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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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346<br />

her heart" (III.2.47-50), as Oct. via v/aiL-pers to Caesar, was<br />

followed by the continurtion of II.3 '. ith their go anights.<br />

Before reverting to the text of tie earlier scene Ci Ivert, in<br />

a ^ iniU r arrr.rv cmcnt, included Enobarbus 1 "Will Caesar weep?<br />

>n<br />

1<br />

and Agrippa'a answer, "He has a cloud in*s fcce", and Caesar's<br />

spoken answer to the unheard query of Octcvin. Both versions<br />

proceeded ..ith the Soothsayer's .-monitions to Antony, but<br />

ordtted most of the ganing inr, es - more general observations<br />

on the conduct of life, c.- Ivert included Antony's exit-lines<br />

and the short ccene, II,4, which follows. The Captious Critic,<br />

in The_ Illuotrated opqrting c.nd ^ranatic Ilcvvc, recreated the<br />

curtailment of Qctavia's pr rt, and felt that che would have<br />

provided an important contrast »,ith Clco^rtra* In Iho LV-ily<br />

•' raphic Prances Ivor's performance of the role was described<br />

as "the one complete success of the evening" (20 November <strong>1890</strong>),<br />

but The. Stage (3lender.-eC, her as "a colourless cli.r;/cter, prettily<br />

and sympathetically plrycd", and found no n irtic tlar Ei:Tiificance<br />

in I'.or.<br />

The concluding scene of t:io act -.vas a conflation of two<br />

Alexandri n scenes, II.5 and 1. I.3» located in Joseph !!(;:r/:cr«L><br />

set of "A H; 11 in Cleo :xtrr.*s °;.lrce n . LiV:o the exterior<br />

designed by iir.ce Snici, this nppCL-rs to hove taken up the<br />

full depth of the t . c. Ml the ccenes between the two liere<br />

oi-j-yioyed were o^it-fced: 11*6 (Pornpey), II.7 (the calley scene)<br />

lil.l (Ventidius) and tliocc pi rts of III«2 which had not rlrc•: dy<br />

been used.<br />

After the oniscdon of the reference to bil3-irrcls aacl, ;;a<br />

rai-yht oal.y be expected, '"nrcli; n's shortcomin^o, t...e new cceno<br />

viro-vre.'.ced witi'iout further ..'Itor'.ition to the nor.r.,enrer f s<br />

delivery of his ne\vs that \ntony ic married to Get -.vie. The<br />

quibble "For v;li t good turn? - For the beet turn i f bh» ,;cd"<br />

v/as cut, but Cloo •• tra ut orod a throat ••.vhich C: .Ivert hr C<br />

rejected as too Luiui^iiii'ied for a ro ,"•! E-; yiti; 11:<br />

Thou oh'^lt be ./hipper"1 -.ith wire, and Gtov;ecl i\i hri.ie,<br />

jin rtin in lii- 'r'.ing .ickle.<br />

(C5f.)<br />

Cleopttra's 1 tor as. u.'Q nce tiv t she '."ill not bite the :.ies:--<br />

eri'-er (II.5.'-0) \r\a dir.c, r^led. 2ho reception of the MO. cen ; or<br />

v/;.'D one of re Lan.-try'c bc:.t ov'.: e c^s - c notice in The or lin.;;

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