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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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129<br />

An undistinguished but commercially successful response to<br />

Wilson Barrett's 1384 production of Hamlet was the Gt ioty<br />

burlesque Very Lit le Heaalot. by ,,111-iam Yardley, first rjiven<br />

on 29 .November 10-4. The mood of cheerful philistinism, in<br />

which the new staging was mocked, wis established at the<br />

begir/iing of the piece by a chorus of courtiers celebrating<br />

the royl ra;.irri^0 (",'olf the ale and the cakes - ..hoat hip,<br />

hip t ho>r;.y) and by choir scornful reception of t-:o comic<br />

•^ed. jits, the Hon . Lewes :7o.v,Gncr-nz (::ic) anJ J.W.Guildastern,<br />

F.S.A. The pair introduce themselves ,:.c antiquarian advisers:<br />

.e'rc u-re to guarantee the :1; y,<br />

. rchaeolo^rically all O.K.<br />

They have little to do in Y. rdlcy's minim: >1 plot, and at the<br />

end, when they take exception to the unwarranted reconciliation<br />

between Hunlet -and Claudius, the royal majesty of Denmark<br />

orders them to "Jhut unj" .<br />

The Hon. Lewis in field and Edv.-urcl William Godwin, F.S.A.,<br />

were the tv/o ;-^r;t prominent repi sentrtives of a new breed, the<br />

•arch eoloricnl au^crvisor of theatrical proeuctions. No "outsiders"<br />

hrd enjoyed v,c much influence ?'ith nrrv -rcnonts cince "'l-'Jiche,<br />

and it v;as arguable thct t/ie cowers entrusted to then exceeded<br />

thoce ;'iven to their distinguished pronece::sor. r.oth wished to<br />

exercise control over all aspects of the pro.luctions upon which<br />

managers on/;agGd then, and Godv.-in v;as the nore articulate of<br />

tlie tvvo. In hit v/ork as r n interior decorr'tor and furniturenesi^ier<br />

he solicit to combine thoce functicnc v/ith nractice as<br />

an arciiitoct: in tue v;ords of hie obitur.ry in The___._rit_i:'jh<br />

Architect, ,vie "forever ^leaded for a , reater reconcili rfcion<br />

between the decorative and constructive arts*' (15 October 1HP6).<br />

;ii;.- . nbitions v.itli regard to the ;>ro 3 uct:ion of "1 ys were ri^iler.<br />

Got 1 ;in wac born in l'?33» and di not do vrsj si^nificr it; -,vorl: in.<br />

the professional theatre until 1875, when ho ; vised Brncroft<br />

in his I o duct ion of The ? 'T er^h'\nt of Vonice at the Prince of<br />

Wales Theatre. The first production in v?hich he v/r-L profescionally<br />

concerned - for v/hicii, thrpt is, he v;as paia a fee - v;o.s<br />

John Colon:,n's /^v r V, at the Qucon'n ther tro in September i"7

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