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IN THE BUBBLE JOHN THACKARA - witz cultural

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166 Chapter 8<br />

spills,’’ said Lieutenant Cris Aguirre, a hazardous materials technician and a<br />

Smart Strip user from the Miami-Dade Fire Department in South Florida. 13 I<br />

can imagine repurposing such a gadget so that it yells at me when I waste a<br />

lot of energy, too.<br />

Some inventive activists are already using environmental sensors as an<br />

extension of human senses in a real-world context. The Digital Library for<br />

Earth Systems Education (DLESE) involves teachers, students, and scientists<br />

in a project to create a library of maps, images, data sets, visualizations, assessment<br />

activities, and online courses. 14 In New York State’s Black Rock<br />

Forest, a consortium of schools, colleges, and research institutions, participants<br />

in DLESE, study topics ranging from tree rings to glacial geology, in<br />

situ. The forest has been ‘‘instrumented’’ (their word) with environmental<br />

sensors that continuously measure and record properties of the air, soil,<br />

and water. The sensors sense the same phenomena as human senses, but<br />

do so 24 hours a day and 365 days a year. Interpretation of data is as important<br />

in the project as collecting them. ‘‘Probably the most important insight<br />

you can convey from real time data is that environmental factors<br />

vary across both time and space,’’ says Kim Kastens at the forest’s Lamont-<br />

Doherty Earth Observatory, a partner in the educational effort. ‘‘Thinking<br />

about causes leads to questions like: why is it that air temperature goes up<br />

and down on a 24 hour cycle? why is it that one site consistently has lower<br />

relative humidity than the other?’’ Another educational tool used in the<br />

Black Rock Forest work, Data Harvester, enables students to perceive the<br />

ways that environmental data vary through time (by generating time<br />

series graphs) and through space (by plotting the data on maps). 15<br />

For the Australian engineer and artist Natalie Jeremijenko, our places are<br />

so complex that robust understanding of them needs to develop from<br />

approaching phenomena from many different angles, disciplines, and<br />

points of view and trying to make sense of conflicting evidence. In her<br />

project OneTree, Jeremijenko uses trees as a kind of electronic and biological<br />

instrument, or ‘‘blogservatory.’’ Cloned trees that have been raised in<br />

identical environmental conditions are planted in pairs throughout parks<br />

and other public sites around the San Francisco Bay Area. ‘‘In the next 50–<br />

100 years,’’ according to Jeremijenko, ‘‘they will continue to render the environmental<br />

and social differences to which they are exposed. This is the<br />

basis for a distributed data collection project that . . . provides a different<br />

context for public discourse of global climate change than one that is based

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