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Pictorial Shakespeare, 1880-1890 - eTheses Repository - University ...

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similar kind sought for the restoration of the status quo<br />

which obtained before the Pre-Ranhaelite movement. In "The<br />

Old Gyr. tern of Art-Culture and the Nev;" W.Oave Thomas inveighed<br />

against realism:<br />

How many a life work has been marred, cribbed,<br />

cabined, and confined for want of a stimulus oO<br />

grand world The tendency of Art of late years<br />

has been dovm! Town! from uincl to matter. It is<br />

the presence o± thought, of ideas, which exalts<br />

s innocent in themselves,<br />

but of no great account; to beauties which are<br />

not overlooked by tLe higher culture; but are<br />

re'^.rdecl only in relation to greater. The<br />

rendering of the poetry of thought or the facts<br />

of history is humanly of far greater import<br />

than tile exact imitation of the dovm of a peacli<br />

or of every filament in a bird's nest.<br />

(The Art-Journal,XIX (<strong>1880</strong>) 373-5;<br />

p. 375)<br />

,,ritten twenty years later, this might have seemed an<br />

unskilful defence of Impressionism, but in i860 it was<br />

recognisably a truculent suggestion that the Pre-Raphaelite<br />

rot had set in. For Thomas "poetry", so far as it concerns<br />

the winter, is confined to the depiction of men enjoyiirj<br />

and arousinr in others, nobility of reflection. His r-u?.rrol<br />

v;ith the moderns is with their lack of ethic;.! loftiness,<br />

and more immediately with ainute realism of detail. 'lis<br />

ideal, noble artist embraces ethical ( a.nd per:i -os li-'sr^ry)<br />

subject-natter, ana despises realism: he is a figure offered<br />

up as a rival to the contemporary r.rtist.<br />

The major conservative champion v/as, ni^vertlicloss,<br />

^uekininr. mm, reekin;; sublimity in rictori 1 accuracy of<br />

dot^il anc1 striving to present no.n anc" nntiore in moments of<br />

tellin r; cnotionn.l an." physical cricis. Val Princes, ^..R. 1 .,<br />

\vho Iir.d participated vit^ Worris n.nc 1. Rossetti in the paint:." ^<br />

of the Oxford Union f.riese, offoreu the ideal of the<br />

conservative painter to pupils of the St. Martin*G school of<br />

Art r.-t their prise^iving in 1^01. He wc.rnod them against<br />

eccentricity:<br />

.lie greatest jeniaoes have bocn -:lie .iinnljot<br />

men." ohakospeare lived, dressed, and :.iov?d<br />

much as other people of his day; R; pliael was<br />

the rim;-lost and "bc.-t lov-'= of men;

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