Multimodal Semiotics and Collaborative Design
Multimodal Semiotics and Collaborative Design
Multimodal Semiotics and Collaborative Design
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sensibilities, <strong>and</strong> methods of analysis’ to uncover the complex relations <strong>and</strong> movements through<br />
which social realities are constructed by groups (or collectives) (Law 2009). Although my research<br />
is clearly not an ANT study, here I would like to mention certain characteristics of the material<br />
semiotic method, which is relevant to the analysis of socially constructed meaning potentials.<br />
Sociologist John Law (1992) frames the objectives of the material semiotics by social relations,<br />
particularly including <strong>and</strong> emphasizing the enactment of power <strong>and</strong> organization as network<br />
effects. For Law (1992), the theory of actor-networks is essentially concerned with ‘the mechanics<br />
of power’, <strong>and</strong> the methodological task should be to study ‘how this comes about’ in heterogeneous<br />
networks (Callon <strong>and</strong> Law 1997).<br />
Most of our everyday interactions are mediated through objects, <strong>and</strong> it is possible to argue that all<br />
these socio-technical networks participate in the making of the ‘social’ (Law 1992); thus, they<br />
should be included in the study of material semiotics. For social action to occur as a material<br />
practice, the environment in which the action unfolds needs to be able to accommodate it in certain<br />
ways. Therefore, ANT’s description of non-human actors is also closely related with the notion of<br />
affordance (i.e. Gibson 1986, Norman 1988, 1998, 1999, 2008, McGrenere <strong>and</strong> Ho 2000), which I<br />
have introduced as a part of design theory.<br />
An 'actor' in ANT is a semiotic definition (Latour 1997). Actors, in this perspective, include not only<br />
the people but also the places, the artifacts <strong>and</strong> the media that they use to interact, as “any thing<br />
that does modify a state of affairs by making a difference is an actor” (Latour 2005: 71). The<br />
material semiotics of the social world considers all the participating actors as constituents of the<br />
social ordering, <strong>and</strong> asks how the materials become resources or constraints (Callon <strong>and</strong> Law<br />
1997). Therefore, this approach shares many practical links with ethnomethodology in terms of its<br />
search for local connections (Latour 1997).<br />
It is also important to characterize the networks heterogeneously (Callon <strong>and</strong> Law 1997), <strong>and</strong> to<br />
stress on the effects of organizations, inequality <strong>and</strong> power (Law 1992). People <strong>and</strong> machines are<br />
not only networks, but they are also processes of transformation, compromise <strong>and</strong> negotiation<br />
among actors (Callon <strong>and</strong> Law 1997). Therefore, the methodological approach in material<br />
semiotics foregrounds the exploration of the ‘strategic, relational, <strong>and</strong> productive character’ of<br />
actor-networks (Law 2009). It provides an empirical account of the theory of agency, knowledge<br />
<strong>and</strong> machines in order to answer the ‘how’ questions about structure, power <strong>and</strong> organization<br />
(Law 1992). This perspective provides an ontological framework, as it covers the enactment of<br />
realities, as well as epistemological <strong>and</strong> methodological ones, as it concerns itself with the making<br />
of knowledge <strong>and</strong> the ways in which social science can unravel the complex meaning formations<br />
(Law 2009).<br />
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