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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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122<br />

to the ba.ok a grcnd effect is obtained by<br />

me< ns of on extraordinary bit of sky that<br />

rau t be seen to be understood, eo wild<br />

and frenzied is ito appearance.<br />

Sullivan's music received considerable praise and was a-reoted<br />

on the opening night v;ith come enthusiasm. The Times devoted<br />

an entire column to the ocore, of which it regarded this<br />

fourth act as the most important passage. The '..orde of the<br />

witches' dialogue were declaimed to the music, rat..icr than<br />

spoken or sung, an; 1 the orchestra was hidden, after the manner<br />

of Bayreuth.<br />

The incantation is introduced by on andante<br />

maestoso of a singularly weird character, and<br />

that character is well sustained throughout<br />

the ccene. Ac each apparition rises from the<br />

cauldron the strains of the orchestra empharize<br />

its nature i- an individual and striking manner.<br />

The critic was rcDiuiOcl by the first chorus of The Golden<br />

Legend, but did not approve of the conclusion to the act,<br />

which GO once1, reminiscent (as "operatic, evil—tongued" perrons<br />

night object) of ':'.I''..o.Vin; fore. Sullivan end Irving wore<br />

called before the curtain at the end of the ret, in true<br />

operatic fashion.<br />

Such an clabor te episode r.ii ;ht seem out of place in the<br />

context of Irving 1 s carefully worked-out development of Ilacbeth's<br />

psycholof-/, but it was in some respects consistent vitli his<br />

ap^ro cii to the nlay. It conformed to Mo presentation of<br />

tlio hero's icntal crises a^^inst a background of visual effects,<br />

ac r. more eiahirrte equivalent of the "significant" tableaux<br />

e.t the end of i.(nportant scenes. It was in keeping with his<br />

policy of conbii.ing all the arts, in a Gesajn-blcunstwerk whose<br />

Wagnerif n affinities were ompliasizod by its ur,e of the nor;t<br />

advanced tocluiical anarajus (ctern, electric Lighting,<br />

"tr-uirifomr tions") a.nc 1 the conceal nont of the jrchectra. : ihis<br />

overall artistic policy and Irving's personal, pictorial<br />

technique as an actor were co;.i^lcnent: ry. It v;a.s, moreover,<br />

a new departure, for the witches were played by actresses<br />

rather tham ac ors, and the v.unic attributed to Loc?:e had been<br />

diacrrded. TJio opinion of The ^iner: was representative of the

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