Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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165 Chapter Four. k-JiibHi£LD AriiJ MAKY ABDji; SO.-, : ROMEO AMD
186 Hanry James, reporting on the state of London theatres in the Jrnuary, 1861 issue of Scribner»a. Magazine. apologised for an unavoidable "want oi gallantry". He wt-s obliged to admit that none of the English actresses satisfied his artistic criteria: It takes more to make an accomplished actress than the usual Englishwoman who e tbraces the profession can easily lay \er hands upon; c want of frankness, of brightness, of elegance, of art, is commonly, before the footlights, this lady's principal impediment .-i Alter a survey of major actresses, James concluded that "the most interesting actress in London" who came nearer than any other to being ^mistress of her art", was uenevieve teard, an American who had trained on the continent as ; n operasinger and actress. James conceded that Kllen Terry possessed "remarkable charm", but she impressed ruoro by the influence of this natural gift, th; n by any artistic technique. Like Arnold, James admirea the accomplishments of French ectors, ano considered the majority oi brit ish porformers successful more by accident than artifice. The lycuum periormtnces were, in a sense, inartistic - Miss Terry was simply herself, displayed in a series of striking crosses and situations. Reviewers who disagreed , ith such an an. lysis, and who hela her to be possessor of cal skill, v/oro nonetheless et pains to remind readers of her pictorial beauty. Thus a critic "of the gentler sex" wrote of . iss 2 Terry's Viola : Clad in cret-m and gold draperies, the little sapphire-blue c; p being her one touch of colour, she looked - to use a hackneyed phrase - just fs if she had steppet. out of an old picture, and a picture such as Leighton might paint or Morris urite verses upon* (The Theatre, ns. TV (August lfc84J 16S.-4; p.l63/ The reviewer suggested th,'t "oict the new Viola appeal to no other sense ut, ;,hat of sight she would still be & sue* e s", but less sympathetic voices cl.- ined th. t there ;ms no other ap.eal, and tii, t Miss Terry was, for ell her professional experience, en ©'liable amateur in the interpretation of <strong>Shakespeare</strong>, lacking range and subtlety.
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p o , PICTORIAL SHAKESPEARE, 1880-1
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SYNOPSIS This thesis ie in two volu
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VOLU.TE 0:iE Pace. Introduction i A
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11 of habits and jnnmivra, and ic h
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IV ACKHOWL.EnGEM PMT S I am gratefu
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vi 16 .^ccne from Daly's production
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In 1882 J.M.Stoddart, a Philadelphi
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artistic achievement is considerabl
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is of cource and obviously removed
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similar kind sought for the restora
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11 in the earliest dawn of literatu
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13 all conventional circles. It was
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and in Gothic times": In tho;:e tii
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Illustration 1 (b) Hughes, April Lo
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Illust ation 2 (b) Wate timiBe T Th
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17 Moore's independence took him to
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19 fetishism and the worship of lit
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21 felt to be essential in evoking
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23 the now movement was advocated a
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25 the wrong effect in a room, wher
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27 Chapter Two SHAKESPEARE CRITICIS
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29 possesses - and Mr Swinburne, th
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31 T '..e recognise the speech of t
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ihis tells us nv ch more about £>.
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35 (XVII .LGO-Lll,) . The Irving re
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37 This is a typical Wildean parado
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39 autocrat "not merely should desi
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41 series of "efforts to interpret
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4 O J before you, , ith ell their j
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iv. waiter ?at,er«n Pater publishe
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47 This view is re^-examined by the
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49 This description might be of the
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52 Henry V exhibits a contrast betw
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54 an air of grave thought, of an i
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56 Our firot question with regard t
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58 It has been suggest ed that one
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60 would earn "not more than £1,50
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62 hero* a faithful wife, and Geoff
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64 two procoedures can bo observed:
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66 speeches and tableaux. This was
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great a coincidence that Eva should
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70 aa well r.a to the theatre", but
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72 ing Ruth Holt and speaking with
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74 I note, by the bye, that Sweet L
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76 were produced, twelve of them re
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78 These changes in the way in whic
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Clayton in hie speech on the closin
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82 palled on many observers - the c
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84 maintain itself on its intellect
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66 were "becoming so nict and gente
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88 in the course of the century the
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PART 2-.VO The Production of Shakes
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9? On flarch -°4» 1874 reward Fit
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published a collection of Essays in
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96 who did can hardly have been una
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Aquarium" (p»15). Against this may
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-00 pictures: but always \vithout a
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102 of the three major "new" plays,
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Illustration 3 Following p.103 Elle
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105 tiat selects one episode from a
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107 The virtues of Irving*s stagecr
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109 the picturesque grappling in a
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Illust ation Ellen Terry as Lady Ma
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Ill up to i'Tacbeth and his vdfc -
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113 the inadequacy of his voice. Ar
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115 to be calm" when the ncv/s of C
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117 here", and folding his arras at
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119 of events, by the urgency of th
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Illustration 6 Following p.120
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122 to the ba.ok a grcnd effect is
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124 by the Doctor and "ihc Gentlewo
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126 Macbeth woo in continuous perfo
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128 SCliilE PAi;,-,i;rt t DESI&ITER
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130 Between 18?4 and 1875 Godwin ha
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132 The solution of this unadifying
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1..4 Alhainbra Theatre in December
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136 but ac. an architect and interi
Page 156 and 157: 138 in the flcah the customs of t:i
Page 158 and 159: 140 each of the plays in the Shakes
Page 160 and 161: 142 the beauty of proportion, and t
Page 162 and 163: 144 The etc c-Li;'ru'êraent of the
Page 164 and 165: 146 considerable diplomacy in ceali
Page 166 and 167: 148 We hope we are doing Sir iûire
Page 168 and 169: 150 Chapter Three GODWIN, ..ILuOIi
Page 170 and 171: 152 approval of literote and intel
Page 172 and 173: haa never been genarous to the Bard
Page 174 and 175: 155 adornments, bold embroideries,
Page 176 and 177: 156 good nctor" in modern comedy, w
Page 178 and 179: en rt- SB rt- O VJ1 •O
Page 180 and 181: -U9 Sola i i his Illustrated London
Page 182 and 183: lol an unusual chill in the air, wh
Page 184 and 185: ' Captious Critic found him incongr
Page 186 and 187: signals to each, other surropticiou
Page 188 and 189: 167 and would appear, from the prom
Page 190 and 191: 109 "paddock" (Theoualrl*s emendati
Page 192 and 193: I O 1 o 0 Q 3 f* ; n « o o » § 6
Page 194 and 195: 173 After learning of Polonius's mu
Page 196 and 197: ; cl:ed u vt.'co t •.v;r.rc1 c a
Page 198 and 199: 177 spade and lade ?r, evidently fo
Page 200 and 201: 179 was current in the years of the
Page 202 and 203: 11 Laciec and C-c: blcmon, - I woul
Page 204 and 205: 1-3 ions to all and sundry. The pla
Page 208 and 209: To iill the Vc cant position - assu
Page 210 and 211: 169 oi the early 'eighties often sh
Page 212 and 213: evidence in Ingomar (a play he admi
Page 214 and 215: 193 Lady of Lyons would be retained
Page 216 and 217: 195 by ? roviv.' 1 oi ty^n; lion,,
Page 218 and 219: 197 (according to the interview) on
Page 220 and 221: 199 period at all" and th
Page 222 and 223: 201 not been token into account in
Page 224 and 225: 203 the fray. Enter three or four c
Page 226 and 227: . Illust ation 10 Following p. 20k
Page 228 and 229: 206 The first misfortune of the eve
Page 230 and 231: 208 the back a row of three rounded
Page 232 and 233: 210 notes the t "there seens little
Page 234 and 235: absent in both. Fron the balcony uo
Page 236 and 237: 214 good deal". The Illustrated s_p
Page 238 and 239: 216 £i:c! DIVJ obse ver useci "arc
Page 240 and 241: ... .'lien Ju'ici, ;".s picked u by
Page 242 and 243: ia t.-is scene. In c; be f L.n ac-r
Page 244 and 245: 2; 2 "picture" i^ruc as to ; ct-c'r
Page 246 and 247: c cy oi Subr, s ion all the no re s
Page 248 and 249: 26 . to• orô the spocc t:>r..:>
Page 250 and 251: Uiot belor-/". 'iho i.t i'iy ,.o _o
Page 252 and 253: 230 oi lc%uo lor icorôo tnu the re
Page 254 and 255: 232 arausea . The merry-anarew" - G
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234 comings, the new Romeo and Juli
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236 On January 4, 1884 The Times ha
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c-38 propoial to present Browning's
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240 for 1884" (5 January 1884): Ret
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242 It was A%% to be exoccted that
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None of this was of avail: reviewer
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246 few stage-directions, and some
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248 to "Mr David James's chick-a-le
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250 "Master, co on, and I will foll
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TI-, 4. 4.-«« n Following p.251 .
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253 not enthusiastic, is often kind
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Illustration 12 Mr and Mrs Kendal a
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256 she delivered "0 oninous.J He c
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258 It v/rxc p..T-b of a rtr-tcLy o
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260 ohakoapc.-re seemed to have bee
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262 -c.ky 'h t 2 June 1804). In 100
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264 wary Andersen's p.-oOuction of
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266 at home in her part. "\v. .A."
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268 at first. Peovlc must rrov; e.c
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P70 inforn- ti-»n ;v.-c rot ^r-.a^
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272 he mentioned those used in the
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274 of fifty-six minutes. The brief
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276 F.H. K c din, as Polixenes, \vr
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277 moved towards her. Tier next 1
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its early speeches the actress "see
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261 i-Ievs, he a scared "bright and
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282 laughter and nur.ic v/eie heard
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Ha, ha, what a fool honesty is} I p
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-Illustration 15 — Mary Anderson
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287 at 103 - "You perceive she stir
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artistic predilection* to the theat
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291 Chaoto Seven : Th£ 1888-9 Sti
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293 magnificent thon sensitive; but
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295 written by Shakespeare wrs appr
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297 in a supposedly riliz&bethan ma
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Illust ation 16 Following p.298 Sce
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300 degree of refinement and intell
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302 iii. Beerbohm Tree and The Merr
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304 actor; never yet that Nature ha
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306 rushing water" in the forest wh
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308 ibleS. Lady Tree wrote th,-1 he
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310 original. Daniel BancJmai.n had
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312 i ct Two 1 ay 1471 l.The Roaci
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ecorded Mansfield f L, business in
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316 any specific ccscrijtion oi the
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318 Hichara "r. t er hysteric*. 1",
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320 his ctrêr, and his rationalisa
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322 hen he conies we h pj he ,111 h
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324 in the use of unit sets, styliz
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are vlthin reach of ell, the old sy
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328 to the new stagecraft. Archer a
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330 and the fairies performed an el
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to provide a repertory theatre in L
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334 To a society which had made a c
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Her public readings, and the reviva
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338 aioting of two short scenes in
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340 greeted with a chorus of catcal
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34; Mrs Langtry again engaged Wingf
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344 virtue of his voice more than b
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proper person - one almost expected
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Illust:ation 18 Mrs Langtry as Cleo
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343 of the preparations for the bat
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35 J was left to the audience's pow
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352 unable to deny some power in Mr
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oversight of \vin,cfield's, or did
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356 The actress should take for gra
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"Isn't she Itoyall" "Isn't she " sn
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360 'illir.i Poel's collection of e
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362 lost in retrospect by contrast
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364 Artist (1087), but the emotiona
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SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
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Designer and Director: E. W. Godwin
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