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Appendix 6 - International Music Council

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peace building. The tour includes, amongst others, Indonesia, Sierra Leone, Honduras, and<br />

Guinea.<br />

http://www.iearnsierraleone.org/pages/partner/partnerships.html<br />

LIVE 8, G8 NATIONS AND SOUTH AFRICA<br />

Live 8 took place in July 2005, it was a series of benefit concerts, re-using the concept of<br />

"Live Aid" in 1985. The concerts took place in the G8 nations and South Africa. The shows<br />

aimed to put pressure on world leaders and politicians to drop the debts of the world's<br />

poorest nations, negotiate fairer trade rules in the interest of poorer countries, and increase<br />

and improve aid. They were running parallel with the Make Poverty<br />

History campaign in<br />

the UK and timed to precede the G8 Conference and Summit held at the Gleneagles Hotel<br />

in Perthshire, Scotland from July 6-8, 2005. More than 1,000 musicians performed at the<br />

concerts, which were broadcast on 182 television networks and 2,000 radio networks.<br />

There were ten simultaneous concerts held on 2 July and one on 6 July.<br />

http://www.live8live.com/<br />

3 The links between musical diversity and the<br />

promotion of peace<br />

GENERAL<br />

As the following examples from contemporary Europe show, music can, of course, be<br />

associated with both: peace and war, social harmony and social disharmony.<br />

For example,<br />

the Ukrainian Orange Revolution was associated with music, but the opposite side, the<br />

party of Janukovich, employed music as well. <strong>Music</strong>al diversity (in all our definitions) in<br />

contrast to music in general, however, tends to be associated with the promotion of peace<br />

and social harmony everywhere in Europe. Apart from the projects mentioned below there<br />

are many similar projects which we do not present here. Our focus lies on projects, because<br />

here, the association<br />

with peace and war, harmony and disharmony is particularly evident.<br />

This link between the two spheres becomes most obvious in projects<br />

aiming at the<br />

integration of people which have been or still are in a conflict situation, such as in former<br />

Yugoslavia or in the case of Israel/Palestine. Many<br />

projects of this kind are brought into life<br />

not by the government, but by NGOs, associations and other private organizations.<br />

There is a transitory zone between projects aiming to reduce social disharmony and projects<br />

seeking to fight poverty. Therefore, there might be some overlappings with section 2. As<br />

well, there is a certain correlation of this section with section 5, which deals with the<br />

promotion of non-pluralistic musical identities.<br />

Albania<br />

In 1997 with the collapse of the pyramid scheme many Albanians lost their savings,<br />

economy collapsed and riots broke out. Some 2000 people died. The situation<br />

was out of<br />

control and close to a civil war. An interviewee recalled a scene where music served as a<br />

symbol for peace and marked<br />

the beginning of normality after the riots had ended. In Vlorë,<br />

a city in the south of Albania, and at that time practically a ghost town, normal people of<br />

different backgrounds (policemen, a shepherd etc.)<br />

joined to perform a concert. The fact,<br />

that a concert was held, symbolized<br />

the end of the riots for the population of Vlorë. It was a<br />

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