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Multimodal Semiotics and Collaborative Design

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from the meaning-making practices, in that the objects <strong>and</strong> bodies in spaces are transformed into<br />

places in people’s minds as they learn about them through experience. Places are experiential <strong>and</strong><br />

semiotic constructs. They are experiential, as they refer to particular locations where meaningful<br />

human interaction takes place. In fact, place is essential to human thought, as every action has to<br />

happen somewhere (Relph 2007). In this sense, built spaces (i.e. architectural spaces) are<br />

transformed into places through socio-cultural histories that are embedded in their designs, <strong>and</strong><br />

the ways in which they are interpreted <strong>and</strong>/or experienced as sign systems.<br />

Within a design-based perspective, “place is mixed with human values <strong>and</strong> principles, which<br />

transforms it as “a particular space which is covered with meanings <strong>and</strong> values by the users” (Najafi<br />

et al. 2011: 187). As a central agent of semiotic change, design shapes the environment of<br />

communication. Configurations of artifacts that constitute the place would, thus, transform the<br />

projections of the complex, inter-related social arrays in which places are constructed <strong>and</strong><br />

experienced through everyday practices. My analysis emphasizes the spatial characteristics of<br />

virtual environments, <strong>and</strong> practices of place-making through co-production of meaningful signs.<br />

Therefore, I will exemplify <strong>and</strong> discuss various similarities between (so-called) virtual <strong>and</strong> real<br />

places. On the other h<strong>and</strong>, the virtual places that are subjected to analysis here have unique<br />

characteristics, through which they are experienced <strong>and</strong> designed differently than physical places.<br />

According to social science scholar Edward Relph’s (2007) analysis of spirit of place <strong>and</strong> sense of<br />

place in VEs, a phenomenological perspective on the study of place-making is helpful for analysis.<br />

He argues that there are at least three interwoven elements of place: its physical setting, the spatial<br />

activities within it, <strong>and</strong> the meanings that arise from experiences from interacting with it.<br />

Ontological <strong>and</strong> epistemological relationships between space, time <strong>and</strong> bodily experience are also<br />

among the central discussions in the phenomenological approach (Merleau-Ponty 2004 [1948],<br />

Stewart <strong>and</strong> Mickunas 1974).<br />

We can no longer draw an absolute distinction between space <strong>and</strong> the things which occupy it,<br />

nor indeed between the pure idea of space <strong>and</strong> the concrete spectacle it presents to our senses<br />

(Merleau-Ponty 2004 [1948]: 51).<br />

In his book on ‘concepts of Space’, physics scholar Max Jammer (1970) distinguishes two particular<br />

tendencies to conceptualize space in modern European philosophical <strong>and</strong> natural sciences. The<br />

positivist concept of space is something that exists in itself, independently from human<br />

consciousness (i.e. we can talk about space without actually being in space). The opposing<br />

viewpoint, metaphysical (or dualist) concept of space has its roots in the theology of Leibniz, where<br />

‘place’ denotes ‘God’. Similarly, the Cartesian notion of space opposed the Aristotelian subjectivism<br />

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