Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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102 of the three major "new" plays, The CUT). Paust and The Dead Heart, Tennyson's brief tragedy, The Cup.opened on January 3f 1881, and was well-received.- it was remarkable, claims Stoker, for the number of h. -h-church clergy who visited it 2^. The plot is simple: Synorix, a Galatiojti serving Rome, has admired Comma, the wife of the Tetrarch Sinnatus, ever since he saw her "A maiden moving slowly on to music" at the temple of Artemis. Now he brings her a cup, saveti from the shrine of the goddess which the legions had destroyed. He contrives to have Sinnatus invite him to dinner, and represents himself to Gamma as a well—wisher, who only serves Rome in order to serve G-alatia, and warns her that the Romans suspect Sinnatus of plotting against them. Then he contrives the assassination of Sinnatus, and Gamma takes refuge in the temple of which she is a priestess. Synorix becomes Tetrarch, and Gamma, surprisingly, agrees to marry him. During the ceremony, which forms mo.,t of the play's second act, she poisons Synorix and herself, and dies nith Sinnatus's name on her lips. The play's appeal to the hi,;h Anglicans is not far to seek: it offers a re-creation of an ancient and aesthetically appealing religious ritual, v;ith incense and singing, and suggests the defeat of a new order in religion (the Roman worship of Diana) by an older one (Gamma's devotion to Artemis). The subject is not biblical, for representation of Christian rites on tlio stage would hardly be acceptable to the censor, but it touches on the same sensibilities as inform Moriuc the Epicurean - an aesthetically pleasing; religiosity. Moreover, its plot may have influenced vil-'e in Salome - a central i'eiaele diameter who in a context of exotic ritualism com pa: -DOG the death of a man. The character of Synorix shows to
in a manner which prompted Sala t in Tho Illuotrated Lone ion iicvm, to conpare hln with Claud* Prollo, in Victor Hugo's ' ; 3tro Dane de Paris » The wretched suitor of Caooa comea before ua ac a nan rent b a devouring and irresiotible paoDionj and his crime and it a expiation oeem alike inscribed on the irrevokcble rollo of ; to. He is foredoomed from the beginning to be the olayer and the slain*.. '0 ie l«oo a Crook-Backed Hichard or a fiendish Irô than a guilty yot otill noble Claude 'rollo. (15 January 18C1) According to Bllien Terry, Xrving "conceived his own type of the blend of fionon intellect and aenouality with barbarian cruelty and luet" . ?!io repertoire of the Lyceum included nony ouch parte for the actor - Vanderdockon, .uêne Arcn, ephietopliiles and, noct frnouc of all, "lothiao - in rihich ovil io qualified by a seno© of the character *o oenaitiv. ty and uneaey conscience* Carana is a înmlor role - an adnirr.ble vjorarn whoce innocence in tiivrcd by a little cunning* ti.-ilde'o connct coajpr-reo her, "antique-linbed and otorn*% to a figure on a 'rocrim urn, but on- c with a plea that the sctresa vill ^lay Cleonotraj And. yet - .•.:ct>-ini':o I*d rathor 000 theo -)lay That serpent of old : Tile, v/ho;:c witchery i!nde L-faneroro drun»:cn, - cone, Our stag® with • 11 thy rnir.iir I an ":rov:n nicf: of unreal ^-. The world thino Actium, me taino In oono ouc!.rtcrc it was tliourlit tlir.t Ellen Jerry ( o Oreooeo contributed more to the Crano t'-inn c..ri,y oublety or interest in the heroine oho ôrtrr.ycc • MI t-nonynoua rovior;or i:: ^__/j. _ iv:. 1:5 . 7 n;-ilr.inc
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p o , PICTORIAL SHAKESPEARE, 1880-1
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SYNOPSIS This thesis ie in two volu
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VOLU.TE 0:iE Pace. Introduction i A
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11 of habits and jnnmivra, and ic h
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IV ACKHOWL.EnGEM PMT S I am gratefu
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vi 16 .^ccne from Daly's production
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In 1882 J.M.Stoddart, a Philadelphi
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artistic achievement is considerabl
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is of cource and obviously removed
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similar kind sought for the restora
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11 in the earliest dawn of literatu
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13 all conventional circles. It was
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and in Gothic times": In tho;:e tii
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Illustration 1 (b) Hughes, April Lo
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Illust ation 2 (b) Wate timiBe T Th
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17 Moore's independence took him to
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19 fetishism and the worship of lit
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21 felt to be essential in evoking
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23 the now movement was advocated a
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25 the wrong effect in a room, wher
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27 Chapter Two SHAKESPEARE CRITICIS
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29 possesses - and Mr Swinburne, th
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31 T '..e recognise the speech of t
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ihis tells us nv ch more about £>.
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35 (XVII .LGO-Lll,) . The Irving re
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37 This is a typical Wildean parado
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39 autocrat "not merely should desi
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41 series of "efforts to interpret
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4 O J before you, , ith ell their j
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iv. waiter ?at,er«n Pater publishe
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47 This view is re^-examined by the
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49 This description might be of the
Page 66 and 67: 52 Henry V exhibits a contrast betw
Page 68 and 69: 54 an air of grave thought, of an i
Page 70 and 71: 56 Our firot question with regard t
Page 72 and 73: 58 It has been suggest ed that one
Page 74 and 75: 60 would earn "not more than £1,50
Page 76 and 77: 62 hero* a faithful wife, and Geoff
Page 78 and 79: 64 two procoedures can bo observed:
Page 80 and 81: 66 speeches and tableaux. This was
Page 82 and 83: great a coincidence that Eva should
Page 84 and 85: 70 aa well r.a to the theatre", but
Page 86 and 87: 72 ing Ruth Holt and speaking with
Page 88 and 89: 74 I note, by the bye, that Sweet L
Page 90 and 91: 76 were produced, twelve of them re
Page 92 and 93: 78 These changes in the way in whic
Page 94 and 95: Clayton in hie speech on the closin
Page 96 and 97: 82 palled on many observers - the c
Page 98 and 99: 84 maintain itself on its intellect
Page 100 and 101: 66 were "becoming so nict and gente
Page 102 and 103: 88 in the course of the century the
Page 104 and 105: PART 2-.VO The Production of Shakes
Page 106 and 107: 9? On flarch -°4» 1874 reward Fit
Page 108 and 109: published a collection of Essays in
Page 110 and 111: 96 who did can hardly have been una
Page 112 and 113: Aquarium" (p»15). Against this may
Page 114 and 115: -00 pictures: but always \vithout a
Page 118 and 119: Illustration 3 Following p.103 Elle
Page 120 and 121: 105 tiat selects one episode from a
Page 122 and 123: 107 The virtues of Irving*s stagecr
Page 124 and 125: 109 the picturesque grappling in a
Page 126 and 127: Illust ation Ellen Terry as Lady Ma
Page 128 and 129: Ill up to i'Tacbeth and his vdfc -
Page 130 and 131: 113 the inadequacy of his voice. Ar
Page 132 and 133: 115 to be calm" when the ncv/s of C
Page 134 and 135: 117 here", and folding his arras at
Page 136 and 137: 119 of events, by the urgency of th
Page 138 and 139: Illustration 6 Following p.120
Page 140 and 141: 122 to the ba.ok a grcnd effect is
Page 142 and 143: 124 by the Doctor and "ihc Gentlewo
Page 144 and 145: 126 Macbeth woo in continuous perfo
Page 146 and 147: 128 SCliilE PAi;,-,i;rt t DESI&ITER
Page 148 and 149: 130 Between 18?4 and 1875 Godwin ha
Page 150 and 151: 132 The solution of this unadifying
Page 152 and 153: 1..4 Alhainbra Theatre in December
Page 154 and 155: 136 but ac. an architect and interi
Page 156 and 157: 138 in the flcah the customs of t:i
Page 158 and 159: 140 each of the plays in the Shakes
Page 160 and 161: 142 the beauty of proportion, and t
Page 162 and 163: 144 The etc c-Li;'ru'êraent of the
Page 164 and 165: 146 considerable diplomacy in ceali
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148 We hope we are doing Sir iûire
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150 Chapter Three GODWIN, ..ILuOIi
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152 approval of literote and intel
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haa never been genarous to the Bard
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155 adornments, bold embroideries,
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156 good nctor" in modern comedy, w
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en rt- SB rt- O VJ1 •O
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-U9 Sola i i his Illustrated London
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lol an unusual chill in the air, wh
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' Captious Critic found him incongr
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signals to each, other surropticiou
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167 and would appear, from the prom
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109 "paddock" (Theoualrl*s emendati
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I O 1 o 0 Q 3 f* ; n « o o » § 6
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173 After learning of Polonius's mu
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; cl:ed u vt.'co t •.v;r.rc1 c a
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177 spade and lade ?r, evidently fo
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179 was current in the years of the
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11 Laciec and C-c: blcmon, - I woul
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1-3 ions to all and sundry. The pla
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165 Chapter Four. k-JiibHi£LD Arii
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To iill the Vc cant position - assu
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169 oi the early 'eighties often sh
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evidence in Ingomar (a play he admi
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193 Lady of Lyons would be retained
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195 by ? roviv.' 1 oi ty^n; lion,,
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197 (according to the interview) on
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199 period at all" and th
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201 not been token into account in
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203 the fray. Enter three or four c
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. Illust ation 10 Following p. 20k
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206 The first misfortune of the eve
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208 the back a row of three rounded
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210 notes the t "there seens little
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absent in both. Fron the balcony uo
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214 good deal". The Illustrated s_p
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216 £i:c! DIVJ obse ver useci "arc
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... .'lien Ju'ici, ;".s picked u by
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ia t.-is scene. In c; be f L.n ac-r
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2; 2 "picture" i^ruc as to ; ct-c'r
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c cy oi Subr, s ion all the no re s
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26 . to• orô the spocc t:>r..:>
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Uiot belor-/". 'iho i.t i'iy ,.o _o
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230 oi lc%uo lor icorôo tnu the re
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232 arausea . The merry-anarew" - G
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234 comings, the new Romeo and Juli
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236 On January 4, 1884 The Times ha
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c-38 propoial to present Browning's
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240 for 1884" (5 January 1884): Ret
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242 It was A%% to be exoccted that
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None of this was of avail: reviewer
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246 few stage-directions, and some
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248 to "Mr David James's chick-a-le
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250 "Master, co on, and I will foll
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TI-, 4. 4.-«« n Following p.251 .
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253 not enthusiastic, is often kind
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Illustration 12 Mr and Mrs Kendal a
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256 she delivered "0 oninous.J He c
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258 It v/rxc p..T-b of a rtr-tcLy o
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260 ohakoapc.-re seemed to have bee
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262 -c.ky 'h t 2 June 1804). In 100
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264 wary Andersen's p.-oOuction of
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266 at home in her part. "\v. .A."
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268 at first. Peovlc must rrov; e.c
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P70 inforn- ti-»n ;v.-c rot ^r-.a^
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272 he mentioned those used in the
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274 of fifty-six minutes. The brief
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276 F.H. K c din, as Polixenes, \vr
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277 moved towards her. Tier next 1
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its early speeches the actress "see
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261 i-Ievs, he a scared "bright and
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282 laughter and nur.ic v/eie heard
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Ha, ha, what a fool honesty is} I p
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-Illustration 15 — Mary Anderson
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287 at 103 - "You perceive she stir
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artistic predilection* to the theat
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291 Chaoto Seven : Th£ 1888-9 Sti
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293 magnificent thon sensitive; but
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295 written by Shakespeare wrs appr
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297 in a supposedly riliz&bethan ma
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Illust ation 16 Following p.298 Sce
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300 degree of refinement and intell
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302 iii. Beerbohm Tree and The Merr
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304 actor; never yet that Nature ha
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306 rushing water" in the forest wh
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308 ibleS. Lady Tree wrote th,-1 he
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310 original. Daniel BancJmai.n had
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312 i ct Two 1 ay 1471 l.The Roaci
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ecorded Mansfield f L, business in
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316 any specific ccscrijtion oi the
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318 Hichara "r. t er hysteric*. 1",
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320 his ctrêr, and his rationalisa
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322 hen he conies we h pj he ,111 h
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324 in the use of unit sets, styliz
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are vlthin reach of ell, the old sy
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328 to the new stagecraft. Archer a
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330 and the fairies performed an el
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to provide a repertory theatre in L
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334 To a society which had made a c
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Her public readings, and the reviva
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338 aioting of two short scenes in
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340 greeted with a chorus of catcal
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34; Mrs Langtry again engaged Wingf
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344 virtue of his voice more than b
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proper person - one almost expected
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Illust:ation 18 Mrs Langtry as Cleo
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343 of the preparations for the bat
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35 J was left to the audience's pow
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352 unable to deny some power in Mr
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oversight of \vin,cfield's, or did
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356 The actress should take for gra
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"Isn't she Itoyall" "Isn't she " sn
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360 'illir.i Poel's collection of e
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362 lost in retrospect by contrast
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364 Artist (1087), but the emotiona
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SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
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Designer and Director: E. W. Godwin
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Page 406 and 407:
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Page 410 and 411:
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