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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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evidence in Ingomar (a play he admired ; re.-.tly) oi I isu<br />

Anderson ( s excoptional range, and the latter printeo a<br />

review by "D.C.", of embarrisoin^ kindness (ij . u 3 oeptember,<br />

_ 5 September).<br />

The first of the new-comer's productions had be~n as<br />

olaf;shioneu as any 01 Irving's plays, but The Lady of Lyons.<br />

which folloiea, v;as even older, fehen it was first produced,<br />

in 183f>, Bul.ver's pi; y had been recognised ts a strong<br />

actin^ piece with faults. Richard Ilenbist Horno, a vellaisposud<br />

critic, had praised in 1L44 the sentimental and<br />

morel truth of the story, the "easy flov, of the ai, lo^ue",<br />

and the manner in which the whole was "just sufficiently<br />

clothed in an atmosphere 01 poetry to take it out of the<br />

mere prose of existe >co, v/ithout calling upon th- imagination<br />

for any efiort to comprehend it". But i e reluctantly illo«;cu<br />

th; t the plot nw uld not be. r examination by ciny hi^ii<br />

strndc.rd" . By the 'ei^.tius, the play*s "poetry" h&o lost<br />

its appeal - Archer, in g.n,,Iish lirarn; tists of Today clispar- >: ec<br />

"the pinchbeck sorrows of Pauline", and even The Pal.l i-.all<br />

Uazetv-e. i/hose roviu.:or so enjoyed In-,onrr» was able to<br />

ofier only t e poor orcuse of its being a t .ooa actin, pity<br />

as e palliative fjr its "mock sentiment,...tinsel ;hilosophy,<br />

and...shaf poetry" . To a aecaoo 'hich was ,»o lo,i,,ui- satisfied<br />

with Robertsoa, Bul.«ur f s rf^Gctations were scarcoly t-jler;. ble,<br />

but the ol ay renainod in provincial repertoires, rau v;as<br />

seen occasionally in London.<br />

12<br />

v.hen Bar^ett procuced it at<br />

a matinee in liti t The ncrcipr^ coia >li inud of "the v.jry<br />

secona-rate u; lity oi the ooutry" and tL'6 "w: .it of<br />

verisimlitude" in some oi the cL.r.cters, but acmitt..o tact,<br />

well-ilayed, the piecu retoinec L certain vit iity. The<br />

corre ^poncient of The 1\^;.. tru cecioet. t:i^ t ti.u -..•trr.ti': a.ad<br />

emotion of tiu ,/art .-ore missoa a.ici that the playing, ta->u0h<br />

"con-jet", c.id rut carry any convictim:<br />

Oh, rain^ es th^ lady nay bo, both in look ano<br />

^osturo, GL-j i^ certainly v.antiiv i-^ thst inexplicable<br />

impulsivonos:-:, that absolute aba.no.on.. leat<br />

oi consciousnes_ anc; s^lf-_..ossessioa, x;itiiout<br />

v/hicii alt actir._must a .pear false cac untrue.<br />

(n.s.Vi ( L .jc, ; ber, UO) j21-,.: 3^ 1).

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