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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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46<br />

god-like power is reflected in tlie dramatist's moral stance.<br />

Shakecpeare views his characters with a degree of detachment,<br />

and<br />

brings before us a group of persons, attractive,<br />

full of desire, vessels of the genial, seed-bearing<br />

powers of nature, a gaudy life flowering out over<br />

the old court and city of Vienna, a spectacle of<br />

the fulness and pride of life which to some may<br />

seem to touch on the verge of wantonness. Behind<br />

this group of people, behind their various action,<br />

Shakespere inspires in UG the sense of a strong<br />

tyranny of Nature and circumstance.<br />

(p.653)<br />

Consequently, the characters are not divided simply into good<br />

and v.lcked:<br />

The slightest... is at least not ill-natured:<br />

the meanest can put forth a plea for existence...<br />

This lends the play a "vivid reality" and "subtle interchange<br />

of light and shade" which leads Pater to conn are the shadow of<br />

Death on each character v.dth the effect of Orcagna's fresco at<br />

Pisa:<br />

The little mirror of existence, which reflects to<br />

each for a moment the stage on which he plays,<br />

is broken at last by a capricious accident; vhilc<br />

all alike, in their yearning for untocted enjoyr.ient,<br />

are realty discounting their days, grasping so<br />

hastily and accepting so inexactly the precious<br />

pieces.<br />

(p.654)<br />

Pater finds the figure of Barnsrdine particularly touching, am<br />

praises ohakerpcare's sensitivity in placing in the mouth of<br />

"a gilded witless youth" words "which seen to e:chauct nan's<br />

deepest sentiment concerning death and life" (p.657).<br />

The imortrnce of do- til to the sensitive nine! if: 1 a subject<br />

treated in many of Pater's essayc« In the Conclucion to the first<br />

edition of The Renair.fiance,published in 1073, the promise of<br />

death lies behind one of the author's moot .famous pronouncements:<br />

.Veil! we are ,11 conclai:nic_, a:: Victor ^ugo says:<br />

we are all under sentence of dea.th but v.dth a<br />

sort of indefinite reprieve - lea homines sont<br />

tous condfuanes/a raort avec :airsis iiidefinis;<br />

we have an intorvai, anr! tnoi: o\:r -ilacc knows uc<br />

no more, .jome spend thia interval in listlecsnecc<br />

some in hi^;h pascionc, the wisest, at least araon^'<br />

the "children" of t.'ie v/orld" ii: rt and cong. SQ?~'<br />

our one chance lies in expanding that interval, in<br />

gettinr as many pulaations as r>os ible into the<br />

riven tine.

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