Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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.11 ias Andercon's Roineo and Juliet and the productions by Tree and Daly were successful. Bencon's A aidoaamer Night's Dream had its i'irrt run cut short by the nana ;c.r's decision to stand by his repertory principles! it continued to please in revival after revival. Attention has been concentrated on attempts to rival Irving by British manure rc,j consequently only one foreign production, i1 ; ly's The gaming of the Shrew, hr-s been included. Two of the chief rivals, however, were American. It seems prudent to regard oho reductions staged by :.ary Anueroon. and iLichnrC Uansfield in London as British - much v;as nu>de of their cisatlantic origin when they ..ere -trccentoo. in America, ihe work of the Meiningen troupe and of various continental ctors has been excluded: ôsoi, J.^tori, Salvini and oi-'rah i*ernharc.t v;ere touring in their ovm productions* which h:\d. little influence on the manner of strain."; olo,yc in the country they happened to be visiting. i'he to. t of Shakeepe-'-.rc * o pl.iys referred to throughout is J eter Alexander*G edition of Jho. .C_oaplete T ,;orks (1951), unl;;3G ' ny ot.vi .r is apocifiod. °rorn;)1;bool:s rare referred to by their librra-y aheif-nnrl:, fol-.ovvcd by their uu.a;; r in. the relevant secti^:.i of iJhatuUck'o Tlio .Îialce^ pearo Pr.oî.-. tbooko ( i-u..Jia, Illinoiij, 1965). '-'lie dates of th atricnl roviews quoted in uhe text ;;V'y be i'ound ourair.^rized in the notes to e ch chapter, and then in -Jho Diblio' r r ">hy. I i-' vo rclo^tol tile- oo.ivoiition v/Jicreby "la" reforc to the firr. t
IV ACKHOWL.EnGEM PMT S I am grateful to the Direct r and Trustees of the Polder <strong>Shakespeare</strong> Library, .Yaaizin-ton, :i .C., for a research fellowchip in the ca.:.;cr of 1973. Tho librarian and ctaff of the Folder Library, rmtl tliss jeai-Jio N^wlin of the i;:rv;'rcl Theatre Collection f;ave me valuable assistance during my research in their collectiono. I am o- rticularly indebted to Miss Eileon Robineon and her aosiutante at the Shakerpeare Centre Library, StratforG-a;ion-Avon, to ''re Alice Bray, librarian of the <strong>Shakespeare</strong> Institute and to the stcff of the Theatre Collection at the Victoria and Albert Museum for much help and kindness. Abov o all, I niu;t thank Dr Stanley ft ells for hie i .:of-,tigable , criticicm and encourage.-ient.
Page 1 and 2: p o , PICTORIAL SHAKESPEARE, 1880-1
Page 3 and 4: SYNOPSIS This thesis ie in two volu
Page 5 and 6: VOLU.TE 0:iE Pace. Introduction i A
Page 7: 11 of habits and jnnmivra, and ic h
Page 11 and 12: vi 16 .^ccne from Daly's production
Page 13 and 14: In 1882 J.M.Stoddart, a Philadelphi
Page 15 and 16: artistic achievement is considerabl
Page 17 and 18: is of cource and obviously removed
Page 19 and 20: similar kind sought for the restora
Page 21 and 22: 11 in the earliest dawn of literatu
Page 23 and 24: 13 all conventional circles. It was
Page 25 and 26: and in Gothic times": In tho;:e tii
Page 27 and 28: Illustration 1 (b) Hughes, April Lo
Page 29 and 30: Illust ation 2 (b) Wate timiBe T Th
Page 31 and 32: 17 Moore's independence took him to
Page 33 and 34: 19 fetishism and the worship of lit
Page 35 and 36: 21 felt to be essential in evoking
Page 37 and 38: 23 the now movement was advocated a
Page 39 and 40: 25 the wrong effect in a room, wher
Page 41 and 42: 27 Chapter Two SHAKESPEARE CRITICIS
Page 43 and 44: 29 possesses - and Mr Swinburne, th
Page 45 and 46: 31 T '..e recognise the speech of t
Page 47 and 48: ihis tells us nv ch more about £>.
Page 49 and 50: 35 (XVII .LGO-Lll,) . The Irving re
Page 51 and 52: 37 This is a typical Wildean parado
Page 53 and 54: 39 autocrat "not merely should desi
Page 55 and 56: 41 series of "efforts to interpret
Page 57 and 58: 4 O J before you, , ith ell their j
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iv. waiter ?at,er«n Pater publishe
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47 This view is re^-examined by the
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49 This description might be of the
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52 Henry V exhibits a contrast betw
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54 an air of grave thought, of an i
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56 Our firot question with regard t
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58 It has been suggest ed that one
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60 would earn "not more than £1,50
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62 hero* a faithful wife, and Geoff
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64 two procoedures can bo observed:
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66 speeches and tableaux. This was
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great a coincidence that Eva should
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70 aa well r.a to the theatre", but
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72 ing Ruth Holt and speaking with
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74 I note, by the bye, that Sweet L
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76 were produced, twelve of them re
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78 These changes in the way in whic
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Clayton in hie speech on the closin
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82 palled on many observers - the c
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84 maintain itself on its intellect
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66 were "becoming so nict and gente
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88 in the course of the century the
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PART 2-.VO The Production of Shakes
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9? On flarch -°4» 1874 reward Fit
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published a collection of Essays in
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96 who did can hardly have been una
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Aquarium" (p»15). Against this may
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-00 pictures: but always \vithout a
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102 of the three major "new" plays,
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Illustration 3 Following p.103 Elle
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105 tiat selects one episode from a
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107 The virtues of Irving*s stagecr
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109 the picturesque grappling in a
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Illust ation Ellen Terry as Lady Ma
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Ill up to i'Tacbeth and his vdfc -
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113 the inadequacy of his voice. Ar
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115 to be calm" when the ncv/s of C
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117 here", and folding his arras at
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119 of events, by the urgency of th
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Illustration 6 Following p.120
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122 to the ba.ok a grcnd effect is
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124 by the Doctor and "ihc Gentlewo
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126 Macbeth woo in continuous perfo
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128 SCliilE PAi;,-,i;rt t DESI&ITER
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130 Between 18?4 and 1875 Godwin ha
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132 The solution of this unadifying
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1..4 Alhainbra Theatre in December
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136 but ac. an architect and interi
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138 in the flcah the customs of t:i
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140 each of the plays in the Shakes
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142 the beauty of proportion, and t
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144 The etc c-Li;'ru'êraent of the
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146 considerable diplomacy in ceali
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148 We hope we are doing Sir iûire
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150 Chapter Three GODWIN, ..ILuOIi
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152 approval of literote and intel
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haa never been genarous to the Bard
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155 adornments, bold embroideries,
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156 good nctor" in modern comedy, w
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en rt- SB rt- O VJ1 •O
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-U9 Sola i i his Illustrated London
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lol an unusual chill in the air, wh
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' Captious Critic found him incongr
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signals to each, other surropticiou
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167 and would appear, from the prom
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109 "paddock" (Theoualrl*s emendati
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I O 1 o 0 Q 3 f* ; n « o o » § 6
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173 After learning of Polonius's mu
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; cl:ed u vt.'co t •.v;r.rc1 c a
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177 spade and lade ?r, evidently fo
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179 was current in the years of the
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11 Laciec and C-c: blcmon, - I woul
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1-3 ions to all and sundry. The pla
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165 Chapter Four. k-JiibHi£LD Arii
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To iill the Vc cant position - assu
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169 oi the early 'eighties often sh
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evidence in Ingomar (a play he admi
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193 Lady of Lyons would be retained
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195 by ? roviv.' 1 oi ty^n; lion,,
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197 (according to the interview) on
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199 period at all" and th
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201 not been token into account in
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203 the fray. Enter three or four c
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. Illust ation 10 Following p. 20k
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206 The first misfortune of the eve
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208 the back a row of three rounded
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210 notes the t "there seens little
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absent in both. Fron the balcony uo
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214 good deal". The Illustrated s_p
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216 £i:c! DIVJ obse ver useci "arc
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... .'lien Ju'ici, ;".s picked u by
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ia t.-is scene. In c; be f L.n ac-r
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2; 2 "picture" i^ruc as to ; ct-c'r
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c cy oi Subr, s ion all the no re s
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26 . to• orô the spocc t:>r..:>
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Uiot belor-/". 'iho i.t i'iy ,.o _o
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230 oi lc%uo lor icorôo tnu the re
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232 arausea . The merry-anarew" - G
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234 comings, the new Romeo and Juli
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236 On January 4, 1884 The Times ha
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c-38 propoial to present Browning's
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240 for 1884" (5 January 1884): Ret
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242 It was A%% to be exoccted that
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None of this was of avail: reviewer
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246 few stage-directions, and some
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248 to "Mr David James's chick-a-le
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250 "Master, co on, and I will foll
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TI-, 4. 4.-«« n Following p.251 .
Page 276 and 277:
253 not enthusiastic, is often kind
Page 278 and 279:
Illustration 12 Mr and Mrs Kendal a
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256 she delivered "0 oninous.J He c
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258 It v/rxc p..T-b of a rtr-tcLy o
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260 ohakoapc.-re seemed to have bee
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262 -c.ky 'h t 2 June 1804). In 100
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264 wary Andersen's p.-oOuction of
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266 at home in her part. "\v. .A."
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268 at first. Peovlc must rrov; e.c
Page 294 and 295:
P70 inforn- ti-»n ;v.-c rot ^r-.a^
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272 he mentioned those used in the
Page 298 and 299:
274 of fifty-six minutes. The brief
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276 F.H. K c din, as Polixenes, \vr
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277 moved towards her. Tier next 1
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its early speeches the actress "see
Page 306 and 307:
261 i-Ievs, he a scared "bright and
Page 308 and 309:
282 laughter and nur.ic v/eie heard
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Ha, ha, what a fool honesty is} I p
Page 312 and 313:
-Illustration 15 — Mary Anderson
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287 at 103 - "You perceive she stir
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artistic predilection* to the theat
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291 Chaoto Seven : Th£ 1888-9 Sti
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293 magnificent thon sensitive; but
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295 written by Shakespeare wrs appr
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297 in a supposedly riliz&bethan ma
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Illust ation 16 Following p.298 Sce
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300 degree of refinement and intell
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302 iii. Beerbohm Tree and The Merr
Page 332 and 333:
304 actor; never yet that Nature ha
Page 334 and 335:
306 rushing water" in the forest wh
Page 336 and 337:
308 ibleS. Lady Tree wrote th,-1 he
Page 338 and 339:
310 original. Daniel BancJmai.n had
Page 340 and 341:
312 i ct Two 1 ay 1471 l.The Roaci
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ecorded Mansfield f L, business in
Page 344 and 345:
316 any specific ccscrijtion oi the
Page 346 and 347:
318 Hichara "r. t er hysteric*. 1",
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320 his ctrêr, and his rationalisa
Page 350 and 351:
322 hen he conies we h pj he ,111 h
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324 in the use of unit sets, styliz
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are vlthin reach of ell, the old sy
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328 to the new stagecraft. Archer a
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330 and the fairies performed an el
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to provide a repertory theatre in L
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334 To a society which had made a c
Page 364 and 365:
Her public readings, and the reviva
Page 366 and 367:
338 aioting of two short scenes in
Page 368 and 369:
340 greeted with a chorus of catcal
Page 370 and 371:
34; Mrs Langtry again engaged Wingf
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344 virtue of his voice more than b
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proper person - one almost expected
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Illust:ation 18 Mrs Langtry as Cleo
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343 of the preparations for the bat
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35 J was left to the audience's pow
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352 unable to deny some power in Mr
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oversight of \vin,cfield's, or did
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356 The actress should take for gra
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"Isn't she Itoyall" "Isn't she " sn
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360 'illir.i Poel's collection of e
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362 lost in retrospect by contrast
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364 Artist (1087), but the emotiona
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SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
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Designer and Director: E. W. Godwin
Page 400 and 401:
Page 402 and 403:
Page 404 and 405:
Page 406 and 407:
Page 408 and 409:
Page 410 and 411:
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