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Appendix 6 - International Music Council

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Standard Bank National Arts Festival /Alleluias /Ensemble; premiered July 1995,<br />

Beethoven Auditorium, Fringe Festival of Standard Bank National Arts Festival (score<br />

withdrawn by the composer) /Noupoort Fragments/ String quartet, October 1998 /The<br />

year of the Famine /Song cycle for Bass Bar and piano (for Abel Motshoadi); written<br />

January 1999; premiere August 2001 /Dialogue for Cello and Piano/ Premiered Chicago<br />

Cultural Center's Cassidy Theatre, August 1997; dedicated to Itamar Cohen /Jerry and<br />

Dirk's Anniversary /Harpsichord; March 1998 /Five Preludes after Shakespeare/ Piano;<br />

August 1996 Beethoven Auditorium, Grahamstown /Pas de deux sauvage /2 pianos;<br />

commissioned by SAMRO for Jill Richards and Michael Blake; premiered on European<br />

recital tour, August 1999 /But There Went Up A Mist.../ Organ; premiered by Gerrit<br />

Jordaan, 1998; recorded by Obelisk <strong>Music</strong> /The Garden /Organ; February 1999 (can be<br />

performed as 2nd movement to But There Went Up...) /A Mari Usque Ad Mare /Organ;<br />

February 1999 (can be performed as 3rd movement to But There Went Up...) /Lives in<br />

Letter Beads /Piano; commissioned by SAMRO for the South African Society of <strong>Music</strong><br />

Teachers; January 2000 /Visions/* *(in 2 parts) Solo flute/violin; written for Wendy<br />

Hymes; Feb 2000 /Flowers in Sand/* *(in 2 parts) Piano; written for Lucius Weathersby;<br />

February 2000 *Choral Works: */Sharpville Gloria/ Written for Canta Nova of Hannover,<br />

Germany; Matt Schuermann, director /Lamentatio (Part 1) /Written for the choir of<br />

Wadham College, Oxford; Lawrence Schaffer, director. /Haec Dies /SATB; written in<br />

Jerusalem; 1997 /There is no Rose of such Virtue /SSAATTBB; for the Rhodes Chamber<br />

Choir, conducted by Christopher Cockburn; August 1996 /Rain song /SA; commissioned<br />

by Juanita Lamprecht; first performed Port Elizabeth UPE Cultura 1996<br />

Daniël Johannes Taljaard (born Soutpansberg district [Siloam], 13 March 1976)<br />

Hannes Taljaard was born in Venda, the northernmost part of South Africa. He very soon<br />

developed a keen interest in music.<br />

His formal music education began in Potchefstroom at the age of seven, and his first<br />

attempts at composition date from the same period. During his school years, he took<br />

lessons on the piano, recorder and organ as well as in harmony and counterpoint.<br />

Taljaard's BMus degree in <strong>Music</strong> Theory and Composition was completed in 1993,<br />

together with an Honours Degree in French Literature; both degrees were awarded cum<br />

laude. He was awarded an MMus (on the teaching of composition and music analysis)<br />

cum laude in 1997. He has taught harmony, counterpoint, analysis, aural training,<br />

composition and orchestration at Potchefstroom University since 1994. He is currently<br />

completing a Doctoral degree in Composition and <strong>Music</strong>ology, and is editor of the South<br />

African <strong>Music</strong> Teacher magazine. His compositions have been awarded numerous South<br />

African prizes, as well as a first prize in the international contest Flores Iuventutis in<br />

1994/5.<br />

Taljaard’s works have been performed in South Africa and Europe. He is currently<br />

working on a number of commissions for European ensembles, and for South African<br />

musicians. Taljaard has undertaken various study tours to Europe, and visited a number<br />

of colleges and conservatoires in England, Belgium, France, Germany, Switzerland and<br />

Bulgaria. In 1996 he attended the <strong>International</strong>e Ferienkurse für Neue Musik in<br />

Darmstadt, studying with Stockhausen, Rihm, Lombardi, Pagh-paan, Hosokawa, Klaus<br />

548

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