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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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116<br />

a reaction of "horror" to Lady llr.cbeth's "0, never/ Shall<br />

sun that morrow see!", and the interjection "Ha!" at her<br />

suggestion that his face io a book where men may read strange<br />

matters. At the end of her speech is the direction "Pause,<br />

look at her" before " ;e will speak further", and at the end<br />

of the scene io a note "go dejectedly - then hold out arm -<br />

put round her & go together". It is a curiouc reminder of the<br />

end of Act One, Scene Three, with Macbeth again fearing to<br />

disclose his feelings f and leaving the stage with the other<br />

characters, as if for some kind of security.<br />

The next scene, Duncan f s arrival at Inverness, was<br />

remarkable for itc: setting* The Times exprersed some doubt<br />

that Irving might not iir vc staged the play too much in a<br />

gloomy half-light, and found that a sense of mystery was not<br />

enhanced by the "beams of limelight that occasionally followed]<br />

the princip- 1 performers 1.' But in this seer-3, with ito torches<br />

and "Macbeth*s dark and rowning cratle" in the background,<br />

the scheme justified itself. The Stage gave a fuller description:<br />

It is close on nir;lit, and the dark, sombre<br />

building is lir;iited up from -,,it iin, . laile<br />

fron its gate enter the sc:.-vantc and<br />

attendants with torches, awaiting the arrival<br />

of Duiican with his friends and soldiers. The<br />

latter make their entrance un from the valley<br />

to the left of the ground upon which the castle<br />

stcnclc, and are net by Lady "lacbcth, v/ho conducts<br />

her "honoured ruest" up to the building and<br />

through an rvenue of servants bearing torches.<br />

The lighting of tlie ccene solely by torches does not appear<br />

to have been oocsiblc, and t'ic uce of linclirlrbs to ^ive<br />

adequate visibility to tlie icrformers revolted in ;,ome<br />

anomalies. The Pall l-'u 11 Gazette, li':e Tlio Tincn, objected to<br />

the r rbitrary placing of these supplementary li-iit-sources,<br />

and thought them roniniscent of "Adelphi nolo:r r ,ma". The<br />

ttru-iccountoble becno of light "were roainders thrit Irving »o<br />

pictorial sense v/c s the procuct of liis ctr.fc career, as much<br />

as any c;itrr,ortlin; ry np recir,tion of artistic principles of<br />

composition.<br />

In the BQliloquy that followed - "If it wore done..." -<br />

Irving again used natur: listic detcil, loaning on a pillar<br />

at the linec "But in these cases/ e still lit vc jucrement

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