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Appendix 6 - International Music Council

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MUSIC DIVERSITY QUESTIONNAIRE<br />

1. The complementarity or reciprocity between the protection of musical diversity and<br />

that of human rights.<br />

• Cite examples where music expression or music diversity have been repressed by<br />

direct action of government or action by others directed by government, or by<br />

others acting to pre-empt direction by government.<br />

As far as this investigation allows us to know, it seems that there is not any kind of<br />

repression of musical diversity by direct action of government in any of the Latin American<br />

countries. Nevertheless, not all musical expressions are treated with equality and not all<br />

styles have the same privileges. The result is a non-official but clear censorship from the<br />

media, and a violation of natural forms and contexts of musical expression. Generally, these<br />

breaches are not sanctioned or emended by government.<br />

Frequently, governmental authorities and cultural institutions commit different kinds of<br />

mistreatment and violations to everyday, common and logical rights:<br />

Certain live musical performances on stage which are not supported by media events, for<br />

instance, some classical music, some ethnic music, bohemian singers, not famous groups,<br />

do not receive fair payment and in some cases, adjoining activities to the same presentation<br />

are not considered in the budget, like the one that occurred in Argentina in which the<br />

organizers of a concert didn’t want to pay the expenses of a piano transportation, because<br />

transport is not a cultural activity! Quiero un país con dignidad. La Cultura otra vez al<br />

cadalso. Cristina Castello. http://www.paginadigital.com.ar It should be noted that in<br />

many countries in Latin America, the government is often responsible for the support both<br />

economical and promotional of musicians and music.<br />

On the other hand, there was a case in Mexico in which certain songs belonging to an<br />

ancient traditional music genre named “corrido” –which narrates real rural and urban<br />

stories- was considered objectionable and broadcast was forbidden because its content was<br />

about drug dealers´ financial profit and their triumphs in incidents with the police.<br />

En México prohíben en las radios los narcocorridos.<br />

http://www.chalino.com/noticias/prohiben-narcocorridos.asp<br />

• In the countries where there is such repression of musical expression or diversity,<br />

are there other notable breaches of human rights?<br />

Some people do not have the opportunity to participate in the education in their own<br />

culture; music education generally is deficient, with the exception of Cuba.<br />

FUENTE: Forum Panamericano sobre educación musical. Memoria. Consejo de la Música<br />

en México/CIM<br />

2. The links between musical diversity and economic development and the fight against<br />

poverty.<br />

397

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