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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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209<br />

less sctisfied, but the kissing hrd bee,., "still more<br />

unpleasant" in Irving's version. Could any compromise be<br />

found?<br />

I crnnot but ,;ish thtt 'iss Anderson hrd been<br />

pciviseu to orr,- n ;_,o the whole st- ^,e business of<br />

this scene differently. The b.-sirios-j, es now arranged,<br />

concentrates attention upon an action to<br />

which only the noot skili'ul menagemont...and<br />

the most delicate acting on the part of Komeo,<br />

could possibly reconcile the tcst-j of «?, niocern<br />

audience.<br />

Humphreys perceived that change in soci; 1 conventions made<br />

the passage difficult - lii.e the soliloquy and the tire, e,<br />

displays of eifectption on st£ ,e were now associated with<br />

fcrcn, then, to the change in sociel end. t; ettric? 1 CJf Ro ieo tnt<br />

Juliet s.'as obliged to rssrult the phono^eucil sc-xu.. 1 p.i.ilijtinisn<br />

oi the ^.n.;' lishritn.<br />

one of the consequences of this tttituao v;; s th; t, k .hon<br />

a nature actres^ ;-layed the part of Juliet, t'ie "love-j, ssages"<br />

- as The Saturday Rsviev.1 pointed out - ''oetoiiorrtc^ri into :.•<br />

iatri 0UG", and the youn^, girl bee :e a iiciv-erite u; utier.<br />

rii^.t:: noted tii.-.t Juliet was "hardly a y >un l_. ... irl viiom -other.,<br />

,,'julc: reconraenfi as t model to ti.eir df u^btc.-s", ; uci. t. < t it<br />

w. s nocess; ry to nagniiy the pjiG^i^n >f the plc.y, ao as to<br />

"forgive" her i or. arc boi aviour lo ,j JV^uber). A.C. S .»r. ,ae

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