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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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84<br />

maintain itself on its intellectual merits alone"j<br />

But if the chairs and tables in London were<br />

very natural, the actors were rather stiff,<br />

and the thing, on the whole, is better done at<br />

the Boston Museum*...<br />

Ten years later, when Bancroft revived The Rivals at the<br />

Haymarket in a text revised by Pinero, reviewers complained<br />

of the anaemic and lifeless quality of the actings<br />

If. as there seems reason to fear, theatrical<br />

art of the highest character is moribund, and<br />

the vigorous, hearty, aggressive life of past<br />

ages can only be shown through the opaque<br />

lenses of today, the style of revival adopted<br />

at the Haymarket is the best thing to be hoped.<br />

(The Athenaeum. 10 May 1884)<br />

Bancroft had lost the ability to stage and act all but the<br />

most genteelly pallid simlacra of "old comedy 1**<br />

The same difficulties were encountered by Mr and Mrs<br />

Kendal at the St. James's. Their production of William and<br />

Susan, in <strong>1880</strong>, used a revision of W.G.wills of Douglas<br />

Jerrold's Black-Ey*d Susan - first performed in 1L29. The<br />

first two acts were completely re-written, eliminating the<br />

villains Doggrass, Hacket and Raker and the comic Gnatbrain.<br />

Captain Grosstree is now principal villain; he attempts to<br />

woo Susan, is challenged by William and has the unfortunate<br />

tar court-martialled for striking an officer. William is on<br />

the point of being strung from the yard-arm, when it is reveal ed<br />

that his discharge had been delayed by a villainous postman<br />

(he, too, had designs on Susan). William was no longer in the<br />

King's service when he struck Crosstree, and is saved from<br />

hanging. The man w^o would tackle such stuff only two years<br />

after H.M.S.Pinafoye (Opera Comique* 25 May,l8?8) needed to be<br />

brave, but Wills was no coward in such matters, uilliam is expected<br />

to speak the figurative language of stage sailors -<br />

"All my cable is run out. I am brought to," he proclaims when<br />

death is moments away, and as Susan prays for his release, he<br />

proudly assertst<br />

I die in defense of the virtue of a wife<br />

- her tears will fall like spring rain on<br />

the grass that covers my grave?.

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