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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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-53<br />

coineid.-nce; and yet the pulse ir; r-uic'cc^ed,<br />

the heart-throb io felt... 0 lv miucsss beyond<br />

be-Lief, oh rapture irrer, : - C ; iblei The te^ro<br />

p.t thic p dnt always welled up to rny eyes.<br />

arid my v.lv^ o body trembled... 1;L<br />

o /.'ontir-l does not ce m to have rioen to the moment,<br />

Notj^ „. r-'-od that iaoto-d of "cu^-rcr-.-lar a joyous sur;>rice",<br />

she "read the lines ,;ith a drrviatic intensity quite out of<br />

^lace". The oane aictai-e accompanied the line "v,:i:t shall I<br />

do \.ith :-y coublot and ho.:c", v/hore Quilter found a "celfconscious<br />

p_udery" which was discernible at a number of points<br />

in tiie porfo^-iYi: nee:<br />

"Alack the Ge?"<br />

(filter felt that thic, v/aa a consequence of the :ind of role<br />

habitually played b;,- urc lendal. A further refinement of the<br />

labouriiip of iao line inay be found i '-.ly's prornpt-co"-y for<br />

a production f ir, t seen i.. England at the Lyceum in <strong>1890</strong>. lero<br />

flocalind ic "at fir^t ^t: rtlod and a Pnaraod ":t be in,- cau;;i\t out<br />

of hor pettico. ts M - die "li'.yc hold of Celia's cairt and tunic<br />

her ouite round -»ry±iy: to aide her ov.n legs.. .ihon. aei'-ing<br />

bot--. of ColJ.a*s h-Jids and -rolli:i; thorn altoir.i- tely"12 . Ada<br />

Hc-.an'G c.ude ox^rco ionr.; of modocty and nutuu ircm we o to<br />

some extent ;ia.de accept- ble by her vivacity and y;-uth f nnr?<br />

her con.:ly and v.cll- icpl yed 1. a^;, but ".r.-j .Cental's o::ortionG<br />

only drew attention to icr dir:.n^."'lificatioaa for- t.::o n.-^rt.<br />

?hus b--.d L\ ;i,-i.n, caiv' '.'/or:'.; ro :, in^d buaind.. when :..lio ea;.:c<br />

to her ^ootiiii.'; •..?. t.i )rl uido, I rrj Kornlal v/ar, "v/injiiiv," but, as<br />

The Satur'...j,y J-OVJGV/ pointed out, ''it v/; c not the -rulc,,j<br />

coquetry of a li-, .t-!j.ca;:'ted da;a; el". I;., toad, ahc GU; crjoiv.<br />

"the I'ofiiiod fascination of the m- turc v/oa n of the ;. > .1. ":<br />

It wo:. 'The Lad i o r,' 3a 111 e tr^.ijferred to the<br />

."ore.vu of Ardea: and ro;jin-"ir.:., us in ov:.ry loolr.,<br />

tone and ; coture of tlio dice, of the cLwinr-roon.<br />

The sp.rao effect liad boon obac^vod by i'hc uaturd.^yj^c-vlcv; to<br />

be a coacequence of the p'Lryiii"; of Juliet't; 1 .v.—scenes by a<br />

ii-ature v.ctrocs - tlicy "cozener: ted into intripuc" (G Dvo;:-ber<br />

1"'"4). In t'iirj in: t nee r^ Ccndal )v r-'^ipha .iced the nataoa,<br />

at the rick of anoorririg effected: JTarnatic I-otcr' ;:.h->u;ht that

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