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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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32<br />

Grcvo v;ith awe not known v/hile he<br />

./as not, mad with glorious glee<br />

As the sun saluted sea,<br />

Vhen bis hour bade <strong>Shakespeare</strong> be?<br />

(VIII (<strong>1890</strong>) 3-7; p.5).<br />

Such is the Shakerpeare who appears in Swinburne's book, notable<br />

there for his "godlike equity" and an "implacable and impeccable<br />

righteousness of insight" (p»7o) - <strong>Shakespeare</strong> possesses not<br />

only artistic but ethical powers of discrimination.<br />

Swinburne f s abject adoration of the god-dramatist calls<br />

forth not only an abundance of turgid and tasteless rose, but<br />

oblique suggestions that the study of the dramatists works<br />

had a place in the writer's own psycho-sexual development. In<br />

the early pa^-js appears the figure of the boy "whose heart<br />

firat begins to burn within him, who feels his blood kindle and<br />

his spirit dilate, his pulse leap and his eyes lighten, over a<br />

first study oaf <strong>Shakespeare</strong>" (p.20). The heroines of the ^lays<br />

seem to have had a strong effect on the dilating heart and<br />

leaping pulses, not by any conspicuous sexuality, but by their<br />

purity. It is suggested that Shake peare d; liberately blackened<br />

Goneril, Regan and lachimo in order to make credible the figures<br />

of Cordelia and Imogeni<br />

But for the contrast and even the contact of<br />

antagonists as abominable as these, the gold<br />

of their spirit \voulrt be too refined, the lily<br />

of their holiness too radiant, the violet of<br />

their virtue too sweet. (p.174).<br />

The expression is unusually extreme (Swinburne never says once<br />

v;h:it he knows three v/ays of saying) but the interpretation is<br />

b^! no means orthodox, following as it does the path of Mrs<br />

Jameson, riaokin's ooo a; and Liles (1865) and looser nid-<br />

Victorian sentimentalists. Tlie final paean to Imoc\ n - "the<br />

very crown and flower" of ohakcDtjeare's "daughters" - is unusual<br />

only in the extravagance of its language. Sensitive persons<br />

may remember that to their own innocent infantile<br />

perceptions the i'iivt obscure electric revelations<br />

of vvhrt Blake calls "the j'ternnl Fcnale" v;as riven<br />

through a blind wondering thrill of chilt'ish rapture<br />

by a lightening on the baby dp.wn of their<br />

&oul from the ounrioe of Shckcspcare's Cleopatra.

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