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IN THE BUBBLE JOHN THACKARA - witz cultural

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100 Chapter 5<br />

complex interactions, not about filling up spaces with gadgets. Anything<br />

that impedes the free flow of interactions among individuals hinders<br />

innovation.<br />

Aborigines dream in the vastness of the outback. Dream time for modern<br />

man takes place in high-tech offices. ‘‘We no longer have roots, we have<br />

aerials,’’ goes the urban legend, and telecommunications companies promote<br />

‘‘anytime, anywhere’’ as a value. Life in systems-rich environments<br />

is understudied. Social scientists research endlessly the impact of television<br />

or the computer on behavior, and interaction designers study people in<br />

control rooms, air traffic control towers, and the like, but behavioral investigations<br />

of life for the rest of us in shopping malls, departure lounges, and<br />

other highly designed environments are rare. This is a significant gap,<br />

because these spaces have transformed the way we experience ‘‘here’’ and<br />

‘‘now’’ and ‘‘there’’ and ‘‘next.’’<br />

Some designers have become bored with gadgets and are learning now<br />

how to map the way communications flow in different kinds of communities.<br />

These ‘‘maps’’ do not just focus on so-called purposive communication—letters<br />

to the bank, calling a taxi, a project meeting—but also<br />

embrace social and <strong>cultural</strong> communications: the many ways people build<br />

relationships, articulate their needs and fears, and interact informally with<br />

friends, family, careers, officials, and so on. Traditional workplace design<br />

emphasized the individual worker and his space and equipment. The<br />

Walt Disney Company employs ‘‘imagineers’’ to animate its supremely<br />

artificial environments; we are beginning to see something similar emerge<br />

in the offices of knowledge-based companies: ‘‘office clowns,’’ ‘‘animateurs,’’<br />

‘‘show business impresarios,’’ and others whose role is to generally<br />

liven the place up.<br />

Lost in Space<br />

A lot of my work involves travel, and I have often pondered my curious<br />

state of mind while engaged in modern movement. As well as being thresholds<br />

between land and air, modern airports are gateways to complexity.<br />

Through them, we enter the operating environment of global aviation,<br />

one of mankind’s most complicated creations. But in airports and other<br />

large spaces, although we are isolated from the rhythms of the natural<br />

world, we remain ignorant of how this artificial one works. The result is to

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