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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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11<br />

of habits and jnnmivra, and ic he wantonly to<br />

abu,.;e the faith accorded to him?<br />

(1.225)<br />

The <strong>Shakespeare</strong>an productions of Charleo Xean discharged this<br />

obligation to the full, but by the 'eighties the practice of<br />

staging the plays o& though they were te: to for a series of<br />

historical paintings was being questioned. F.van; eline and<br />

;:':c;v.'in Blashfield, two A: :oric 'n journalists* observed in an<br />

article "<strong>Pictorial</strong> Art on the .«. ge":<br />

f.i.:co« .'.ve must coo tune our actors, let us<br />

learn to a-^ly the laws of beauty in form<br />

and colour guided by aeothetics rather than<br />

by nre'iacolosyj the latter, pure and cirn-ilc,<br />

we do not v/antj it would hamper us, ^but decent<br />

fitness always holos* Anything oat re is badf<br />

unfamiliar nr-Lie.ooloric; .1 u -liness cho.ild,<br />

of course, be let alone, but unfariiliar archaeolo,<br />

icr?l beauty by uoage soon becoines<br />

fani?-i; r*<br />

( The C entury tic? ^ o.zine , X.av (IHOO)<br />

533-546; P.537J*<br />

Go v;in nid iu -field v;ere obliged to defend themselves on the<br />

one hand a: rrinf.;t accusations of inaccuracy, and. on the other<br />

again; t the fl ionic sal of their v/ork ac mist^Ironly a r '<br />

The ace uut of critical opinions on Art drav/o oti «iic art-<br />

,j k )urnt licni v/hich ^rolif©rr!.tcci in the last decades of the<br />

cenuury. Altiioii^h this part of the t:iosis is -;ri-. :rily a<br />

L;tu: y of ta^rbe, I h ve attcnrrted to .liov; the rol" oionrliip<br />

uctv/cen : inters' technique and public jurl -ei en to anr?. e:c-cctatioiic.<br />

,i .ilarly, the account of thoatrical ,cn..''>r;if ncos<br />

d.av;o ./ncrevor po iolo on in-' n-nation ro^'rciinr r/ia^e techniquos<br />

- ">ron tbo >ka in p. roicu.l-r - as v;cll s reviews* I<br />

have alf'.o u:.;o>J private letters and -or-ocrr; oT ;nr icr. 3ns<br />

involved wnoro these hr.d nay boerin.^ on tu-bietic docirjimc.<br />

Little iiifor .ation h.^s cono tc li.^bt co'ioerning tho i'inances<br />

of London tneatres .:u-in.-» the '"i-ntioG, but it :.u.y be voted<br />

tn: t by i;nj.c ti;;;e duration of run, r-ithcr tn, n frequency of<br />

revival, n -d bee x.;c tho criterion of a production' u uccess.<br />

tnis ooint of viev; Irvin^'c "_."Cb "Jill, "\ rrett'c. i; . .- t

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