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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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121<br />

fairly giving way under tho mental strain to<br />

which he ht s been subjected, and the bold, bad<br />

wife who had dismissed the quests with courtly<br />

grace, sinking at hie feet...It is a picture of<br />

absolute despair, that almost moves to pity for<br />

the blood-stained actors in it.<br />

(The Era)<br />

The Stage adds to this the details of Macbeth's falling<br />

againct the wall QL he tried to leave the hall, and his wife's<br />

frlling ;.t his feet, "sobbing, catching at his gsirment".<br />

Previous tableaux had suggested one prrtner or the other in<br />

better spirits* now both were equally despondent.<br />

The Harvard prompt copy divides the acts of the play<br />

according to season: a cycle completes itself by the end of<br />

the third ret, and a la^se of years divides it from the<br />

fourth, y/here r note suggests "Change all Beard s"« Act Five<br />

ic surrrncr and Act Six autumn, whilct the last scene of rill<br />

takes place "t sunset, Irving's fourth act consists of the<br />

original Act Pour's first scenes (the witchos); his fifth act<br />

uses Act Pour, Scene Three and Act Five, Scene One; the sixth<br />

has the econd, third, fourth and fifth scenes of the play's<br />

final act.<br />

Irving's fourth net was set in a cavern, where Kccote<br />

r^p cared, to conn one"! the vitcher, onins, equipped with an<br />

electricali/-lit head. ress. The Era compared the effects to<br />

those of the Brocken scene in Faust t<br />

The Ti-^urc of Macbeth on a rocky eminence<br />

r.it.mds hilc the hell broth storms,<br />

and the spectres rise, there is hoard in<br />

tuneful chorus the witches* chant MB?.ncI:<br />

cjnirits and .iiite", while letter, the ocerio<br />

is changing to a Scotch lake, beneath a<br />

stormy ^.L-y, the cta^e io filled .vitii uecate's<br />

hoot v/ho, vrvin," their rrr.r;, brcul; Torth<br />

\vith the beautifully melodic chorus, "Come<br />

av/ay", and bring down the curtains...<br />

rho St^ce C"vc ace^crintion \vhich odc'n some detrils - the<br />

cauldron was cot in a rock, Hecate's ho. d- ress ton!: the form<br />

of a ctar, and the ei ; ht icings were seen "ac . rl-rin^ in a<br />

st -an- cloud-":<br />

The second tableaux it lierrlccd. by tho voice<br />

of \ dtciios ninring, and as the ccene is disclosed,<br />

v;e find whrt appear to be h.uidreds of<br />

^r v-'.'r.-'-^ed c-iirits .,an'.'Crin.r; about v/ith uplifted<br />

arms in a oort of valley, vhile fcr above

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