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Appendix 6 - International Music Council

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this promotes essentialist and nationalist reasoning. The EU seeks to promote the inclusion<br />

of diversity into the national public spheres themselves as well as the questioning of the<br />

concept of "national culture" in itself. Diversity, in the EU's perspectives, is to be<br />

understood<br />

as a matter of continuous processes of intersection, mutual exchange and<br />

differentiation. Diversity as opposed to homogeneity implies promotion of the idea of<br />

dynamic differences, which are under constant exchange and negotiation. Diversity then<br />

should be enacted as a precondition of equality, access to culture and cultural participation<br />

rather than as a value itself.<br />

France<br />

The French musical landscape is a very diverse and rich one, also due to major efforts<br />

being made by the authorities to promote French music industry and musical life by radio<br />

quotas for French language music as well as subsidies and incentive programmes and<br />

activities concerning all musical genres and the process of administrative decentralisation.<br />

Special efforts are made concerning traditional music. France has a strong world music<br />

scene, which also relates to it's colonial past.<br />

Germany<br />

Classical music is of major importance for the self-perception of Germany as a<br />

"Kulturnation" (nation of culture). Church music builds a major part of musical life as well<br />

as public cultural life, especially in smaller towns and communities. Popular<br />

music as well<br />

as folklore and world music are an important part of musical life. Amateur music plays a<br />

major role in the musical landscape of Germany, about 6.869.257 citizens play music in<br />

orchestras, ensembles, choirs, fanfares and music schools. There are about 140 orchestras<br />

playing classical music at least 10 of which belong to the top orchestras worldwide. One<br />

can say, that musical diversity in Germany is very high and the musical life is very well<br />

organised. World music and minority musics have their place in the German media world,<br />

the existence of foreign language programmes and whole radio stations like Radio<br />

multikulti and Funkhaus Europa that focus on musics of the world, are a creditable<br />

exception throughout Europe. Festivals on all types of music particularly on lesser known<br />

genres like "Alte Musik" led to an upswing of these sectors of the music industry and<br />

musical education. The festival life in the summer season is very vital and often beats the<br />

normal "concert" business. Germany is an important centre of the international music scene<br />

concerning classical and contemporary classical music<br />

Greece<br />

Greece is characterized by musical richness consisting above all out of the traditional<br />

regional styles of music and modern hybrid forms, like variations of Western classical<br />

music, blendings with jazz, rock, hip hop etc. that employ musical elements of traditional<br />

music or the Greek language. A transregional Ethno-Jazz-Scene developed through the<br />

collaboration of Greek musicians with colleagues from other Balkan countries. There are<br />

several regional folk music traditions including urban musical traditions like rebetiko and<br />

urban folk from Osmanian times. There is increasing interest and conscience of the<br />

existence of autonomous ethno-linguistical musical traditions with a fashion of<br />

conferences. Imported international musical genres like rock, blues, jazz, classical music,<br />

reggae or world music are performed by Greek ensembles, but not to an extensive amount.<br />

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