Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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124 by the Doctor and "ihc Gentlewoman and uncu-oorted by Macbcth. If, as has been suggested above, Irving cmhr sized the importance of the physical contact and mutual comforting on the part of Macbeth and his wife, this scene would apperr to have had a oooci 1 significance in his production. It certainly lent itself to Ellen Terry's faculty for expressive gesture - according to The Times i .Vhile Miss Terry w; Iks in her sleep she holds the house in a state of absolute, almost r> sinful, stillness: her face is hn,rv;nrd and worn, her eyes have a far away look, end as she soliloquizes, her body sways to toid fro in a strangely awcinspiring fashion.. .After the actress's withdrawal, the house recovers itself with r.n effort, as if it had been hypnotised. The Saturday Review nas similarly impressed, and noticed that "the recapitulation of the actual scene" of the murder wc/o done "with just that r±r of reality v.liich carries v/itli it conviction without a touch of brutality". Archer found the scene inadequate - "she looked it to admiration, but did lit-jle more" - vvhile The. Stage^ PC- sitting that the act re DC looked "a beautiful picture, the conception of a poetic mind re , thought that the "white clinging gamcuts and pain-strained free" colled for "rdnirrvtion rather than pity and awe". Gordon Crair;, in Ellen Terry one1, he_r Secret --olf (1931), cu : ;ested a rer.son for the ineffectiveness of the ...you die1 not rliucder at the thought beneath the words: "The Thane of vife had a vife - v/liere ic she no-.v?" you only felt: "Poor Ellen Terry - she is so oorry for tlic Thane of Fife's v/ife, and is \vondcring where she can no'-'î ily be now, poor, poor de r. v.lu.t a nice V.-JJ.TII. (p. ilot every critic may hr.vc f::lt the filir.l CJT" '• thy of Crrij for liic notlior, bu-t there was obviously some connection between the el'fecto of her pictori'-l style and tac "nild" int^r-'-rotntion of Via ch-racter. Other acorocses caul? i..iprecs by their silent av>r>e:/rc.nce in this scene, and "lay hold of" the •'7 audience's "very i oul3", c*s an admirer once wrote to Helen Paucit" , but the feeling arouccc) by Elle..i To-ry in ..uch ccenec - even that in The Cup - was one of warn cy:3r> ; 'fcy rnd pttr. cti >>\, r: tlicr tiv n pity qu, lified by av.o-struck respect.
125 The short scene which bo^rn the r.dxta act of the new version was Shake •:•- scare's -ci; .Five. Scene 'j.'\vo, in y/hich the audience learns from Caithness and /icntoith of lilacduff 's approach. In the next scene Hacbeth r,o )crrc
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p o , PICTORIAL SHAKESPEARE, 1880-1
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SYNOPSIS This thesis ie in two volu
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VOLU.TE 0:iE Pace. Introduction i A
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11 of habits and jnnmivra, and ic h
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IV ACKHOWL.EnGEM PMT S I am gratefu
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vi 16 .^ccne from Daly's production
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In 1882 J.M.Stoddart, a Philadelphi
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artistic achievement is considerabl
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is of cource and obviously removed
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similar kind sought for the restora
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11 in the earliest dawn of literatu
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13 all conventional circles. It was
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and in Gothic times": In tho;:e tii
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Illustration 1 (b) Hughes, April Lo
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Illust ation 2 (b) Wate timiBe T Th
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17 Moore's independence took him to
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19 fetishism and the worship of lit
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21 felt to be essential in evoking
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23 the now movement was advocated a
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25 the wrong effect in a room, wher
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27 Chapter Two SHAKESPEARE CRITICIS
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29 possesses - and Mr Swinburne, th
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31 T '..e recognise the speech of t
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ihis tells us nv ch more about £>.
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35 (XVII .LGO-Lll,) . The Irving re
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37 This is a typical Wildean parado
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39 autocrat "not merely should desi
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41 series of "efforts to interpret
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4 O J before you, , ith ell their j
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iv. waiter ?at,er«n Pater publishe
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47 This view is re^-examined by the
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49 This description might be of the
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52 Henry V exhibits a contrast betw
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54 an air of grave thought, of an i
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56 Our firot question with regard t
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58 It has been suggest ed that one
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60 would earn "not more than £1,50
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62 hero* a faithful wife, and Geoff
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64 two procoedures can bo observed:
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66 speeches and tableaux. This was
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great a coincidence that Eva should
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70 aa well r.a to the theatre", but
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72 ing Ruth Holt and speaking with
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74 I note, by the bye, that Sweet L
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76 were produced, twelve of them re
Page 92 and 93: 78 These changes in the way in whic
Page 94 and 95: Clayton in hie speech on the closin
Page 96 and 97: 82 palled on many observers - the c
Page 98 and 99: 84 maintain itself on its intellect
Page 100 and 101: 66 were "becoming so nict and gente
Page 102 and 103: 88 in the course of the century the
Page 104 and 105: PART 2-.VO The Production of Shakes
Page 106 and 107: 9? On flarch -°4» 1874 reward Fit
Page 108 and 109: published a collection of Essays in
Page 110 and 111: 96 who did can hardly have been una
Page 112 and 113: Aquarium" (p»15). Against this may
Page 114 and 115: -00 pictures: but always \vithout a
Page 116 and 117: 102 of the three major "new" plays,
Page 118 and 119: Illustration 3 Following p.103 Elle
Page 120 and 121: 105 tiat selects one episode from a
Page 122 and 123: 107 The virtues of Irving*s stagecr
Page 124 and 125: 109 the picturesque grappling in a
Page 126 and 127: Illust ation Ellen Terry as Lady Ma
Page 128 and 129: Ill up to i'Tacbeth and his vdfc -
Page 130 and 131: 113 the inadequacy of his voice. Ar
Page 132 and 133: 115 to be calm" when the ncv/s of C
Page 134 and 135: 117 here", and folding his arras at
Page 136 and 137: 119 of events, by the urgency of th
Page 138 and 139: Illustration 6 Following p.120
Page 140 and 141: 122 to the ba.ok a grcnd effect is
Page 144 and 145: 126 Macbeth woo in continuous perfo
Page 146 and 147: 128 SCliilE PAi;,-,i;rt t DESI&ITER
Page 148 and 149: 130 Between 18?4 and 1875 Godwin ha
Page 150 and 151: 132 The solution of this unadifying
Page 152 and 153: 1..4 Alhainbra Theatre in December
Page 154 and 155: 136 but ac. an architect and interi
Page 156 and 157: 138 in the flcah the customs of t:i
Page 158 and 159: 140 each of the plays in the Shakes
Page 160 and 161: 142 the beauty of proportion, and t
Page 162 and 163: 144 The etc c-Li;'ru'êraent of the
Page 164 and 165: 146 considerable diplomacy in ceali
Page 166 and 167: 148 We hope we are doing Sir iûire
Page 168 and 169: 150 Chapter Three GODWIN, ..ILuOIi
Page 170 and 171: 152 approval of literote and intel
Page 172 and 173: haa never been genarous to the Bard
Page 174 and 175: 155 adornments, bold embroideries,
Page 176 and 177: 156 good nctor" in modern comedy, w
Page 178 and 179: en rt- SB rt- O VJ1 •O
Page 180 and 181: -U9 Sola i i his Illustrated London
Page 182 and 183: lol an unusual chill in the air, wh
Page 184 and 185: ' Captious Critic found him incongr
Page 186 and 187: signals to each, other surropticiou
Page 188 and 189: 167 and would appear, from the prom
Page 190 and 191: 109 "paddock" (Theoualrl*s emendati
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I O 1 o 0 Q 3 f* ; n « o o » § 6
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173 After learning of Polonius's mu
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; cl:ed u vt.'co t •.v;r.rc1 c a
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177 spade and lade ?r, evidently fo
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179 was current in the years of the
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11 Laciec and C-c: blcmon, - I woul
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1-3 ions to all and sundry. The pla
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165 Chapter Four. k-JiibHi£LD Arii
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To iill the Vc cant position - assu
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169 oi the early 'eighties often sh
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evidence in Ingomar (a play he admi
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193 Lady of Lyons would be retained
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195 by ? roviv.' 1 oi ty^n; lion,,
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197 (according to the interview) on
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199 period at all" and th
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201 not been token into account in
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203 the fray. Enter three or four c
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. Illust ation 10 Following p. 20k
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206 The first misfortune of the eve
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208 the back a row of three rounded
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210 notes the t "there seens little
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absent in both. Fron the balcony uo
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214 good deal". The Illustrated s_p
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216 £i:c! DIVJ obse ver useci "arc
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... .'lien Ju'ici, ;".s picked u by
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ia t.-is scene. In c; be f L.n ac-r
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2; 2 "picture" i^ruc as to ; ct-c'r
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c cy oi Subr, s ion all the no re s
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26 . to• orô the spocc t:>r..:>
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Uiot belor-/". 'iho i.t i'iy ,.o _o
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230 oi lc%uo lor icorôo tnu the re
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232 arausea . The merry-anarew" - G
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234 comings, the new Romeo and Juli
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236 On January 4, 1884 The Times ha
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c-38 propoial to present Browning's
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240 for 1884" (5 January 1884): Ret
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242 It was A%% to be exoccted that
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None of this was of avail: reviewer
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246 few stage-directions, and some
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248 to "Mr David James's chick-a-le
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250 "Master, co on, and I will foll
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TI-, 4. 4.-«« n Following p.251 .
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253 not enthusiastic, is often kind
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Illustration 12 Mr and Mrs Kendal a
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256 she delivered "0 oninous.J He c
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258 It v/rxc p..T-b of a rtr-tcLy o
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260 ohakoapc.-re seemed to have bee
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262 -c.ky 'h t 2 June 1804). In 100
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264 wary Andersen's p.-oOuction of
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266 at home in her part. "\v. .A."
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268 at first. Peovlc must rrov; e.c
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P70 inforn- ti-»n ;v.-c rot ^r-.a^
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272 he mentioned those used in the
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274 of fifty-six minutes. The brief
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276 F.H. K c din, as Polixenes, \vr
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277 moved towards her. Tier next 1
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its early speeches the actress "see
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261 i-Ievs, he a scared "bright and
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282 laughter and nur.ic v/eie heard
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Ha, ha, what a fool honesty is} I p
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-Illustration 15 — Mary Anderson
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287 at 103 - "You perceive she stir
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artistic predilection* to the theat
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291 Chaoto Seven : Th£ 1888-9 Sti
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293 magnificent thon sensitive; but
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295 written by Shakespeare wrs appr
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297 in a supposedly riliz&bethan ma
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Illust ation 16 Following p.298 Sce
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300 degree of refinement and intell
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302 iii. Beerbohm Tree and The Merr
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304 actor; never yet that Nature ha
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306 rushing water" in the forest wh
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308 ibleS. Lady Tree wrote th,-1 he
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310 original. Daniel BancJmai.n had
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312 i ct Two 1 ay 1471 l.The Roaci
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ecorded Mansfield f L, business in
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316 any specific ccscrijtion oi the
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318 Hichara "r. t er hysteric*. 1",
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320 his ctrêr, and his rationalisa
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322 hen he conies we h pj he ,111 h
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324 in the use of unit sets, styliz
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are vlthin reach of ell, the old sy
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328 to the new stagecraft. Archer a
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330 and the fairies performed an el
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to provide a repertory theatre in L
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334 To a society which had made a c
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Her public readings, and the reviva
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338 aioting of two short scenes in
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340 greeted with a chorus of catcal
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34; Mrs Langtry again engaged Wingf
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344 virtue of his voice more than b
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proper person - one almost expected
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Illust:ation 18 Mrs Langtry as Cleo
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343 of the preparations for the bat
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35 J was left to the audience's pow
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352 unable to deny some power in Mr
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oversight of \vin,cfield's, or did
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356 The actress should take for gra
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"Isn't she Itoyall" "Isn't she " sn
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360 'illir.i Poel's collection of e
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362 lost in retrospect by contrast
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364 Artist (1087), but the emotiona
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SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
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Designer and Director: E. W. Godwin
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