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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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37<br />

This is a typical Wildean paradox, invertinc the relationship<br />

between art and life, but it is based on some acquaintance with<br />

stn.ge technique - the familiarity revealed in th/3 letter to<br />

Mary Anderson.<br />

The contention that <strong>Shakespeare</strong> was a practical dramatist<br />

is taken up in the long article "The Truth of f/Jasks", which sets<br />

out to demonst; "be the playwright's concern with costume and,<br />

by an extension of the i rfjument, with archaeological accuracy<br />

in costume. In this: it takes issue with, a remark nn.de by Lord<br />

Lytton, Duly or Lytton' e oon, in his article "f'irjs /-nderson's<br />

Juliet", a defence of T'ary Andersen's Lyceum production<br />

published in Ths ?Tiaeteenth Century in December loC4. In a<br />

footnote Lyistou hnc 1. procl.v.imedt<br />

I'hc attempt to nrchaeolo.^i^e the Sh?Ae;..-nerirean<br />

drama is one of the stupidest pedantries of this<br />

age of prif-'s. Arch.-eology ;vo old not be more out<br />

of pi 3.ce in a fairy tale than it is in a ^lay of<br />

Shako .ypeare. Tho first scene of the production<br />

is beautiful and miu.-ted, and tlic.t ic ell that<br />

ir- v/cinted.<br />

(XVI (1884) 879-900; p.886). 12<br />

wilde replies that <strong>Shakespeare</strong> rhows in the matter of dress<br />

on st£.v;c the, iwformc-ti tr.cte ,r,r;^ocir.ter \ ith r-ioclorn artists,<br />

and tha'c<br />

.hero is absolutely no cirraiatic-t of the French,<br />

English or A»heninfj:i st^~G v:ho relics so *mch<br />

for hie illusionist effects on the drees of Iiin<br />

actors o._ olia};eL. occ^re doou liinself.<br />

(l r; 91) p. 218).<br />

i'hc independence of uiio tra;jnolc of v.orldly coiiciderations,<br />

;;hich one uieht expect the publicise L of Aectheticism to find<br />

in ohake.-pearc'^ ; .rbistic temperament, i.^ located in the<br />

dramatist's uco of 'uasqucs and uu^cos, purely for the sake<br />

of ~cho. -olcastire which they :;iVG the eye", 'vrchaeolo^ical<br />

expertise ic cubordina.ted to the production of t. cse effects:<br />

Art, and art only, can rnclie arena cole £7 beautiful;<br />

cine the -tiicE'tric cz-t, c^r, urc it nort r'-^-ectly<br />

and r'.ost vividly, for it can combine in one exouisr.te<br />

^i-esentc.tion the iilurion of ^c'bu; 1 life<br />

wiU-ii tliv. v;onc.er of ^;lio unrcrl vorlcl.<br />

P 235 )<br />

Thic in tiic ^ar^rloxicp-l coinbination of iiir.t'ir/cn.l -precision<br />

tiiu "la-u-eal world" v/hioh constituted t v->, E'/o^nnl of Altnr-

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