Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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128 SCliilE PAi;,-,i;rt t DESI&ITER AND DIRECTOR - THE .;Q,tK OP GODWIN AND L/GiMiiLD.
129 An undistinguished but commercially successful response to Wilson Barrett's 1384 production of Hamlet was the Gt ioty burlesque Very Lit le Heaalot. by ,,111-iam Yardley, first rjiven on 29 .November 10-4. The mood of cheerful philistinism, in which the new staging was mocked, wis established at the begir/iing of the piece by a chorus of courtiers celebrating the royl ra;.irri^0 (",'olf the ale and the cakes - ..hoat hip, hip t ho>r;.y) and by choir scornful reception of t-:o comic •êd. jits, the Hon . Lewes :7o.v,Gncr-nz (::ic) anJ J.W.Guildastern, F.S.A. The pair introduce themselves ,:.c antiquarian advisers: .e'rc u-re to guarantee the :1; y, . rchaeolo^rically all O.K. They have little to do in Y. rdlcy's minim: >1 plot, and at the end, when they take exception to the unwarranted reconciliation between Hunlet -and Claudius, the royal majesty of Denmark orders them to "Jhut unj" . The Hon. Lewis in field and Edv.-urcl William Godwin, F.S.A., were the tv/o ;-^r;t prominent repi sentrtives of a new breed, the •arch eoloricnl au^crvisor of theatrical proeuctions. No "outsiders" hrd enjoyed v,c much influence ?'ith nrrv -rcnonts cince "'l-'Jiche, and it v;as arguable thct t/ie cowers entrusted to then exceeded thoce ;'iven to their distinguished pronece::sor. r.oth wished to exercise control over all aspects of the pro.luctions upon which managers on/;agGd then, and Godv.-in v;as the nore articulate of tlie tvvo. In hit v/ork as r n interior decorr'tor and furniturenesiîer he solicit to combine thoce functicnc v/ith nractice as an arciiitoct: in tue v;ords of hie obitur.ry in The___._rit_i:'jh Architect, ,vie "forever ^leaded for a , reater reconcili rfcion between the decorative and constructive arts*' (15 October 1HP6). ;ii;.- . nbitions v.itli regard to the ;>ro 3 uct:ion of "1 ys were riîler. Got 1 ;in wac born in l'?33» and di not do vrsj si^nificr it; -,vorl: in. the professional theatre until 1875, when ho ; vised Brncroft in his I o duct ion of The ? 'T er^h'\nt of Vonice at the Prince of Wales Theatre. The first production in v?hich he v/r-L profescionally concerned - for v/hicii, thrpt is, he v;as paia a fee - v;o.s John Colon:,n's /^v r V, at the Qucon'n ther tro in September i"7
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p o , PICTORIAL SHAKESPEARE, 1880-1
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SYNOPSIS This thesis ie in two volu
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VOLU.TE 0:iE Pace. Introduction i A
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11 of habits and jnnmivra, and ic h
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IV ACKHOWL.EnGEM PMT S I am gratefu
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vi 16 .^ccne from Daly's production
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In 1882 J.M.Stoddart, a Philadelphi
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artistic achievement is considerabl
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is of cource and obviously removed
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similar kind sought for the restora
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11 in the earliest dawn of literatu
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13 all conventional circles. It was
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and in Gothic times": In tho;:e tii
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Illustration 1 (b) Hughes, April Lo
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Illust ation 2 (b) Wate timiBe T Th
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17 Moore's independence took him to
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19 fetishism and the worship of lit
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21 felt to be essential in evoking
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23 the now movement was advocated a
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25 the wrong effect in a room, wher
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27 Chapter Two SHAKESPEARE CRITICIS
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29 possesses - and Mr Swinburne, th
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31 T '..e recognise the speech of t
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ihis tells us nv ch more about £>.
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35 (XVII .LGO-Lll,) . The Irving re
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37 This is a typical Wildean parado
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39 autocrat "not merely should desi
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41 series of "efforts to interpret
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4 O J before you, , ith ell their j
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iv. waiter ?at,er«n Pater publishe
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47 This view is re^-examined by the
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49 This description might be of the
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52 Henry V exhibits a contrast betw
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54 an air of grave thought, of an i
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56 Our firot question with regard t
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58 It has been suggest ed that one
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60 would earn "not more than £1,50
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62 hero* a faithful wife, and Geoff
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64 two procoedures can bo observed:
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66 speeches and tableaux. This was
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great a coincidence that Eva should
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70 aa well r.a to the theatre", but
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72 ing Ruth Holt and speaking with
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74 I note, by the bye, that Sweet L
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76 were produced, twelve of them re
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78 These changes in the way in whic
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Clayton in hie speech on the closin
Page 96 and 97: 82 palled on many observers - the c
Page 98 and 99: 84 maintain itself on its intellect
Page 100 and 101: 66 were "becoming so nict and gente
Page 102 and 103: 88 in the course of the century the
Page 104 and 105: PART 2-.VO The Production of Shakes
Page 106 and 107: 9? On flarch -°4» 1874 reward Fit
Page 108 and 109: published a collection of Essays in
Page 110 and 111: 96 who did can hardly have been una
Page 112 and 113: Aquarium" (p»15). Against this may
Page 114 and 115: -00 pictures: but always \vithout a
Page 116 and 117: 102 of the three major "new" plays,
Page 118 and 119: Illustration 3 Following p.103 Elle
Page 120 and 121: 105 tiat selects one episode from a
Page 122 and 123: 107 The virtues of Irving*s stagecr
Page 124 and 125: 109 the picturesque grappling in a
Page 126 and 127: Illust ation Ellen Terry as Lady Ma
Page 128 and 129: Ill up to i'Tacbeth and his vdfc -
Page 130 and 131: 113 the inadequacy of his voice. Ar
Page 132 and 133: 115 to be calm" when the ncv/s of C
Page 134 and 135: 117 here", and folding his arras at
Page 136 and 137: 119 of events, by the urgency of th
Page 138 and 139: Illustration 6 Following p.120
Page 140 and 141: 122 to the ba.ok a grcnd effect is
Page 142 and 143: 124 by the Doctor and "ihc Gentlewo
Page 144 and 145: 126 Macbeth woo in continuous perfo
Page 148 and 149: 130 Between 18?4 and 1875 Godwin ha
Page 150 and 151: 132 The solution of this unadifying
Page 152 and 153: 1..4 Alhainbra Theatre in December
Page 154 and 155: 136 but ac. an architect and interi
Page 156 and 157: 138 in the flcah the customs of t:i
Page 158 and 159: 140 each of the plays in the Shakes
Page 160 and 161: 142 the beauty of proportion, and t
Page 162 and 163: 144 The etc c-Li;'ru'êraent of the
Page 164 and 165: 146 considerable diplomacy in ceali
Page 166 and 167: 148 We hope we are doing Sir iûire
Page 168 and 169: 150 Chapter Three GODWIN, ..ILuOIi
Page 170 and 171: 152 approval of literote and intel
Page 172 and 173: haa never been genarous to the Bard
Page 174 and 175: 155 adornments, bold embroideries,
Page 176 and 177: 156 good nctor" in modern comedy, w
Page 178 and 179: en rt- SB rt- O VJ1 •O
Page 180 and 181: -U9 Sola i i his Illustrated London
Page 182 and 183: lol an unusual chill in the air, wh
Page 184 and 185: ' Captious Critic found him incongr
Page 186 and 187: signals to each, other surropticiou
Page 188 and 189: 167 and would appear, from the prom
Page 190 and 191: 109 "paddock" (Theoualrl*s emendati
Page 192 and 193: I O 1 o 0 Q 3 f* ; n « o o » § 6
Page 194 and 195: 173 After learning of Polonius's mu
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; cl:ed u vt.'co t •.v;r.rc1 c a
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177 spade and lade ?r, evidently fo
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179 was current in the years of the
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11 Laciec and C-c: blcmon, - I woul
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1-3 ions to all and sundry. The pla
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165 Chapter Four. k-JiibHi£LD Arii
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To iill the Vc cant position - assu
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169 oi the early 'eighties often sh
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evidence in Ingomar (a play he admi
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193 Lady of Lyons would be retained
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195 by ? roviv.' 1 oi ty^n; lion,,
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197 (according to the interview) on
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199 period at all" and th
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201 not been token into account in
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203 the fray. Enter three or four c
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. Illust ation 10 Following p. 20k
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206 The first misfortune of the eve
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208 the back a row of three rounded
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210 notes the t "there seens little
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absent in both. Fron the balcony uo
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214 good deal". The Illustrated s_p
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216 £i:c! DIVJ obse ver useci "arc
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... .'lien Ju'ici, ;".s picked u by
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ia t.-is scene. In c; be f L.n ac-r
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2; 2 "picture" i^ruc as to ; ct-c'r
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c cy oi Subr, s ion all the no re s
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26 . to• orô the spocc t:>r..:>
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Uiot belor-/". 'iho i.t i'iy ,.o _o
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230 oi lc%uo lor icorôo tnu the re
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232 arausea . The merry-anarew" - G
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234 comings, the new Romeo and Juli
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236 On January 4, 1884 The Times ha
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c-38 propoial to present Browning's
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240 for 1884" (5 January 1884): Ret
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242 It was A%% to be exoccted that
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None of this was of avail: reviewer
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246 few stage-directions, and some
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248 to "Mr David James's chick-a-le
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250 "Master, co on, and I will foll
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TI-, 4. 4.-«« n Following p.251 .
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253 not enthusiastic, is often kind
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Illustration 12 Mr and Mrs Kendal a
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256 she delivered "0 oninous.J He c
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258 It v/rxc p..T-b of a rtr-tcLy o
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260 ohakoapc.-re seemed to have bee
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262 -c.ky 'h t 2 June 1804). In 100
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264 wary Andersen's p.-oOuction of
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266 at home in her part. "\v. .A."
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268 at first. Peovlc must rrov; e.c
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P70 inforn- ti-»n ;v.-c rot ^r-.a^
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272 he mentioned those used in the
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274 of fifty-six minutes. The brief
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276 F.H. K c din, as Polixenes, \vr
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277 moved towards her. Tier next 1
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its early speeches the actress "see
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261 i-Ievs, he a scared "bright and
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282 laughter and nur.ic v/eie heard
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Ha, ha, what a fool honesty is} I p
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-Illustration 15 — Mary Anderson
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287 at 103 - "You perceive she stir
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artistic predilection* to the theat
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291 Chaoto Seven : Th£ 1888-9 Sti
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293 magnificent thon sensitive; but
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295 written by Shakespeare wrs appr
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297 in a supposedly riliz&bethan ma
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Illust ation 16 Following p.298 Sce
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300 degree of refinement and intell
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302 iii. Beerbohm Tree and The Merr
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304 actor; never yet that Nature ha
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306 rushing water" in the forest wh
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308 ibleS. Lady Tree wrote th,-1 he
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310 original. Daniel BancJmai.n had
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312 i ct Two 1 ay 1471 l.The Roaci
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ecorded Mansfield f L, business in
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316 any specific ccscrijtion oi the
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318 Hichara "r. t er hysteric*. 1",
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320 his ctrêr, and his rationalisa
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322 hen he conies we h pj he ,111 h
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324 in the use of unit sets, styliz
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are vlthin reach of ell, the old sy
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328 to the new stagecraft. Archer a
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330 and the fairies performed an el
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to provide a repertory theatre in L
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334 To a society which had made a c
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Her public readings, and the reviva
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338 aioting of two short scenes in
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340 greeted with a chorus of catcal
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34; Mrs Langtry again engaged Wingf
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344 virtue of his voice more than b
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proper person - one almost expected
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Illust:ation 18 Mrs Langtry as Cleo
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343 of the preparations for the bat
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35 J was left to the audience's pow
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352 unable to deny some power in Mr
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oversight of \vin,cfield's, or did
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356 The actress should take for gra
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"Isn't she Itoyall" "Isn't she " sn
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360 'illir.i Poel's collection of e
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362 lost in retrospect by contrast
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364 Artist (1087), but the emotiona
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SONDERDRUCK DEUTSCHE SHAKESPEARE-GE
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Designer and Director: E. W. Godwin
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