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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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207<br />

abetlun idiom. St. ndin^ had some experience in Shakes >vi re,<br />

having appeared as Hal to Mark Linon's Falst ff, but his best<br />

work had been don.; in modern comedy - notably, in 1177, Albery's<br />

Pink Dominoes. The Stage found his Mercutio "c bluff, goodnetured,<br />

easy-going, rubicund gentlemen", and Lytton thought<br />

him based, perhaps, upon "sons prosperous proprietor of a<br />

society Journal", v.-ho was "the heavy wag of a not very refined<br />

coterie". The London Figaro felt that something voa to be<br />

said for the reading, but that it had "too much S'-.o^, er about<br />

it" and wvs too reminiscent of Criterion comedy. The Morning<br />

post returned to tie pore.Jii; 1 lament that few actors knew<br />

ho.v to handle the language of <strong>Shakespeare</strong>, and observed that<br />

Standing was "by no means the only actor in the troupe who<br />

v;ould do v.ell to remember that tie language of Shakes »eire<br />

cannot fitly be spoken like the dialogue of every day modem<br />

life" (3 November).<br />

The K84 version cut some thirty-seven lines from the<br />

scene: Irving, in,,his pre ar-tion copy arid in his printed<br />

actinc edition, made a different selection ai::o .nt:ln tj to<br />

thirty-si; deleted lines, both theatrical texts rejected<br />

the coa;iccture by .vlrich lines 67-9 of the .ueen I-lab speech<br />

verc tr usposcd from their original position to follow line<br />

i>t> (in order that the mention of the "chariot" mi^ht precede<br />

-' 2<br />

the itemisin^ of its components)^ . Mary Ariciorson retri.iod<br />

line 6y {"That plaits tr.e manes of horses in the night"; . no<br />

"this is she", where I'.ercutio sterns cib ;ut to conti^L.o, but,<br />

like Irvin-,, she omitted liuos v--^f, . uici. include i-iob f u tror.tnent<br />

oi rieid^. w on ti.cy lie on their backs.<br />

The fourth scea^ OC L a v.ltii li.i; 1-, ol i.>, t,he serv. ata'<br />

dialogue beia^ omitted. It v/i s set in a "noble he.ll" i.ith<br />

moonlit ^.i-dcris visible t. rou^.-j lrrici.ly scul..'t«..rvci crches<br />

and Ooi-iiiti-i: a columns" ('iho i^-ily ^Q>JJ.» 3 w ^rer^.^r). The<br />

arrangement m: y hr ve o :eci soi oliiiiiv, to Irvin, 's cot, -..•!.ich<br />

stretched "beck..- rds into the open garden" (The ;.th.-ifc eu- .<br />

11 frc.rch 1662). An illustre tion in tho Pi: 11 Mall Gazette<br />

(j November) sho^-s the "Corinthian columns" as ti/o sets of ; t<br />

le• st ei Llht pillars ^cc supportin,,., log,,,ias (or ;os iuly<br />

simole ent: blotur^o; «• t either sice of the stc,-_,-.,, joi.ii.., ;.t

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