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Appendix 6 - International Music Council

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In the more advantaged schools, awards are offered to learners who<br />

participate in cultural activities and are therefore encouraged to join a<br />

choir. This statement was confirmed when I saw the entries for the Tirisano<br />

Eisteddfod: almost no entries came from Mamelodi or any other township<br />

school!<br />

Voice training<br />

On the other hand, there is a great interest in solo singing. Utilising this<br />

interest I have started teaching the basic fundamentals of good singing<br />

technique to a group of learners. Part of their repertoire will include the<br />

singing of duets and trios, with the focus on enjoyment. There are,<br />

however, two very talented grade 12 students who are entered for the<br />

<strong>Music</strong> Performance subject in September.<br />

Trumpet<br />

In 2005 I took up the challenge to teach the trumpet. The GDE had supplied<br />

the instruments and it was definitely a waste of instruments not to make<br />

use of them. I have had only limited tuition on the trumpet, but it gave me a<br />

new challenge. The trumpet is proving to be very popular among the<br />

learners. Presently I teach in groups and the different groups share the<br />

instruments.<br />

Our motto at Melodi ya Mamelodi is “Doing hope through <strong>Music</strong>”…….. I<br />

hope that what we are doing will also bring hope to the revival and survival<br />

of a culture of making music together!<br />

VIOLIN (BETSIE MEYER)<br />

I joined Melodi ya Mamelodi in January 2004. I received Suzuki training<br />

from Christophe Bossuat (France) and Karen Kimmett and thought that<br />

with Narritive Therapy and Pastoral care, this would be a winning<br />

combination for the township experience. It was like visiting Antarctica in a<br />

sundress!<br />

We started with nine violins and seven bows and a hundred eager, noisy<br />

and excited children who wanted to learn the violin.<br />

Lesson planning<br />

Ideas of name-lists and timetables were immediately eliminated. I took<br />

seven learners for 15 minutes who then changed with the next seven<br />

learners, who then changed with the next seven, etc. This happened while<br />

the other 93 learners were watching in not-such-a-quiet manner. The<br />

changing of instruments was a very dangerous event. They stormed the<br />

522

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