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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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c-38<br />

propoial to present Browning's In a Balcony at tho St. Jcraes's,<br />

assured thut there was "no sufficient reason" to assume thc-t<br />

the "only literary pabulum" it v/: s "safe to ciainister" ould<br />

be th.-t acceptable fifteen years previously (17 December 1881).<br />

But the production of Tennyson's The Falcon showed thr t the<br />

poet could only offer a tableau, vivant witn dialogue as suitable<br />

material for the company and their style. It seemed that<br />

the Kendals could depict only one kind of character in action:<br />

the domestic.<br />

This view of the j-iinitations of the Robertsohian style<br />

wa0 nciooteci by H^nry Arthur Jones, in two articles on "The<br />

Dramatic Outlook" published in January and' February, 1185, in<br />

The English Illustrated Magazine. Roberteonicai technique<br />

required ulie suppression of poetry and emotion*<br />

...it never occupied itself with any greater<br />

tl .erne than a contrast of manners between a<br />

wlgcr, usurping, middle class, end a decaying<br />

cvristocrrc r .<br />

The playgoer muafe be thankful for come values of the ochool,<br />

notably the cultivation of scenic consistency and accuracy,<br />

but,<br />

...unless it is touched with the sense of<br />

eternity, wrapped, round with the splendour of<br />

heroism, and imbedred in what is primary and of<br />

everlasting i.rnort, the mere reproduction on<br />

the stage of the commonplace dr. tails of everyday<br />

life must ulwr'.ys be barren, worthless, and<br />

evanescent.<br />

(ail.1 II (January 1885) 287, 28f)<br />

Jones's articles echo a complaint coav.on at the time, but<br />

after the two major ShakespCL roan productions of the autumn<br />

of 1884, there was a particular i-, ;iediccv about the reminder<br />

in the magazine's February issue that "so long as an audience<br />

io interested or excited, or im-iosed upon by scenery or dresceo<br />

or at; / e-cffect, it is very careless of the ;;cluc! wordc that<br />

that ere spoken" (p.346). Unless it could ring nn undeniable<br />

clarity and effectiveness to its treatment of the text, a<br />

sumptuous revivrl of o. Shake, pearean play early i-i 1885 would<br />

find itself the focus of the reviewers' ";rov,iac antr.ronism<br />

towards such an enterprise.<br />

Other circumstances combined to raclte the timing of the<br />

St. James's As Yui Lil:o It inauspicious. The .vich-^iscussed

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