Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

More documents

Recommendations

Info

364 Artist (1087), but the emotional power of Pater's v/riting hus an intellects.a rigour of its own and a sonce of personal involvement .vliich vVilde and Helen Faucit share. Finally, in defence of the »ei{ lities, it en be alleged thrt the timidity and academism of ' Iraa-Tadema, :,Ioore and Lei/nton, revealed by comparison wit x ,-hiotler or their French contemporaries, arc not as important r s the cchievement of the ort-e -iticr;. A new flourishing of art-journal ism was a^-con ".nied by the rejection of narrative and ;n understanding of the abr:tr ct values of colour, space and form. The artirt's material hr.d its own significance. The career? 1 could rive the accurate representation of reality after v.hicli the artict had striven for so long, and, by its ^susceptibility to meniâlr.tion, had >.hovm the chimoric;\l nature of that aim. Hot only r'it". photogrt.nhy render a certain kind of .renting redundant (notably Pith's docuj .cnt^xy c;.nvases): it drew attention to the vr-luGL- of colour and form anc the significance of the artist's choice in the art it was widely believed to supercocle. It could hardly be maintained that the art critics of the period offered a systeraatic*aesthetic f but they cannot be denied to have ;:cco;::o;.ated in their view of art many new ideas. ,:.o.:' - times the old and the new co—exist in a bewildering v/;,y. Thus an article in g;.io K.';. L-:asi_nr _of \^t_ on tae experi ;o-?ts of fM.ybric'-;e and others vvitli iriLtantrmeous plioto r r -;!iy combines the rejection of the no-..-attained ; bility to r.ee t;iings as uhey are v-itli the conservative regard for r^n old convention. The \.Titer is :v?; ,r to endorsir.-~: Irnre: ..ionism: Tlie function of pictures is to revive a :rl iiito?i:.7ify former impressions; a.m ; I a;:.,trt, •without fe;-r of contradiction, t;:at neither ^rey's nor .itill tan's cli.^;'\rruas of /jr.lloriinf; h >r; es, treated never so Ucilfully, v/o^'ld rovivG recoil actions oi1 the t happy dt:y soont ^•fc • o" . 2o IT Hoi""-OS • :i t i'ul?. gr.llo r ~ -'O'. T extended. To tr.'.o 1 ver of art ivTueinj-"; -o tTi.. , ,-j T . -i „ r-nr. -', , - J. JL _L t-J *-/C - J~ '.. i . -^ r"\ That c.rt liec in interpretation rnt?:r thr^n rc-ircaoutntion w.-. s est;-.b"Lichf»r» d'n-ing the 'ei^htiec: Clive tioll'c _,j/t, published in 1314, h s few r-r a"ionts tJu :t v o^ld lv-ve been entirely u-^' ; - n.ilitir to the v ell-ini'orncd re-(lor of three cieci'/ies before. 3ell's • dr.iir.- .tion for irinitivo Art v: • c not
foreshadov.ee in the f ei lities, but the qualities he admired were in essence those proposed by hj.stl-.r ana Go'.în - "absence of representation, absence of technical swagger, subli -I./ inprec-rive form"11 . Bell's di ,:.;!.;: .1 of the work of Frith and of the jt'u:r i, .native i:i,or;j continues a process which hud bc..un in the 'eighties, and his 1; n;;~oage and manner t,t tines re-call '»!il
Page 1 and 2:
p o , PICTORIAL SHAKESPEARE, 1880-1
Page 3 and 4:
SYNOPSIS This thesis ie in two volu
Page 5 and 6:
VOLU.TE 0:iE Pace. Introduction i A
Page 7 and 8:
11 of habits and jnnmivra, and ic h
Page 9 and 10:
IV ACKHOWL.EnGEM PMT S I am gratefu
Page 11 and 12:
vi 16 .^ccne from Daly's production
Page 13 and 14:
In 1882 J.M.Stoddart, a Philadelphi
Page 15 and 16:
artistic achievement is considerabl
Page 17 and 18:
is of cource and obviously removed
Page 19 and 20:
similar kind sought for the restora
Page 21 and 22:
11 in the earliest dawn of literatu
Page 23 and 24:
13 all conventional circles. It was
Page 25 and 26:
and in Gothic times": In tho;:e tii
Page 27 and 28:
Illustration 1 (b) Hughes, April Lo
Page 29 and 30:
Illust ation 2 (b) Wate timiBe T Th
Page 31 and 32:
17 Moore's independence took him to
Page 33 and 34:
19 fetishism and the worship of lit
Page 35 and 36:
21 felt to be essential in evoking
Page 37 and 38:
23 the now movement was advocated a
Page 39 and 40:
25 the wrong effect in a room, wher
Page 41 and 42:
27 Chapter Two SHAKESPEARE CRITICIS
Page 43 and 44:
29 possesses - and Mr Swinburne, th
Page 45 and 46:
31 T '..e recognise the speech of t
Page 47 and 48:
ihis tells us nv ch more about £>.
Page 49 and 50:
35 (XVII .LGO-Lll,) . The Irving re
Page 51 and 52:
37 This is a typical Wildean parado
Page 53 and 54:
39 autocrat "not merely should desi
Page 55 and 56:
41 series of "efforts to interpret
Page 57 and 58:
4 O J before you, , ith ell their j
Page 59 and 60:
iv. waiter ?at,er«n Pater publishe
Page 61 and 62:
47 This view is re^-examined by the
Page 63:
49 This description might be of the
Page 66 and 67:
52 Henry V exhibits a contrast betw
Page 68 and 69:
54 an air of grave thought, of an i
Page 70 and 71:
56 Our firot question with regard t
Page 72 and 73:
58 It has been suggest ed that one
Page 74 and 75:
60 would earn "not more than £1,50
Page 76 and 77:
62 hero* a faithful wife, and Geoff
Page 78 and 79:
64 two procoedures can bo observed:
Page 80 and 81:
66 speeches and tableaux. This was
Page 82 and 83:
great a coincidence that Eva should
Page 84 and 85:
70 aa well r.a to the theatre", but
Page 86 and 87:
72 ing Ruth Holt and speaking with
Page 88 and 89:
74 I note, by the bye, that Sweet L
Page 90 and 91:
76 were produced, twelve of them re
Page 92 and 93:
78 These changes in the way in whic
Page 94 and 95:
Clayton in hie speech on the closin
Page 96 and 97:
82 palled on many observers - the c
Page 98 and 99:
84 maintain itself on its intellect
Page 100 and 101:
66 were "becoming so nict and gente
Page 102 and 103:
88 in the course of the century the
Page 104 and 105:
PART 2-.VO The Production of Shakes
Page 106 and 107:
9? On flarch -°4» 1874 reward Fit
Page 108 and 109:
published a collection of Essays in
Page 110 and 111:
96 who did can hardly have been una
Page 112 and 113:
Aquarium" (p»15). Against this may
Page 114 and 115:
-00 pictures: but always \vithout a
Page 116 and 117:
102 of the three major "new" plays,
Page 118 and 119:
Illustration 3 Following p.103 Elle
Page 120 and 121:
105 tiat selects one episode from a
Page 122 and 123:
107 The virtues of Irving*s stagecr
Page 124 and 125:
109 the picturesque grappling in a
Page 126 and 127:
Illust ation Ellen Terry as Lady Ma
Page 128 and 129:
Ill up to i'Tacbeth and his vdfc -
Page 130 and 131:
113 the inadequacy of his voice. Ar
Page 132 and 133:
115 to be calm" when the ncv/s of C
Page 134 and 135:
117 here", and folding his arras at
Page 136 and 137:
119 of events, by the urgency of th
Page 138 and 139:
Illustration 6 Following p.120
Page 140 and 141:
122 to the ba.ok a grcnd effect is
Page 142 and 143:
124 by the Doctor and "ihc Gentlewo
Page 144 and 145:
126 Macbeth woo in continuous perfo
Page 146 and 147:
128 SCliilE PAi;,-,i;rt t DESI&ITER
Page 148 and 149:
130 Between 18?4 and 1875 Godwin ha
Page 150 and 151:
132 The solution of this unadifying
Page 152 and 153:
1..4 Alhainbra Theatre in December
Page 154 and 155:
136 but ac. an architect and interi
Page 156 and 157:
138 in the flcah the customs of t:i
Page 158 and 159:
140 each of the plays in the Shakes
Page 160 and 161:
142 the beauty of proportion, and t
Page 162 and 163:
144 The etc c-Li;'ru'êraent of the
Page 164 and 165:
146 considerable diplomacy in ceali
Page 166 and 167:
148 We hope we are doing Sir iûire
Page 168 and 169:
150 Chapter Three GODWIN, ..ILuOIi
Page 170 and 171:
152 approval of literote and intel
Page 172 and 173:
haa never been genarous to the Bard
Page 174 and 175:
155 adornments, bold embroideries,
Page 176 and 177:
156 good nctor" in modern comedy, w
Page 178 and 179:
en rt- SB rt- O VJ1 •O
Page 180 and 181:
-U9 Sola i i his Illustrated London
Page 182 and 183:
lol an unusual chill in the air, wh
Page 184 and 185:
' Captious Critic found him incongr
Page 186 and 187:
signals to each, other surropticiou
Page 188 and 189:
167 and would appear, from the prom
Page 190 and 191:
109 "paddock" (Theoualrl*s emendati
Page 192 and 193:
I O 1 o 0 Q 3 f* ; n « o o » § 6
Page 194 and 195:
173 After learning of Polonius's mu
Page 196 and 197:
; cl:ed u vt.'co t •.v;r.rc1 c a
Page 198 and 199:
177 spade and lade ?r, evidently fo
Page 200 and 201:
179 was current in the years of the
Page 202 and 203:
11 Laciec and C-c: blcmon, - I woul
Page 204 and 205:
1-3 ions to all and sundry. The pla
Page 206 and 207:
165 Chapter Four. k-JiibHi£LD Arii
Page 208 and 209:
To iill the Vc cant position - assu
Page 210 and 211:
169 oi the early 'eighties often sh
Page 212 and 213:
evidence in Ingomar (a play he admi
Page 214 and 215:
193 Lady of Lyons would be retained
Page 216 and 217:
195 by ? roviv.' 1 oi ty^n; lion,,
Page 218 and 219:
197 (according to the interview) on
Page 220 and 221:
199 period at all" and th
Page 222 and 223:
201 not been token into account in
Page 224 and 225:
203 the fray. Enter three or four c
Page 226 and 227:
. Illust ation 10 Following p. 20k
Page 228 and 229:
206 The first misfortune of the eve
Page 230 and 231:
208 the back a row of three rounded
Page 232 and 233:
210 notes the t "there seens little
Page 234 and 235:
absent in both. Fron the balcony uo
Page 236 and 237:
214 good deal". The Illustrated s_p
Page 238 and 239:
216 £i:c! DIVJ obse ver useci "arc
Page 240 and 241:
... .'lien Ju'ici, ;".s picked u by
Page 242 and 243:
ia t.-is scene. In c; be f L.n ac-r
Page 244 and 245:
2; 2 "picture" i^ruc as to ; ct-c'r
Page 246 and 247:
c cy oi Subr, s ion all the no re s
Page 248 and 249:
26 . to• orô the spocc t:>r..:>
Page 250 and 251:
Uiot belor-/". 'iho i.t i'iy ,.o _o
Page 252 and 253:
230 oi lc%uo lor icorôo tnu the re
Page 254 and 255:
232 arausea . The merry-anarew" - G
Page 256 and 257:
234 comings, the new Romeo and Juli
Page 258 and 259:
236 On January 4, 1884 The Times ha
Page 260 and 261:
c-38 propoial to present Browning's
Page 262 and 263:
240 for 1884" (5 January 1884): Ret
Page 264 and 265:
242 It was A%% to be exoccted that
Page 266 and 267:
None of this was of avail: reviewer
Page 268 and 269:
246 few stage-directions, and some
Page 270 and 271:
248 to "Mr David James's chick-a-le
Page 272 and 273:
250 "Master, co on, and I will foll
Page 274 and 275:
TI-, 4. 4.-«« n Following p.251 .
Page 276 and 277:
253 not enthusiastic, is often kind
Page 278 and 279:
Illustration 12 Mr and Mrs Kendal a
Page 280 and 281:
256 she delivered "0 oninous.J He c
Page 282 and 283:
258 It v/rxc p..T-b of a rtr-tcLy o
Page 284 and 285:
260 ohakoapc.-re seemed to have bee
Page 286 and 287:
262 -c.ky 'h t 2 June 1804). In 100
Page 288 and 289:
264 wary Andersen's p.-oOuction of
Page 290 and 291:
266 at home in her part. "\v. .A."
Page 292 and 293:
268 at first. Peovlc must rrov; e.c
Page 294 and 295:
P70 inforn- ti-»n ;v.-c rot ^r-.a^
Page 296 and 297:
272 he mentioned those used in the
Page 298 and 299:
274 of fifty-six minutes. The brief
Page 300 and 301:
276 F.H. K c din, as Polixenes, \vr
Page 302 and 303:
277 moved towards her. Tier next 1
Page 304 and 305:
its early speeches the actress "see
Page 306 and 307:
261 i-Ievs, he a scared "bright and
Page 308 and 309:
282 laughter and nur.ic v/eie heard
Page 310 and 311:
Ha, ha, what a fool honesty is} I p
Page 312 and 313:
-Illustration 15 — Mary Anderson
Page 314 and 315:
287 at 103 - "You perceive she stir
Page 316 and 317:
artistic predilection* to the theat
Page 318 and 319:
291 Chaoto Seven : Th£ 1888-9 Sti
Page 320 and 321:
293 magnificent thon sensitive; but
Page 322 and 323:
295 written by Shakespeare wrs appr
Page 324 and 325:
297 in a supposedly riliz&bethan ma
Page 326 and 327:
Illust ation 16 Following p.298 Sce
Page 328 and 329:
300 degree of refinement and intell
Page 330 and 331:
302 iii. Beerbohm Tree and The Merr
Page 332 and 333:
304 actor; never yet that Nature ha
Page 334 and 335:
306 rushing water" in the forest wh
Page 336 and 337:
308 ibleS. Lady Tree wrote th,-1 he
Page 338 and 339:
310 original. Daniel BancJmai.n had
Page 340 and 341:
312 i ct Two 1 ay 1471 l.The Roaci
Page 342 and 343:
ecorded Mansfield f L, business in
Page 344 and 345: 316 any specific ccscrijtion oi the
Page 346 and 347: 318 Hichara "r. t er hysteric*. 1",
Page 348 and 349: 320 his ctrêr, and his rationalisa
Page 350 and 351: 322 hen he conies we h pj he ,111 h
Page 352 and 353: 324 in the use of unit sets, styliz
Page 354 and 355: are vlthin reach of ell, the old sy
Page 356 and 357: 328 to the new stagecraft. Archer a
Page 358 and 359: 330 and the fairies performed an el
Page 360 and 361: to provide a repertory theatre in L
Page 362 and 363: 334 To a society which had made a c
Page 364 and 365: Her public readings, and the reviva
Page 366 and 367: 338 aioting of two short scenes in
Page 368 and 369: 340 greeted with a chorus of catcal
Page 370 and 371: 34; Mrs Langtry again engaged Wingf
Page 372 and 373: 344 virtue of his voice more than b
Page 374 and 375: proper person - one almost expected
Page 376 and 377: Illust:ation 18 Mrs Langtry as Cleo
Page 378 and 379: 343 of the preparations for the bat
Page 380 and 381: 35 J was left to the audience's pow
Page 382 and 383: 352 unable to deny some power in Mr
Page 384 and 385: oversight of \vin,cfield's, or did
Page 386 and 387: 356 The actress should take for gra
Page 388 and 389: "Isn't she Itoyall" "Isn't she " sn
Page 390 and 391: 360 'illir.i Poel's collection of e
Page 392 and 393: 362 lost in retrospect by contrast
Page 396 and 397: SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
Page 398 and 399: Designer and Director: E. W. Godwin
show all

Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?