IN THE BUBBLE JOHN THACKARA - witz cultural
IN THE BUBBLE JOHN THACKARA - witz cultural
IN THE BUBBLE JOHN THACKARA - witz cultural
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268 Notes to Pages 175–178<br />
45. David Toop, ‘‘Life in Transit,’’ in Sonic Process, ed. Christine van Assche (Barce-<br />
lona: Actar, 2002).<br />
46. R. M. Schafer, The Tuning of the World (New York: Knopf, 1977), republished as<br />
The Soundscape (Rochester, Vt.: Destiny Books, 1994).<br />
47. Benjamin U. Rubin, ‘‘Audible Information Design in the New York City Subway<br />
System: A Case Study’’ (paper presented at the International Conference on Acoustic<br />
Display, Glasgow, Scotland, 1998, available at http://www.earstudio.com/projects/<br />
P_subpage/subway.pdf). A case study (with audio files) is also available at http://<br />
www.earstudio.com/projects/P_subpage/subway_middle.html.<br />
48. Elliman, a graphic designer, works with typefaces, test patterns, and the human<br />
voice. The quotations here are from his lecture at the conference ‘‘Design Recast’’ at<br />
the Jan van Eyck Academy, Maastricht, in June 2002. A version of the talk was later<br />
published in Wired: Paul Elliman, ‘‘Now Hear This. Voice Space: When Space Starts<br />
Speaking, We Listen,’’ Wired 11, no. 6 ( June 2003), available at http://www.wired<br />
.com/wired/archive/11.06/voice_spc.html.<br />
49. Ibid.<br />
50. Michel Chion, Audio-Vision (New York: Columbia University Press, 1994). See<br />
also Kendall Wrightson, ‘‘An Introduction to Acoustic Ecology,’’ Soundscape: The Journal<br />
of Acoustic Ecology 1, no. 1 (Spring 2000): 10–13, available at http://homepage.<br />
mac.com/kendallwrightson/ae/aecology.html; and the website of the World Forum<br />
for Acoustic Ecology (http://interact.uoregon.edu/MediaLit/WFAE/home/index<br />
.html). For an excellent collection of resources on the artful uses of sound in environments,<br />
see Janek’s Sound/Art/Installation & Music Resource (http://www.audioh<br />
.com/information/soundartresource.html). Also useful are the proceedings of the<br />
Symposium on Sound Design, available at http://www.design-sonore.org/. For design<br />
experiments in the use of sound in urban contexts, see also the website of the consulting<br />
firm Genesis Psychoacoustics, available at http://www.genesis.fr/english/<br />
act3.htm, and the work of Yon Visell and Karmen Franinovic, available at http://<br />
www.zero-th.org.<br />
51. Ken Goldberg, ed., The Robot in the Garden: Telerobotics and Telepresence in the Age<br />
of the Internet (Cambridge, Mass.: MIT Press, 2000).<br />
52. Robert Levine, A Geography of Time: The Temporal Misadventures of a Social Psychologist<br />
(New York: Basic Books, 1997).<br />
53. Kate Fox, ‘‘Culture,’’ in The Smell Report (Oxford, England: Social Issues Research<br />
Center), available at http://www.sirc.org/publik/smell_culture.html.<br />
54. Kate Fox, ‘‘The Human Sense of Smell,’’ in The Smell Report (Oxford, England:<br />
Social Issues Research Center), available at http://www.sirc.org/publik/smell_human<br />
.html.