Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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230 oi lc%uo lor icorôo tnu the revive Juliut\ is procure, by t o little, silent, unobserved, reckoning ..ustures widci Msa Anderson îves to her Juliet Just before Romeo drinks thai poison The gesture itsell is also very oretty ana n tcrt B^t he-- n; ..ter-t uci-Gs oi feelinu bo e .in vith the discovery of her husband's de; a body. The \ ild impulse with v-hich she rushes to it, kneels above it, tti.es t; e dead }-.&. a in both Junes, end L^?G^ into the dead face as ii the intensity of tact t-,a. e coulx .in back to li. e the spirit so ireshly fled; then t, e holies scry v.ith w.ich she t' ro,,s herself upon the body, the &:ô:dsoo iioolity i,.iLh .hie;, s. u cO, r«sses :.^r de^.o l^ra, the sttrt U;cn si ^ he; s the ,.;tch, ti-u stab, t...e fall - in ti is succession oi .vasuiOi^.to stroKes t. are is t const ntly ce^êaing pathos. Juliet's dyint, r -.orients v/^re , b/ contrcot, eacpr^-ssive of tho loving dependence on Horaeo v fcich Lytton conceivou to be a of emotion; 1 maturity: The cli c.x is retchec ; i e,., hcvin^ icllen ,• t a little aist ^^ce from honoo, she r: ioe., h^r i.^â, faintly, searches with t. lojl:, z& oi eyes ti.at are ffst , i'o iu c,i :, ior Ids GO c bodyj creeps softly close t. it, teacorly liits thu L.e.'K, m.n's fr::;, ana pi/ cas it f r )un-,. her neck, nestlinc, hex Le;-t iru.o the fold oi it; tron, ..ith t s«*tiiiiici. oi c h :>i The ce^th-acou^ v: s .ell received: . rch_r, 10 ru c serious reserve tion^ :ni Eiost of I is. Anaerôa's poi-i ^rr.,- uco , folt that "i.or rr-ro grace oi êsture" C; me to her c ici in this pasoc^,., li
231 ana n:>t glaringly unmedieval i in its pi; c«j i iA t, e r;;.- atmosphere oi Romeo cnc Juliet". Cc'.rpi ccio»s St. brsul, series, far from repreoent.iu,., the f ,: snion.:; oi the e e- rly tiiirteen-hunareds , was pinted bet e .n l, ..infield's pretensions ver^, Archer su^.ested, illand irrelevant. This contention is t&ken even further in tm article in Th> uent lemon's i^fefaaine lor ivove.iber, 44^ -oj. here Archer claims the ôo^r yhic.. 1 i nd indepencence oi the play: ..ht-.t ohakespeare designed to jîut, in vivid but periectly ,_e;ier; 1 hues, v;es en ice; 1 land of lov
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p o , PICTORIAL SHAKESPEARE, 1880-1
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SYNOPSIS This thesis ie in two volu
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VOLU.TE 0:iE Pace. Introduction i A
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11 of habits and jnnmivra, and ic h
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IV ACKHOWL.EnGEM PMT S I am gratefu
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vi 16 .^ccne from Daly's production
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In 1882 J.M.Stoddart, a Philadelphi
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artistic achievement is considerabl
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is of cource and obviously removed
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similar kind sought for the restora
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11 in the earliest dawn of literatu
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13 all conventional circles. It was
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and in Gothic times": In tho;:e tii
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Illustration 1 (b) Hughes, April Lo
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Illust ation 2 (b) Wate timiBe T Th
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17 Moore's independence took him to
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19 fetishism and the worship of lit
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21 felt to be essential in evoking
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23 the now movement was advocated a
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25 the wrong effect in a room, wher
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27 Chapter Two SHAKESPEARE CRITICIS
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29 possesses - and Mr Swinburne, th
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31 T '..e recognise the speech of t
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ihis tells us nv ch more about £>.
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35 (XVII .LGO-Lll,) . The Irving re
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37 This is a typical Wildean parado
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39 autocrat "not merely should desi
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41 series of "efforts to interpret
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4 O J before you, , ith ell their j
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iv. waiter ?at,er«n Pater publishe
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47 This view is re^-examined by the
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49 This description might be of the
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52 Henry V exhibits a contrast betw
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54 an air of grave thought, of an i
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56 Our firot question with regard t
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58 It has been suggest ed that one
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60 would earn "not more than £1,50
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62 hero* a faithful wife, and Geoff
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64 two procoedures can bo observed:
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66 speeches and tableaux. This was
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great a coincidence that Eva should
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70 aa well r.a to the theatre", but
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72 ing Ruth Holt and speaking with
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74 I note, by the bye, that Sweet L
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76 were produced, twelve of them re
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78 These changes in the way in whic
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Clayton in hie speech on the closin
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82 palled on many observers - the c
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84 maintain itself on its intellect
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66 were "becoming so nict and gente
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88 in the course of the century the
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PART 2-.VO The Production of Shakes
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9? On flarch -°4» 1874 reward Fit
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published a collection of Essays in
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96 who did can hardly have been una
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Aquarium" (p»15). Against this may
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-00 pictures: but always \vithout a
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102 of the three major "new" plays,
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Illustration 3 Following p.103 Elle
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105 tiat selects one episode from a
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107 The virtues of Irving*s stagecr
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109 the picturesque grappling in a
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Illust ation Ellen Terry as Lady Ma
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Ill up to i'Tacbeth and his vdfc -
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113 the inadequacy of his voice. Ar
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115 to be calm" when the ncv/s of C
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117 here", and folding his arras at
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119 of events, by the urgency of th
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Illustration 6 Following p.120
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122 to the ba.ok a grcnd effect is
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124 by the Doctor and "ihc Gentlewo
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126 Macbeth woo in continuous perfo
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128 SCliilE PAi;,-,i;rt t DESI&ITER
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130 Between 18?4 and 1875 Godwin ha
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132 The solution of this unadifying
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1..4 Alhainbra Theatre in December
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136 but ac. an architect and interi
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138 in the flcah the customs of t:i
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140 each of the plays in the Shakes
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142 the beauty of proportion, and t
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144 The etc c-Li;'ru'êraent of the
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146 considerable diplomacy in ceali
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148 We hope we are doing Sir iûire
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150 Chapter Three GODWIN, ..ILuOIi
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152 approval of literote and intel
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haa never been genarous to the Bard
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155 adornments, bold embroideries,
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156 good nctor" in modern comedy, w
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en rt- SB rt- O VJ1 •O
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-U9 Sola i i his Illustrated London
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lol an unusual chill in the air, wh
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' Captious Critic found him incongr
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signals to each, other surropticiou
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167 and would appear, from the prom
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109 "paddock" (Theoualrl*s emendati
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I O 1 o 0 Q 3 f* ; n « o o » § 6
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173 After learning of Polonius's mu
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; cl:ed u vt.'co t •.v;r.rc1 c a
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177 spade and lade ?r, evidently fo
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179 was current in the years of the
Page 202 and 203: 11 Laciec and C-c: blcmon, - I woul
Page 204 and 205: 1-3 ions to all and sundry. The pla
Page 206 and 207: 165 Chapter Four. k-JiibHi£LD Arii
Page 208 and 209: To iill the Vc cant position - assu
Page 210 and 211: 169 oi the early 'eighties often sh
Page 212 and 213: evidence in Ingomar (a play he admi
Page 214 and 215: 193 Lady of Lyons would be retained
Page 216 and 217: 195 by ? roviv.' 1 oi ty^n; lion,,
Page 218 and 219: 197 (according to the interview) on
Page 220 and 221: 199 period at all" and th
Page 222 and 223: 201 not been token into account in
Page 224 and 225: 203 the fray. Enter three or four c
Page 226 and 227: . Illust ation 10 Following p. 20k
Page 228 and 229: 206 The first misfortune of the eve
Page 230 and 231: 208 the back a row of three rounded
Page 232 and 233: 210 notes the t "there seens little
Page 234 and 235: absent in both. Fron the balcony uo
Page 236 and 237: 214 good deal". The Illustrated s_p
Page 238 and 239: 216 £i:c! DIVJ obse ver useci "arc
Page 240 and 241: ... .'lien Ju'ici, ;".s picked u by
Page 242 and 243: ia t.-is scene. In c; be f L.n ac-r
Page 244 and 245: 2; 2 "picture" i^ruc as to ; ct-c'r
Page 246 and 247: c cy oi Subr, s ion all the no re s
Page 248 and 249: 26 . to• orô the spocc t:>r..:>
Page 250 and 251: Uiot belor-/". 'iho i.t i'iy ,.o _o
Page 254 and 255: 232 arausea . The merry-anarew" - G
Page 256 and 257: 234 comings, the new Romeo and Juli
Page 258 and 259: 236 On January 4, 1884 The Times ha
Page 260 and 261: c-38 propoial to present Browning's
Page 262 and 263: 240 for 1884" (5 January 1884): Ret
Page 264 and 265: 242 It was A%% to be exoccted that
Page 266 and 267: None of this was of avail: reviewer
Page 268 and 269: 246 few stage-directions, and some
Page 270 and 271: 248 to "Mr David James's chick-a-le
Page 272 and 273: 250 "Master, co on, and I will foll
Page 274 and 275: TI-, 4. 4.-«« n Following p.251 .
Page 276 and 277: 253 not enthusiastic, is often kind
Page 278 and 279: Illustration 12 Mr and Mrs Kendal a
Page 280 and 281: 256 she delivered "0 oninous.J He c
Page 282 and 283: 258 It v/rxc p..T-b of a rtr-tcLy o
Page 284 and 285: 260 ohakoapc.-re seemed to have bee
Page 286 and 287: 262 -c.ky 'h t 2 June 1804). In 100
Page 288 and 289: 264 wary Andersen's p.-oOuction of
Page 290 and 291: 266 at home in her part. "\v. .A."
Page 292 and 293: 268 at first. Peovlc must rrov; e.c
Page 294 and 295: P70 inforn- ti-»n ;v.-c rot ^r-.a^
Page 296 and 297: 272 he mentioned those used in the
Page 298 and 299: 274 of fifty-six minutes. The brief
Page 300 and 301: 276 F.H. K c din, as Polixenes, \vr
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277 moved towards her. Tier next 1
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its early speeches the actress "see
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261 i-Ievs, he a scared "bright and
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282 laughter and nur.ic v/eie heard
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Ha, ha, what a fool honesty is} I p
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-Illustration 15 — Mary Anderson
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287 at 103 - "You perceive she stir
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artistic predilection* to the theat
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291 Chaoto Seven : Th£ 1888-9 Sti
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293 magnificent thon sensitive; but
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295 written by Shakespeare wrs appr
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297 in a supposedly riliz&bethan ma
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Illust ation 16 Following p.298 Sce
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300 degree of refinement and intell
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302 iii. Beerbohm Tree and The Merr
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304 actor; never yet that Nature ha
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306 rushing water" in the forest wh
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308 ibleS. Lady Tree wrote th,-1 he
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310 original. Daniel BancJmai.n had
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312 i ct Two 1 ay 1471 l.The Roaci
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ecorded Mansfield f L, business in
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316 any specific ccscrijtion oi the
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318 Hichara "r. t er hysteric*. 1",
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320 his ctrêr, and his rationalisa
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322 hen he conies we h pj he ,111 h
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324 in the use of unit sets, styliz
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are vlthin reach of ell, the old sy
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328 to the new stagecraft. Archer a
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330 and the fairies performed an el
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to provide a repertory theatre in L
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334 To a society which had made a c
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Her public readings, and the reviva
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338 aioting of two short scenes in
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340 greeted with a chorus of catcal
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34; Mrs Langtry again engaged Wingf
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344 virtue of his voice more than b
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proper person - one almost expected
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Illust:ation 18 Mrs Langtry as Cleo
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343 of the preparations for the bat
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35 J was left to the audience's pow
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352 unable to deny some power in Mr
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oversight of \vin,cfield's, or did
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356 The actress should take for gra
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"Isn't she Itoyall" "Isn't she " sn
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360 'illir.i Poel's collection of e
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362 lost in retrospect by contrast
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364 Artist (1087), but the emotiona
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SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
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Designer and Director: E. W. Godwin
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