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Appendix 6 - International Music Council

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II. The links between musical diversity and economic development and the fight<br />

against poverty<br />

Substantial information can be given for South Africa, under this heading, despite the<br />

information received that there are “No specific government programs for poverty<br />

reduction in the music sector.” Zwelakhe Mbiba of the national Department of Arts and<br />

Culture wrote this in a recent email to the author of this report, but did go on to note that<br />

“However, DAC, other provincial departments, and local municipalities support live<br />

performances as they are a crucial part of economic activities in the music sector. Live<br />

performances do not only benefit the performers and the organisers but other people as<br />

well, e.g. vendors, security companies, hotels, etc. Live performances are good for Local<br />

Economic Development strategies and can be linked to cultural tourism.”<br />

II.1 The <strong>Music</strong> Industry Task Team (MITT) first met in early 2000, having been<br />

appointed by Dr Ben Ngubane, the then Minister of the Department of Arts, Culture,<br />

Science and Technology (known by the acronym DACST), in response to an expression<br />

of problems within the music industry by musicians and their representative<br />

organisations.<br />

The MITT comprised people holding the following positions or representing the<br />

following:<br />

Advisor to the Minister (Chair), Ghana National Theatre, Norwegian Traditional <strong>Music</strong><br />

and Dance Association, ASAMI (Association of South African <strong>Music</strong> Industry now<br />

called RISA, the Recording Industry of South Africa), Professional <strong>Music</strong>ian and<br />

composer, Owner of a live music venue, MUSA (<strong>Music</strong>ians Union of South Africa),<br />

SAMRO (South African <strong>Music</strong> Rights Organisation), Registrar of Patents and Copyright,<br />

DTI (Department of Trade and Industry), National Arts <strong>Council</strong>, Sony <strong>Music</strong>, Weber,<br />

Wentzel & Bowens (legal firm), DACST (Department of Arts, Culture, Science and<br />

Technology) and NORRM, the National Organisation of Recording Rights in <strong>Music</strong>.<br />

The terms of reference of the MITT were as follows:<br />

� To recommend to the Minister strategies to address the problems facing the South<br />

African music industry:<br />

• Recommendations are based on the oral and written submissions both<br />

national and provincial – and the experiences of MITT members.<br />

• Recommendations can be made regarding the interventions of all roleplayers<br />

- government, industry, unions, publishers, etc.<br />

� To indicate priorities regarding the recommendations.<br />

� Areas of investigation included the following:<br />

• The adequacy of the legislative framework governing the industry;<br />

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