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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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242<br />

It was A%% to be exoccted that this speech, widely reported<br />

at the time, and soon reprinted b; tho body before whom it was<br />

delivered, should arouse adverse coarent. Punch, in an article<br />

entitled "The Stage by Kendal-Lieht" (firat of a series of<br />

similar puns) attacked the actress on itc favourite :< -round<br />

of social and artistic snobbery - a barrister and a doctor<br />

underwent a training which would fit them "for the ; ociety of<br />

educated, if not of highly cultured gentlemen*1 , and the ctor<br />

did not. Nor was social respectability any guarantee of hir.trionic<br />

talent - perhaps, the magazine surr-eotecl, the tv/o were<br />

in essence inimical, and an actor might be inhibited in hie<br />

art by excessive consciousness of social propriotiec (4 October<br />

1884). The dispute's ramifications were tedious and prolonged<br />

and attempts by Mrs Kendal to clarify her objections to come<br />

forms of theatrical journalism met with little success. In<br />

January the wound a were ctill fresh, so that The Heforee, in<br />

its second notice of As You Like It. could refer to her<br />

sarcastically as "the mother of the English ctago" (February<br />

1, 1885 )» and a cartoon published with the review in Tho Illustrated<br />

oporting and Dramatic Hews showed i?orrlind, perplexed,<br />

mucing "I wish I had never read that rsnpcr at tac Social Science<br />

Co i; ^recs" (7 February).<br />

Mrs Kendal was a popular actreno, and the company formed<br />

by her husband and John Hare was cucce; aful. Despite the<br />

hostility arouoed by the speech, the production of As You Like<br />

It had a number of factors in its favour: the pi ay had alv.-c.yc<br />

been popular, and cince Go'.'win's n-cn-^ir production • t Coombe,<br />

it heO a certain cr.ch.ot. ac a work attractive to tne<br />

taste for pastoral. Moroov-r, it wae not difficult to ^.rrr.n^c<br />

the to::t in c, series of elabor-. te set ccc-nes, whilst it v/as<br />

possible to retain sono, at lcr.;:t, of 3hp :e peer, 1 'a --x'.co anc!<br />

fluidity of action. It was a play in v.iiich lightnocc of touch,<br />

in design and acting, would be appropriate, and v/hich mi^lit<br />

seem suited to Frc Xenrlr-.il 'a intelligent art.<br />

In the event, hopes which mi^lrt hove been entertained<br />

for the fuocess of the venture were confounded, and the forcec<br />

mustered against the corvoaiiy prevailed, iii^fi eld's dr ;;i_nD

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