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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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248<br />

to "Mr David James's chick-a-leary step after sinking "The<br />

Ugly Donkey Cart" in a Strand burlesque 11 (7 February), strutting<br />

gait notwithstanding, The Times thought Hare's fool a "very<br />

scholarly and accomplished person", and ^lilter, in The 'iramatic<br />

Review, gave a description of the act or't, manner:<br />

Could we conceive of Touchstone as a retired<br />

cavalry major, living, say, at Bath, and given to<br />

caustic re marks upon hie partner's bad play at<br />

whist, this would be the figure that would present<br />

itself. Its main feature is an abrupt nilitarism.<br />

Touchstone hore cits, or stands and frowns severely<br />

at the audieme, threatening any character he is<br />

talking to with his forefinger, he shoots out his<br />

jokes at liia like bullets, and then closes his<br />

mouth and frowns again. Here and there, a kind of<br />

surprised comicality appears in his face, as if he<br />

was astonished to find himself, at his ego, playing<br />

the fool in thio fashion.<br />

Hare had evidently baaed his interpretation on observation of<br />

a contemporary tvpe, and to the majority of critic© this no,3<br />

a reprehensible "modernity", as out of olace as Standing's<br />

comparable mistake in the recent Honco and Juliet* The Saturday<br />

Review found him too sententious, and didiked the "thinness"<br />

and "dryness" of the portrayal (31 January). The Aefereo<br />

accused him of wa-Icing through hie part "in the most dismal<br />

fashion, wit.iout so much ao a gleam of humour or brightness"<br />

(first notice, 25 January), and The Weekly Dispatch remarked<br />

that Touchstone uttered hie wiee sayings "as if he were inoculated<br />

with ninetconth century pessimism" (1 I'obraary). Archer,<br />

who found Hare lacking in "unction", suggested in :iis review<br />

that Touchstone wac "the isoct loftily sententious of <strong>Shakespeare</strong><br />

'a clowns", and this vi'v; tlirov/c cone li'^lit on the expectations<br />

that the actor tluvarted: Touchotone's manner Dhoulcl, it<br />

seems, be sententious, but in a manner remote frora that to be<br />

encountered in the ^nineteenth century, ic v;^s expected to be<br />

remote and graceful, n

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