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Appendix 6 - International Music Council

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In a new elementary education reform program (Reforma Integral de Educación<br />

Secundaria) for basic school, it is stipulated as follows: “It is important to manifest that the<br />

music subject, as part of basic education, do not intend to provide a professional artistic<br />

education; instead, pupils must intentionally apply the language of an artistic discipline to<br />

express and communicate themselves, and to establish links between an artistic<br />

manifestation and esthetic, social and cultural criteria. Secretaría de Educación Pública.<br />

Reforma integral de la educación secundaria. Programas de estudio.<br />

http://ries.dgme.sep.gob.mx/<br />

Obviously, this educational criterion does not favor the knowledge of music nor musical<br />

diversity.<br />

Guatemala: There is no educational legislation concerning to musical diversity. Consejo<br />

Guatemalteco de la Música/CIM.<br />

El Salvador: Intends to develop musical education through folk song accompanied by<br />

native instruments. Ministerio de Educación. http://www.edured.sv<br />

On the other hand, the Conferencia Regional de América Latina y el Caribe Latino (Latin<br />

American and Latin Caribbean Regional Conference) within the Declaración de Bogotá<br />

sobre Educación Artística (Bogotá Declaration for Artistic Education), and supported by<br />

Cultural and Educational Agencies belonging to UNESCO, considering that the common<br />

region’s musical diversity politics are not properly applied, carried out an initiative to<br />

promote the improvement of education and artists’ participation.<br />

§ Item number 3 of that Declaration recommends the creation of Latin American<br />

collections and repertoires improving education in music, visual and stage arts.<br />

http://www.lacult.org/docc/Declaration_Bogota_Educ_Art_esp.doc<br />

§ A very important project called Tejiendo Redes, (Sewing nets) belonging to the Consejo<br />

de la Música de las Tres Américas (Three Americas <strong>Music</strong> <strong>Council</strong>/IMC) made two<br />

interesting proposals:<br />

a) An interactive CD – “Latin American <strong>Music</strong>al Forms”: the creation of a CD set<br />

comprising a compilation of traditional music forms from each of its member countries,<br />

to be distributed for free in educational and musical institutions. Observations about<br />

traditional forms, recordings and music scores would be included.<br />

b) A book – “America Sings its <strong>Music</strong>”: This would be a traditional music anthology,<br />

focused on youth and children’s choruses, to be distributed for free in educational and<br />

musical institutions.<br />

In spite of its progress, this project –educative and impellor of musical diversity- could not<br />

be financially supported by the <strong>International</strong> <strong>Music</strong> <strong>Council</strong> nor UNESCO in despite the<br />

small amount requested. Consejo de la Música de las Tres Américas (COMTA/CIM).<br />

- Subsidy. Are there regulations that require that government subsidy should be<br />

given to, or withheld from specific musical genres, or to a diversity of musical<br />

genres? Are there regulations that require that government subsidy can only<br />

407

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