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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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.47<br />

important part? v ilholra^ in the article quoted, mentions hlo<br />

cjuccoeoful co-operation with Telbin cmd others* and it io<br />

poeoible that hie theatrical, as oppoaed to antiquarian,<br />

backGround weo on acoet in oatnbliahinc working relation**<br />

ships - his first work hi d been as en aociotont to Bevorley,<br />

one of the noot ^rominent of nconic artiatc.<br />

It io do' r from ,;P.haln*s rrticlc, published in 1899,<br />

that hie concern v/ith occur c^ of hiotorical detail ©nd with<br />

sublet? of colour VK.--Q of n piece with Godwin* c, and with the<br />

Aesthetic revolt a^roinat 3eokitt*s blue end oa^enta. Ho eld not<br />

like to use supplement M-y liffle*lighting - "reinforcing the<br />

fiery-furnace of -ci>o footliglrte 1* - and he 0ou,:ux' in his compositional<br />

aucce Siva lineo of dancers mer£*ed alnoot<br />

imperceptibly from rhododendron nouvc,<br />

t!irou£^ht orchid and petui'iir peach toner:,<br />

into a full azalea rooc-^ini:, the coral of<br />

a boconic, and the pale flume of t;.ic aoaryllio<br />

lily, followed" by llio vvcira nriso, the<br />

cl

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