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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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335<br />

version by Andrew Halliday, had been least important. Calvert»s<br />

production in Manchester was a praiseworthy effort and its<br />

text was used for a revival in London at the Princess*a with<br />

Isabella Glyn as Cleopatra*<br />

Mioa Glyn was by now established aa the Cleopatra of<br />

her generation, having played the part at Sadler's .Veils.<br />

The Illustrated London Newa pronounced her performance "the<br />

most superb thing ever witnessed on the modern stage" (27<br />

October 1849) and The Athenaeum considered her final scene<br />

"a triumph":<br />

With the asp at her bosom, the countenance of<br />

Cleopatra became irradiated with a oudden<br />

gladness.*,<br />

(27 October 1849)<br />

This was of a piece with her acting throughout the latter<br />

iart of the tragedy, in which "indignant majesty, compulsory<br />

resignation, heroic resolve, and tender mercy were all adequately<br />

pronounced". The earlier scene of Cleopatra's interview<br />

vith the messenger who brings news of Antony *@ marriage (II,<br />

i) ic instanced as one of "those parts where di^iity and<br />

.anger were expreased" - the reviewer did not look for any<br />

comeOy in the Queen, In the list of the character's moods<br />

•iven by The Illustrated London News there is a trace of<br />

li irt-licartedneso: Mro Glyn<br />

...combined cro.ce and dignity - all tb< fascination<br />

of a Vectrio with the majesty of a Part?; oho was,<br />

as it were, the impersonation at once of the aublinc<br />

and the beautiful.. .Gorgeous in person, in costume,<br />

and in her ctyle of action, che moved tlic Egyptian<br />

Venus, 'inerva, Juno - now pleased, now civ Try - now<br />

eloquent, now silent - capricious, and re olved,<br />

according to the aituation and sentiir.rnt to be<br />

rendered, withal she was clnccical, and her ^oooc<br />

severely statuesque.<br />

,'iss Glyn'u first role at Sadler's Welle wac Volumnia, and<br />

her Cleo .atra appears to have retained traces of the uonan<br />

matron. She was very much to the taste of her contempor .rieo,<br />

although photographs do not convey iicr chrnn, t( .ivirv; rather<br />

an impression of severe respectability. Rocsetti, after coaing<br />

her in Leigh Hunt's Legend ;x Florence, wrote that chc waa<br />

"godlike", but an engraving in Vhc Illustr-'ted London Hews<br />

r - Proudie. 3

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