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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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21<br />

felt to be essential in evoking the "repeated incidents"<br />

v;liio:i Wedmoro proposes as proper subjec j for genre paint:".i<br />

It was as though Pre-Raphaelitisra had be< H fragmented - from<br />

whatever am agam of several distinct painting techniques it may<br />

be said to represent - and divided into two schools. On the one<br />

hand, some artists rejected realism and the depiction of nature-<br />

Beardsley's nature work may sarve as an example. Others sought<br />

to achieve a scholarly but untendentious acquaintance with the<br />

minutiae of past ages - notable among these were Alma-Tadema,<br />

Moore, and the pen-and-ink illustrator, Hugh The: son.<br />

Thomson's first major commissions came from Comyns Carr's<br />

nev; 'foolish Illustrated Magazine, which began publication in<br />

October 1883. His work at first included some modern subjects,<br />

and he provided competent illustrations for articles on<br />

contemporary London life and for Henry Arthur Jones's "The<br />

Dranatic Outlook" (II (1885) 280-9 and 341-352). Soon he<br />

established himself as an illustrator of eighteenth century<br />

subjects, with an edition of Addison's Sir Roger de Coverley<br />

papers from The Spectator (first published in *rae_ ^English<br />

Illustrated Magazine in 1884-6, and reprinted as a book in 1886).<br />

lie meticulous and, for the most part, unsentinontal view of<br />

the eighteenth century had some affinities with the somewhat<br />

sacLarriiic iclyllc of Kate Crcenawcvy, and v/ith Kclph Ualdecott 's<br />

more substantial drawings - his John Gilpin appeared in lo?8.<br />

A representative account of the appeal of the period chosen by<br />

Thomson, Caldecott and Kate Grreonciv/ay is that rp.von by an<br />

anonymous writer in Art and otters, describing G.H.Bou&rton'c<br />

painting £iiow in spring t_<br />

Among a group of artists who love to study the<br />

manners of the past in order t!^ it they may escape<br />

from the tyranny of trie? present Mr bought on holds<br />

a prominent _~1 ce. v'vith Lueh men it is not to much<br />

the passion of the archaeologist aa t'.>o desire for<br />

freedom that carries thorn back to t.h

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