;oocinr$<br />

an atoent.i.ve and "f« elin^' 1 audience, there are three conditions<br />

e:.. enti•• .1 to ;.rtietic cuccess:<br />

1st '7'iG situations in the ?-

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